Things to do in Tokyo this week

Enjoy the perfectly shaped, sunset-yellow ginkgo trees that form a 300m-long boulevard between Gaienmae and Aoyama-Itchome stations. This is Tokyo’s quintessential autumn scenery, which has graced countless Instagram accounts. The best time to visit is between November 23 and December 1 when the leaves have turned fully yellow and are lit up in the evening.

The light up takes place daily between 4.30pm and 7.30pm.

Rikugien is one of the best gardens in Tokyo to immerse yourself in beautiful Japanese landscapes. There’s no bad time to see the garden, but we do admit it’s especially picturesque in autumn, when the leaves take on vibrant shades of red and yellow.

From November 22 to December 4, Rikugien stays open until 8.30pm for its annual light-up. The trees in the garden are bathed in golden lights so that the brilliant colours of the changing leaves stand out even more, providing stunning views.

Aside from admiring the autumn foliage, don’t forget to drop by the garden’s dozo (storehouse). Its earthen walls serve as the canvas for a beautiful projection show between 6pm and 8.30pm. 

We recommend purchasing tickets online in advance, since tickets are limited and offered at a discounted price of ¥900. Otherwise, you can purchase tickets for ¥1,100 at the door.

Showa Kinen Park is the most beautiful in autumn, with the maple and ginkgo trees blushing in fiery red and yellow respectively. The ginkgo trees are the first to turn and you can see two boulevards of the golden yellow trees as soon as you enter the park’s Tachikawa gate. These trees are expected to turn full yellow in mid-November. The momiji and kaede trees, however, present their signature vermillion hues a bit later towards the end of November.

During this season, the park stays open after dark, with special light-ups taking place at the Gingko Tree Avenue (near the futsal and basketball courts) and the traditional Japanese Garden from 4.30pm until 8.30pm.

While you can enjoy the light-ups at Gingko Tree Avenue with just the park's regular admission fee (¥450, free for junior high school students and younger), you need an extra ticket to enter the Japanese Garden (advance ticket online ¥1,200, primary and junior high school students ¥600; same-day tickets sold at Komorebi House close to the Japanese Garden ¥1,300, ¥700).

Tickets to enter the Japanese Garden are now available to purchase online.

Note that the main entrance for this year's event is the Nishi-Tachikawa gate, a 2-minute walk away from Nishi-Tachikawa Station on the Ome Line. 

Mt Takao is one of the most picturesque destinations in Tokyo to see autumn leaves. And one of the best ways to do that is by taking the scenic cable car ride, which brings you closer to the mountain’s Yakuoin temple. Here you can sample shojin ryori, a traditional Japanese Buddhist vegetarian meal.

Throughout the duration of the festival, you can also look forward to a host of free events at Kiyotaki Station, the cable car stop at the base of Mt Takao, including musical and dance performances by local university students. Check the website for the schedule.

As it’s the case every year, the base of Mt Takao will be crowded in autumn, so it’s best to arrive via public transport.

The 400m-long Keyakizaka Street next to the Roppongi Hills shopping centre is lighting up with 800,000 sparkling white and blue LEDs until Christmas Day. From the pedestrian bridge near the Roppongi Hills Arena, you'll get a stunning view of the trees covered in shimmering lights, with Tokyo Tower in the background, from 5pm to 11pm daily. 

Marunouchi Street Park, which comprises the areas along Marunouchi Naka-dori and Gyoko-dori streets, is illuminated with festive lights in the evening. Until December 25, the area in front of the Marunouchi Building will have glass huts serving meals, baked goods and hot beverages, as well as stalls offering Western antiques. In front of the Marunouchi Nichome Building, you’ll find plenty of benches to rest on while enjoying live music in the evening of December 9, 10, 16 and 23.

You’ll also want to check out the ice skating rink at Gyoko-dori. It has a stunning view of the beautiful Tokyo Station building. The rink is open from 11am to 10pm daily (last entry 9.30pm) until Christmas.

The illuminations take place daily from 11am to 10pm.

Among the illustrated characters that emerged in Japan across the second half of the 20th century, and continue to capture hearts both at home and across the globe, none represents the phenomenon better than Hello Kitty. With a half-century now having passed since the cartoon feline was introduced by the Sanrio company, this major exhibition looks at how Kitty-chan’s design has evolved over decades of cultural change: without ever losing that innate charm that has endeared her to generation after generation.

The largest collection of Hello Kitty goods ever amassed in one place, as well as video content and other media, gradually reveals the secrets to this character’s appeal: how besides keeping pace with the times while simultaneously transcending them, Hello Kitty can mirror the day-to-day moods of each and every fan. Highlights include collaboration pieces created with well-known artists and designers, and a series of immersive photo spots featuring not only Kitty-chan but also other faces from the Sanrio stable, including My Melody and Cinnamoroll.

If you're visiting the Warner Bros. Studio Tour – The Making of Harry Potter this holiday season, you’re in for a treat. Tokyo’s hottest Harry Potter attraction has gone all out for its second Christmas celebration with a stunning six-metre-tall Christmas tree, a 1:24 scaled reproduction of Hogwarts Castle covered in snow, plenty of sparkling illuminations and a special food menu, all inspired by the first Christmas scene from ‘Harry Potter and the Philosopher's Stone'. 

Themed 'Hogwarts in the Snow', the Warner Bros. Studio Tour's 2024 holiday extravaganza has painstakingly recreated the Hogwarts Christmas scene from the first film with a breathtaking festive makeover of its Great Hall. You'll find a stunning Christmas tree in the lobby while illuminations are spread out across the premises including around the entrance lobby. The light-ups come on in the evening until 30 minutes after closing time.

As for the holiday menu, each of the Studio Tour's three food outlets are serving Christmas specials. For instance, you'll find a Christmas afternoon tea set and a buche de Noël Christmas cake at Backlot Cafe, a s'more dessert pizza at the Food Hall, and Christmas tree ice cream cones at the Frog Cafe.

If you’re looking for the most OTT illumination in Tokyo, this is it. Yomiuri Land's annual winter light show will bedazzle even the most jaded illumination-fiend. As the name suggests, jewels are the focus here: literally millions of colourful LEDs are set up throughout the vast theme park evoking sparkling gems. The park is split into ten areas where you will be treated to beautifully lit attractions. 

In addition to the rainbow-lit, 180-metre-long Celebration Promenade and Crystal Passage, you’ll spot two gigantic sparkly Ferris wheels to mark the amusement park's 60th anniversary. The highlight, however, is the fountain show, with water illuminated in different colours and sprayed into the air to create stunning shapes. There are three kinds of show happening every 15 minutes from 5pm daily. Also look out for the fountain’s flames and lasers, which are synchronised to music.

The Sumi-Yume project, a local initiative promoting art, dance and crafts inspired by the great ukiyo-e artist Hokusai and the Sumida River, is hosting its ninth annual festival from September 1 to December 22. Held across multiple venues along the aforementioned waterway, the festival aims to revitalise the neighbourhoods surrounding the Sumida River through the arts including dance, theatre and film.

You can partake in a new style of Bon Odori dance as portrayed by Hokusai in his ukiyo-e print. This will take place on October 26 from 2pm to 8pm at the Sumida Park Soyokaze Square. During the day, you can also enjoy a variety of stage performances by local artists, such as folk music, DJ mixing, hip-hop and more.

Also, don’t miss the outdoor cinema taking over Lattest Sports on October 11 and the Sumida Park Soyokaze Square on October 12 and 13. While the screening schedule has yet to be announced on the event website, you can expect movies such as ‘Perfect Days’, ‘Sing Street’ and ‘Paddington’.

Sumi-Yume is set to announce many more publicly commissioned works soon. Be sure to check the website for the latest updates.

Immersive theatre group Dazzle Dance Company is set to deliver its inaugural performance of ‘Anemoia Tokyo’ on October 11. The semi-permanent production will be bigger than the production house’s previous works, and it’s an international collaboration with nine visionary artists from Japan and abroad.

This non-verbal theatre experience, set in a mysterious train platform hidden near Tokyo Station, takes audiences on an ethereal train ride to a different world. Anemoia Tokyo will be unlike any traditional theatre where the audience is separated from the actors. Here, the production promises to offer an immersive experience where the audience is integrated into the narrative and transported into the story.

Tickets are currently on sale online, with prices starting from ¥15,000. The location of the venue will be disclosed only to ticket holders.

Shows on weekdays and Saturdays start at 4pm, 6.30pm and 9pm. Sunday and holiday shows start at 1.30pm, 4pm and 6.30pm.

In teamLab's new pop-up exhibition in collaboration with the Galaxy store in Harajuku, the digital art collective's enchanted forest has been transformed into an underwater fantasy. This latest installation is also an interactive one, where visitors can use smartphones to catch, study and release the colourful sea creatures they encounter in the space. There's a great variety of marine animals to see, including fish like tuna as well as aquatic creatures that are endangered or extinct. 

To catch a creature to study it, you can use the designated app on a Galaxy smartphone to scan fish swimming in the space, or throw out a 'Study Net' towards the floor if you see something interesting darting around your feet. 

Each session is an hour-long, with daily exhibitions open from 11am until 7pm. 

Note: an end date for this exhibition has yet to be announced.

French-born artist Louise Bourgeois (1911-2010) has long loomed large over Roppongi Hills: her outdoor sculpture of a gigantic spider, named ‘Maman’, is a local landmark. The sprawling development’s Mori Art Museum, then, is a fitting venue for this major retrospective of one of the most important artists of the past century. As explored by Bourgeois’ first large-scale Japanese solo exhibition in over 25 years, fear was an ongoing motivation over her seven-decade career.

This fear, however, was not the arachnophobia that one might suppose, given the formidable ‘Maman’. Rather, Bourgeois’ work was driven in part by fear of abandonment; something rooted in her complex and sometimes traumatic childhood. Through her famed oversized sculptures, installations, drawings, paintings and other mediums, she confronted painful personal memories while simultaneously channelling them into work that expresses universal emotions and psychological states.

Across three exhibition ‘chapters’ that each explore a different aspect of family relationships, highlights include the ‘Femme Maison’ series of paintings from the 1940s. These works, which decades later were championed by the feminist movement, each depict a female figure whose top half is obscured by a house which protects yet imprisons her.

Bourgeois’ extensive use of the spider motif, meanwhile, is examined in depth. As hinted at by the landmark ‘Maman’ (the French equivalent of ‘mummy’), for Bourgeois the spider was symbolic of the mother figure who heals wounds just as a spider repairs the threads of its web. The artist's use of this powerful symbol is traced from a small 1947 drawing through to the giant Roppongi arachnid and its 'sister' sculptures located in several cities worldwide.

The exhibition is open until 11pm on September 27 and 28, until 5pm on October 23, and until 10pm on December 24 and 31.

Master painter Claude Monet (1840-1926) is best known for Impressionist works that captured on canvas the ceaseless transitions of nature. As explored by this major exhibition, however, in the later years of his career, this French artist pursued a more abstract approach, with inspiration coming from both personal and wider realities such as bereavement, his own eye disease and the First World War.

The natural world remained Monet’s ostensible subject matter, such as his signature water lily ponds and their surrounding trees and skies, but his depictions of such scenes were then additionally coloured by internal distress.

For this show, around 50 pieces from Musée Marmottan Monet in Paris have been brought over to Japan, with many being shown in the country for the very first time. These are augmented by works held in collections across Japan, to form an expansive look at Monet’s later career.

The highlight here is a large screen of water lilies, which stands over two metres tall and makes for a truly immersive experience.

The exhibition is closed on Mondays (except November 4, January 13, February 10 and February 11) as well as November 5, December 28-January 1, and January 14.

Get ready to have your senses awakened at What Museum’s latest exhibit, Synesthesia. This captivating showcase explores the work of an artist who uses air, water, and light to craft mesmerizing sculptures that blur the lines between perception and reality. 

Exhibiting artist Akihito Okunaka, with a background in sociology and art education, was influenced by the late philosopher Bruno Latour to explore the connections between nature and society through our five senses. This exhibition invites visitors to touch, enter and lie down in a balloon-like installation piece, and truly feel a connection with our surroundings through a multi-sensory journey.

The centrepiece of the show is sure to be the 12-meter diameter balloon sculpture. Weighed down by a water pillow and bathed in different light frequencies, this mesmerizing creation promises a visual and tactile experience that blurs the lines between sight and touch. Imagine light refracting through multiple layers of translucent plastic film, creating a kaleidoscope of colours that dance across the surface, all while the gentle sway of the balloon invites exploration.

This exhibition is closed on Mondays (except October 14, November 4, January 13, February 3 and 24) and New Year’s holidays

Shibuya has a major new contemporary art venue with the opening of this museum, designed to share selections from the formidable private collection of entrepreneur Kankuro Ueshima. The six-storey facility, located within a dramatically renovated building that previously housed the prestigious British School, is set up to display Ueshima’s collection of over 650 works, from foremost Japanese and international artists, to their fullest potential.

This inaugural exhibition approaches contemporary art from a variety of perspectives, with most unfolding over an entire floor of the museum. Down in the basement, the trailblazing spirit of abstract painting is explored through work that ranges in timeline from a 1991 work by Germany’s Gerhard Richter to a piece from London-based Jadé Fadojutimi, known for her investigations of identity and self-knowledge, that was completed just this year.

Spanning the first and second floors, meanwhile, is a look at individual expression that encompasses a breathtaking range of global talent: artists include Olafur Eliasson, Hiroshi Sugimoto, Dan Flavin and Theaster Gates, with several names being represented by multiple artworks. The power of collaborative efforts comes to the fore through pieces created by Takashi Murakami with late Off-White designer Virgil Abloh, and by Louise Bourgeois together with Tracy Emin.

The gaze of Japanese female painters is the theme explored on the third floor, through works by artists including Ulala Imai and Makiko Kudo, while on the fourth floor, works by Tatsuo Miyajima and others take diverse approaches to the notion of things changing and things disappearing. Finally, floor five is dedicated to a selection of paintings by Yoko Matsumoto, an abstract artist who derives inspiration from Western artistic modes while expressing an Asian sensibility.

Note that tickets are not available at the door; they must be purchased in advance online.

The life of painter Tanaka Isson (1908-1977), best known for expressing the natural beauty of the Unesco World Heritage-designated island Amami Oshima, took a truly dramatic arc. While still a child, his outstanding talent for nanga – a Japanese painting style inspired by the aesthetics of the Chinese literati – led to him being hailed as a young prodigy destined for success.

After he dropped out of Tokyo Fine Arts School (now Tokyo University of the Arts) for still-unknown reasons, subsequent decades saw Isson work as a farmer, while continuing to paint despite lack of recognition. At the age of 50, in 1958, he relocated alone to remote Amami Oshima, close to Okinawa in Japan’s southwest, whose tropical flora and fauna would inspire him anew.

While working as a fabric dyer to support his artistic practice, Isson developed a way of conveying his idyllic new surroundings that was painterly and simultaneously marked by a level of vivid detail that could today be described as ‘high definition’. It was only following Isson’s death at the age of 69, while still residing on Amami Oshima, that his work began to receive its long-overdue acclaim.

Isson’s posthumous reputation has continued to grow, culminating in this major retrospective comprising over 250 works. Paintings, sketches, documents and other artefacts create a complete picture of the artist’s life and work, with some recently discovered pieces revealing hitherto unknown aspects of his creative practice.

This exhibition is closed on Mondays (except September 23, October 14, November 4),
September 24, October 15 and November 5.