Things to do in Tokyo this week

Looking for something to do over the New Year’s holidays? Head to Tokyo Skytree Town to catch a 20-minute Shishimai lion dance performance on January 1. The show takes place on Tokyo Skytree’s observation deck floor 350 at 8.30am, 10am, 11.30am, 12.30pm and 2pm and at the Solamachi Square at 10am, 11am and 12noon. Afterwards at 1pm, Japanese owarai comedians will be performing and handing out free sake to visitors until supplies last.

If lion dance performances or owarai comedy isn't your thing, head to the Skytree lower observation deck on January 1 and January 2 to experience sumo firsthand. Local sumo wrestlers from the Kise Stable are invited to the observation deck for a special event where visitors can compare their strengths with the wrestlers - and take memorable photos.

Another popular New Year tradition in Japan is the kakizome, the act of writing the first calligraphy of the new year. You can see it done live on January 2 and January 3 at 1pm at Solamachi Hiroba plaza, conducted by calligrapher Mohri Suzuki.

Stick around the East Yard on the third floor to participate in a free 20-minute calligraphy workshop led by Mohri Suzuki himself. It's held at 2pm, 2.30pm, 3pm, 3.30pm, 4.30pm, 5pm, 5.30pm and 6pm on January 2 and January 3.

Enoshima’s annual illumination is widely touted as one of the three biggest and most impressive light-up events in Japan, alongside the ones at Ashikaga Flower Park and Sagamiko. There are about 10 illumination spots scattered across the hilly island – including the Enoshima Shrine, Ryuren Bell of Love on Lover's Hill and Nakatsumiya Square – so put on some comfortable shoes as you’ll be trekking a lot.

Don’t miss the main attraction located at the island’s iconic Enoshima Sea Candle lighthouse, which is decked out in 70m-long strings of lights stretching from the tip of the tower to the ground, creating a formation similar to the silhouette of Mt Fuji.

The Samuel Cocking Garden, where the Sea Candle is located, is transformed into the dreamy Hoseki (bejewelled) Forest, where everything from the ground and the grass to the trees are covered in rainbow-coloured lights. Keep an eye out for the Shonan Chandelier tunnel, all decked out with luxurious crystal beads and LED lights.

Most attractions are open from 5pm to 8pm (until 9pm on weekends and holidays). You can see most of the light-ups on Enoshima for free, but you will need a ticket (¥500, children ¥250) to enter the Samuel Cocking Garden.

If you're on the island early during daylight hours, head over to Enoshima Iwaya (¥500, children ¥250), as the island's famous cave, created by decades of wave erosion, is bedecked with sparkling lights from 9am to 5pm.

The massive Unicorn Gundam statue in front of DiverCity Tokyo Plaza in Odaiba is getting lit up with special winter lights. Until February 16, you can see the robot illuminated in blue, red and yellow to commemorate the 45th anniversary of the Mobile Suit Gundam animated series, which first premiered in 1979. While you can see this exclusive light-up from 5pm to 11pm daily, we recommend visiting between 7pm and 9.30pm to also see a special show featuring a short screening of the animation, held every 30 minutes.

This large ice skating rink in Tokyo Midtown’s garden area is surrounded by greenery, but if you go skating in the evening, you'll also get the added scenery of pretty illuminations and a view of the lit-up Tokyo Tower. Wearing gloves is mandatory, so if you want to avoid paying extra for a pair (¥300) sold on site, make sure to bring your own.

The admission ticket includes skate rental, plus a free helmet rental this year. The ice rink will close if temperatures are too warm, so make sure to check the website before heading over.

The ice rink is open daily from 11am-9pm, and the last entry is 8pm (closed on Jan 1).

Head over to Minami-Machida for this adorable Snoopy-themed ice skating rink at outlet mall Grandberry Park. The rink is part of the shopping centre’s Christmas event and can be found at the Oasis Plaza. There are plenty of illustrations depicting Snoopy and his friends, while the rink is also illuminated in seven different colours in the evening.

Gloves are mandatory when skating here and can be purchased at the venue for ¥300. Beginners can either join a ten-minute ice skating lesson daily for ¥1,000, or a 60-minute lesson from 9.30am on December 22, 27, 29, 31 and January 3, 5, 11, 13, 19 and 26. It’s ¥3,500 per person (skate rental included) and reservations have to be made in advance online (form opens December 7) or by phone.

Skate rental is included in the admission fee of ¥2,000 (high school, junior high and primary school students ¥1,700, preschoolers ¥1,200). Visitors who drop by from 6pm will get a discount and pay only ¥1,500 (high school, junior high and primary school students ¥1,200, preschoolers ¥700).

The rink is open from 1pm to 8pm on weekdays and from 11am to 8pm on weekends and holidays; until 6pm on Dec 31. Note that the rink is closed on Jan 1 and Feb 18.

Among the illustrated characters that emerged in Japan across the second half of the 20th century, and continue to capture hearts both at home and across the globe, none represents the phenomenon better than Hello Kitty. With a half-century now having passed since the cartoon feline was introduced by the Sanrio company, this major exhibition looks at how Kitty-chan’s design has evolved over decades of cultural change: without ever losing that innate charm that has endeared her to generation after generation.

The largest collection of Hello Kitty goods ever amassed in one place, as well as video content and other media, gradually reveals the secrets to this character’s appeal: how besides keeping pace with the times while simultaneously transcending them, Hello Kitty can mirror the day-to-day moods of each and every fan. Highlights include collaboration pieces created with well-known artists and designers, and a series of immersive photo spots featuring not only Kitty-chan but also other faces from the Sanrio stable, including My Melody and Cinnamoroll.

Sagamiko Resort Mori Mori has gone all out for its winter illuminations, featuring over six million dazzling LEDs. This year, there's an entire area dedicated to Japan's beloved laid-back bear, Rilakkuma, along with his sidekick Korilakkuma and other San-X friends like Sumikkogurashi.

You can hop on the park’s Rainbow Chairlift and sail over colourful stripes before reaching the top of a hill, where you'll find a series of illumination art walls showcasing Rilakkuma and his friends. Walk further in to discover a massive Tarepanda inflatable and a bear-shaped igloo with Sumikkogurashi characters glowing in colourful lights.

Be sure to catch the spectacular illumination show at the San-X character stage, where Korilakkuma, Afro-dog and Ebifurai No Shippo perform live with synchronised laser lights for four minutes each. Nearby, a massive Rilakkuma is perched a set of swings, providing the perfect setup for a special photo.

While you’re there, indulge in Rilakkuma and Sumikkogurashi-themed meals and snacks. Enjoy a hearty Sumikkogurashi Bon Pasta or the Meat Doria Plate with San-X characters. Prefer something sweet? Then check out the colorful popcorn sundae or the Rilakkuma pudding in a cup.

If you’re looking for the most OTT illumination in Tokyo, this is it. Yomiuri Land's annual winter light show will bedazzle even the most jaded illumination-fiend. As the name suggests, jewels are the focus here: literally millions of colourful LEDs are set up throughout the vast theme park evoking sparkling gems. The park is split into ten areas where you will be treated to beautifully lit attractions. 

In addition to the rainbow-lit, 180-metre-long Celebration Promenade and Crystal Passage, you’ll spot two gigantic sparkly Ferris wheels to mark the amusement park's 60th anniversary. The highlight, however, is the fountain show, with water illuminated in different colours and sprayed into the air to create stunning shapes. There are three kinds of show happening every 15 minutes from 5pm daily. Also look out for the fountain’s flames and lasers, which are synchronised to music.

In teamLab's new pop-up exhibition in collaboration with the Galaxy store in Harajuku, the digital art collective's enchanted forest has been transformed into an underwater fantasy. This latest installation is also an interactive one, where visitors can use smartphones to catch, study and release the colourful sea creatures they encounter in the space. There's a great variety of marine animals to see, including fish like tuna as well as aquatic creatures that are endangered or extinct. 

To catch a creature to study it, you can use the designated app on a Galaxy smartphone to scan fish swimming in the space, or throw out a 'Study Net' towards the floor if you see something interesting darting around your feet. 

Each session is an hour-long, with daily exhibitions open from 11am until 7pm. 

Note: an end date for this exhibition has yet to be announced.

French-born artist Louise Bourgeois (1911-2010) has long loomed large over Roppongi Hills: her outdoor sculpture of a gigantic spider, named ‘Maman’, is a local landmark. The sprawling development’s Mori Art Museum, then, is a fitting venue for this major retrospective of one of the most important artists of the past century. As explored by Bourgeois’ first large-scale Japanese solo exhibition in over 25 years, fear was an ongoing motivation over her seven-decade career.

This fear, however, was not the arachnophobia that one might suppose, given the formidable ‘Maman’. Rather, Bourgeois’ work was driven in part by fear of abandonment; something rooted in her complex and sometimes traumatic childhood. Through her famed oversized sculptures, installations, drawings, paintings and other mediums, she confronted painful personal memories while simultaneously channelling them into work that expresses universal emotions and psychological states.

Across three exhibition ‘chapters’ that each explore a different aspect of family relationships, highlights include the ‘Femme Maison’ series of paintings from the 1940s. These works, which decades later were championed by the feminist movement, each depict a female figure whose top half is obscured by a house which protects yet imprisons her.

Bourgeois’ extensive use of the spider motif, meanwhile, is examined in depth. As hinted at by the landmark ‘Maman’ (the French equivalent of ‘mummy’), for Bourgeois the spider was symbolic of the mother figure who heals wounds just as a spider repairs the threads of its web. The artist's use of this powerful symbol is traced from a small 1947 drawing through to the giant Roppongi arachnid and its 'sister' sculptures located in several cities worldwide.

The exhibition is open until 11pm on September 27 and 28, until 5pm on October 23, and until 10pm on December 24 and 31.

Master painter Claude Monet (1840-1926) is best known for Impressionist works that captured on canvas the ceaseless transitions of nature. As explored by this major exhibition, however, in the later years of his career, this French artist pursued a more abstract approach, with inspiration coming from both personal and wider realities such as bereavement, his own eye disease and the First World War.

The natural world remained Monet’s ostensible subject matter, such as his signature water lily ponds and their surrounding trees and skies, but his depictions of such scenes were then additionally coloured by internal distress.

For this show, around 50 pieces from Musée Marmottan Monet in Paris have been brought over to Japan, with many being shown in the country for the very first time. These are augmented by works held in collections across Japan, to form an expansive look at Monet’s later career.

The highlight here is a large screen of water lilies, which stands over two metres tall and makes for a truly immersive experience.

The exhibition is closed on Mondays (except November 4, January 13, February 10 and February 11) as well as November 5, December 28-January 1, and January 14.

Get ready to have your senses awakened at What Museum’s latest exhibit, Synesthesia. This captivating showcase explores the work of an artist who uses air, water, and light to craft mesmerizing sculptures that blur the lines between perception and reality. 

Exhibiting artist Akihito Okunaka, with a background in sociology and art education, was influenced by the late philosopher Bruno Latour to explore the connections between nature and society through our five senses. This exhibition invites visitors to touch, enter and lie down in a balloon-like installation piece, and truly feel a connection with our surroundings through a multi-sensory journey.

The centrepiece of the show is sure to be the 12-meter diameter balloon sculpture. Weighed down by a water pillow and bathed in different light frequencies, this mesmerizing creation promises a visual and tactile experience that blurs the lines between sight and touch. Imagine light refracting through multiple layers of translucent plastic film, creating a kaleidoscope of colours that dance across the surface, all while the gentle sway of the balloon invites exploration.

This exhibition is closed on Mondays (except October 14, November 4, January 13, February 3 and 24) and New Year’s holidays