Things to do in Tokyo today

Enjoy the perfectly shaped, sunset-yellow ginkgo trees that form a 300m-long boulevard between Gaienmae and Aoyama-Itchome stations. This is Tokyo’s quintessential autumn scenery, which has graced countless Instagram accounts. The best time to visit is between November 23 and December 1, when the yellow leaves are lit up in the evening. The light up takes place daily between 4.30pm and 7.30pm.

Showa Kinen Park is the most beautiful in autumn, with the maple and ginkgo trees blushing in fiery red and yellow respectively. The ginkgo trees are the first to turn and you can see two boulevards of the golden yellow trees as soon as you enter the park’s Tachikawa gate. These trees are expected to turn full yellow in mid-November. The momiji and kaede trees, however, present their signature vermillion hues a bit later towards the end of November. During this season, the park stays open after dark, with special light-ups taking place at the Gingko Tree Avenue (near the futsal and basketball courts) and the traditional Japanese Garden from 4.30pm until 8.30pm. While you can enjoy the light-ups at Gingko Tree Avenue with just the park's regular admission fee (¥450, free for junior high school students and younger), you need an extra ticket to enter the Japanese Garden (advance ticket online ¥1,200, primary and junior high school students ¥600; same-day tickets sold at Komorebi House close to the Japanese Garden ¥1,300, ¥700). Tickets to enter the Japanese Garden are now available to purchase online. Note that the main entrance for this year's event is the Nishi-Tachikawa gate, a 2-minute walk away from Nishi-Tachikawa Station on the Ome Line. 

The 400m-long Keyakizaka Street next to the Roppongi Hills shopping centre is lighting up with 800,000 sparkling white and blue LEDs until Christmas Day. From the pedestrian bridge near the Roppongi Hills Arena, you'll get a stunning view of the trees covered in shimmering lights, with Tokyo Tower in the background, from 5pm to 11pm daily. 

The 1.2-kilometre-long Marunouchi Naka-dori street, always one of the most popular Tokyo illumination spots, will have around 280 trees lit up with about 820 thousand low-energy, champagne-coloured LEDs this year, making for an environmentally friendly and stylish display. If you’d rather stay cosy while admiring the lights, visit the newly renovated Marunouchi House, where the seventh-floor terrace will feature festive illuminations for a limited time. The terrace has plenty of seats surrounded by outdoor heaters. Closer to Christmas, Gyoko-dori between the Imperial Palace and Tokyo Station will have more illuminations between November 28 and December 25.

Mt Takao is one of the most picturesque destinations in Tokyo to see autumn leaves. And one of the best ways to do that is by taking the scenic cable car ride, which brings you closer to the mountain’s Yakuoin temple. Here you can sample shojin ryori, a traditional Japanese Buddhist vegetarian meal. Throughout the duration of the festival, you can also look forward to a host of free events at Kiyotaki Station, the cable car stop at the base of Mt Takao, including musical and dance performances by local university students. Check the website for the schedule. As it’s the case every year, the base of Mt Takao will be crowded in autumn, so it’s best to arrive via public transport.

The annual Hibiya Magic Time Illumination is returning for its sixth run at Tokyo Midtown Hibiya. This year, the event boasts four areas bathed in beautiful lights inspired by twinkling stars in the night sky. Hibiya-Nakadori Street is decked out with captivating multi-coloured illuminations. Hibiya Step Square, meanwhile, features seven Christmas trees (on display until December 25) inspired by Disney's soon-to-be-released 'Moana 2'. Adorned with multicoloured LEDs, the Christmas trees will light up in sync with the movie's soundtrack. Don’t miss the Park View Winter Garden on the sixth floor. Here you’ll find glittering rainbow-coloured lights on the grass lawn, which draws inspiration from Hibiya's flashy image as an entertainment district. The illuminations take place daily from 4pm to 11pm.

This annual wintertime display at Yebisu Garden Place incorporates a Baccarat chandelier that's 5m tall and 3m wide, making it one of the largest in the world. Made of 250 light bulbs and 8,500 crystals, the chandelier emits a warm and elegant light. That’s not all, though. There are smaller displays in the Entrance Pavilion, Clock Plaza, Promenade, Center Plaza, Glass Square and on the 38th floor of Yebisu Garden Place Tower. In total, the event uses roughly 100,000 light bulbs.  While you're there, check out the European-inspired Christmas Marche at Chateau Square and Clock Plaza. Here you'll find holiday trinkets and hearty soups as well as mulled wine and hot chocolate to warm you up on a cold evening. The Christmas Marche is held daily from 5pm to 8pm (12noon-8pm on weekends) until December 25. Christmas Marche at Chateau Square opens on November 29.

Don’t miss the ninth edition of Mutek.JP, featuring a dynamic blend of art, technology and electronic music as well as a stellar lineup of over 25 local and international artists. Some of the big names to watch out for include Berlin-based electronic composer Caterina Barbieri, acclaimed art music outfit Violent Magic Orchestra, Palestinian artist Maher Daniel, and many more.  This three-day multidisciplinary festival is held across two iconic Shibuya venues, Womb and Spotify O-East, with performances showcasing cutting-edge electronic music. These events are further complemented by conferences as well as an interactive digital art exhibition titled ‘Eternal Art Space’, happening at Shibuya Hikarie Hall B.  Eternal Art Space is quite possibly Mutek.JP’s most visual element. Participating names include renowned Japanese audiovisual artist Ryoichi Kurokawa, who won the prestigious Golden Nica Award for Digital Music & Sound Art at Ars Electronica in Austria. For this event, he’ll be presenting two works: ‘re-assembli’ and ‘ground’.  The project ‘re-assembli’ explores the relationship between nature and the human-made through different mediums including a concert piece, multiscreen installations, VR and more. For ‘ground’, you can enjoy an audiovisual installation featuring the reconstruction of images and sounds recorded in the Middle East by filmmaker and producer Daniel Demoustier. The footage compiles a range of viewpoints and situations to convey a strong emotional message.

The annual illuminations at Oi Racecourse (also known as Tokyo City Keiba) are returning for their sixth run, with the sprawling venue bathed in colourful lights every evening. You can enjoy elaborate light-up and projection mapping displays across two areas. Upon entering the venue, you’ll find yourself in the Twinkle area, where you’ll walk through a long corridor lit up with twinkling blue lights leading you to the main attractions. Aside from the vivid light projections on the ground, you’ll also come across the Aurora Forest with glowing trees and laser-lit mists. This particular attraction puts on regular five-minute light shows synchronised to music.  The Wa no Kirameki area, on the other hand, occupies the centre of the racecourse. Here, a colourful water fountain becomes the centre of an aurora light display synchronised to music. There's also an illuminated cherry blossom tunnel, a large trellis of artificial wisteria all decked out with pink and golden lights, plus an illumination recreating a typical Japanese rural landscape complete with paddy fields and a stream. What's more, with this event taking place at a racecourse, you can even pet and take photos with real horses.

French-born artist Louise Bourgeois (1911-2010) has long loomed large over Roppongi Hills: her outdoor sculpture of a gigantic spider, named ‘Maman’, is a local landmark. The sprawling development’s Mori Art Museum, then, is a fitting venue for this major retrospective of one of the most important artists of the past century. As explored by Bourgeois’ first large-scale Japanese solo exhibition in over 25 years, fear was an ongoing motivation over her seven-decade career. This fear, however, was not the arachnophobia that one might suppose, given the formidable ‘Maman’. Rather, Bourgeois’ work was driven in part by fear of abandonment; something rooted in her complex and sometimes traumatic childhood. Through her famed oversized sculptures, installations, drawings, paintings and other mediums, she confronted painful personal memories while simultaneously channelling them into work that expresses universal emotions and psychological states. Across three exhibition ‘chapters’ that each explore a different aspect of family relationships, highlights include the ‘Femme Maison’ series of paintings from the 1940s. These works, which decades later were championed by the feminist movement, each depict a female figure whose top half is obscured by a house which protects yet imprisons her. Bourgeois’ extensive use of the spider motif, meanwhile, is examined in depth. As hinted at by the landmark ‘Maman’ (the French equivalent of ‘mummy’), for Bourgeois the spider was symbolic of the moth