Free things to do in Tokyo this week

Asakusa's Kappabashi – the famed mecca for Tokyo chefs and homecooks looking to kit out their kitchens – is festooned with vibrantly coloured streamers and decorations during this annual summer festival. Though it runs from July 3 to 7, the best time to visit the Shitamachi Tanabata Matsuri is over the July 4-5 weekend, when local businesses put out stalls and hold parades and street performances. The street parade on July 4 will begin at 1.15pm near the Ueno Gakuen Junior and Senior High School, and slowly make its way through Kappabashi Main Street towards Asakusa. Expect to see a parade of local kindergarteners, police and primary school marching bands, plus special appearances by a local Morioka-Sansa traditional dance troupe and the Metropolitan Police's all-female motorcycle brigade. On Sunday July 5, Kappabashi will be hosting street performances of all sorts throughout the day, ranging from Sado-Okesa dances from Niigata to Awa-Odori dances from Tokushima.

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world. The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle.  Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats.  From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details. Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows,...

Window manufacturer YKK AP teams up with a number of prestigious Spanish institutions to highlight a small but crucial detail of Antoni Gaudí’s wide-ranging oeuvre. Zooming in on the role apertures played in the Catalan visionary’s singular architectural language, which was defined by organic forms, intricate ornament and a profound understanding of structure and light, ‘Windows on the Future’ forms part of a wider research initiative examining Gaudí’s creative methods. Organised to mark the centenary of Gaudí’s death, the exhibition at 21_21 Design Sight shares its concept with a more extensive presentation at Barcelona’s Palau Güell, a UNESCO World Heritage site, adapting it to the design-focused environment of Gallery 3. Through models, research materials and visual documentation, visitors are invited to explore Gaudí’s enduring ideas and consider how his inventive thinking may inspire the windows, and architecture, of the future.

Legend tells of the star-crossed lovers Orihime and Hikoboshi who, separated by the Milky Way, are only able to meet once a year on the night known as Tanabata. This festival is synonymous with colourful streamer decorations, wafts of romance, and a ritual in which people write wishes on strips of paper (tanzaku) and tie them to bamboo branches. Zojoji's version of the celebration features a beautiful candle light-up on Monday and Tuesday from 6pm to 9pm. Hundreds of washi paper lanterns are arranged in the shape of the Milky Way along the staircase that leads up to the temple’s main hall. Make sure to write down your wish for Tanabata on a colourful strip of paper, which you can get for ¥200 each. The temple priests will conduct a special ceremony at 5.30pm on July 7, where they’ll bless your wishes.  For this special occasion, Zojoji Temple is selling a beautiful Tanabata-themed omamori lucky charm (¥3,000). If you’d like to get your hands on one, we recommend buying yours in advance via the temple’s online shop, since quantities are limited. When you’re making the purchase, don’t forget to write your name in the column for additional notes, as the priests will read out your name at a special prayer on the night of July 7. The omamori will be shipped after the event (from July 8). For more information, see the event website.

Enjoy the warmer spring evenings at the Tokyo Night Market near Shibuya Crossing. Here you can expect a variety of street food alongside live performances and art exhibitions, with DJs on deck to set the mood all day till 10pm. Held at Yoyogi Park’s Keyaki events square for five consecutive nights from July 1 to July 5, the triannual event is expected to be bigger than before. As for music, you can look forward to an impressive lineup of mainstream and indie acts, including pop-music band Friends (July 2), the piano and cajón duo Pia-no-jac (July 2), chorus-idol group Machida Girls' Choir (July 4), improvisational percussion group La Señas (July 5) and many more. Keep tabs on the event's Instagram for the latest updates. Tokyo Night Market runs from 4pm to 10pm Wednesday through Friday, and from 2pm to 10pm on weekends.

Dividing his time between Tokyo and New York, Kota Iguchi (b. 1984) has emerged as a leading figure redefining the relationship between graphic design, motion and immersive visual experience. As co-founder of the creative association CEKAI, he has developed a practice that moves fluidly between motion graphics, live-action film, spatial installations and large-scale digital environments. From the animated sports pictograms of the Tokyo 2020 Olympics to projects for Las Vegas’s Sphere, Iguchi demonstrates how graphic language can evolve beyond flat surfaces. This summer, Ginza Graphic Gallery explores the artist’s dynamic visual universe with ‘Kota Iguchi: Motion Graphics’. The exhibition examines how typography, geometry, paper and physical movement can interact and unfold across time and space. For the occasion, Iguchi has collaborated with artists Rei Ishii, Ryu Mieno and Taku Sasaki/Aki Kanai on three newly commissioned works exploring the intersections of geometric structures, bodily expression and sequential forms. Installed on the gallery’s ground floor, these projects trace the transformation of graphic ideas into sculptural and animated experiences. Meanwhile, the basement space surveys landmark works by Iguchi and CEKAI, highlighting the growing role of immersive visual communication in contemporary culture. Blending motion, architecture and graphic experimentation, the exhibition offers a compelling glimpse into the future of design as a spatial and sensory...

It's not quite a Japanese summer without fireflies. Come see them at Setagaya's very own Firefly Festival which attracts a respectable 25,000 visitors every year. At the heart of the festival is the spectacle of approximately 3,000 fireflies released in a dome tent at the Setagaya Daikanyashiki parking lot. As dusk falls, watch these curious bugs illuminate the evening with their gentle glow.

The UNU farmers’ market is one of Tokyo’s longest running and best-attended markets. Taking place every weekend in front of the university’s Aoyama headquarters, this one always attracts a knowledgeable crowd. Organic and local fare is readily available every Saturday and Sunday from 10am to 4pm, with the farmers themselves happy to provide details about their wares. Plus, there's always a few food trucks on hand if you wish to enjoy a quick meal.

Born in Kolkata in 1963 and now based in New York, Rina Banerjee has established herself as a singular voice in the global contemporary art scene. Drawing from her experience of migration and diasporic identity, Banerjee creates intricate, richly layered sculptures and installations out of everyday materials like cotton threads, feathers, shells and glass chandeliers. Her practice, informed by both engineering training and fine art education at Yale, navigates the intersections of postcolonial history, feminism and global exchange, often infusing critical perspectives with a subtle, disarming sense of humour. ‘You made me leave home…’ at Espace Louis Vuitton Tokyo is an exhibition of 19 works drawn from the collection of the Fondation Louis Vuitton. Organised as part of the foundation’s ‘Hors-les-murs’ programme, which brings major artworks to venues around the world, the exhibition marks both the 20th anniversary of the Espace Louis Vuitton and a decade of the ‘Hors-les-murs’ initiative. Spanning installation, sculpture and painting, the exhibition foregrounds Banerjee’s ongoing exploration of migration, colonial legacies and the circulation of people and objects. At its core is the monumental installation In an unnatural storm… (2008), presented publicly for the first time by the Fondation. Suspended from the ceiling in a cascading constellation of forms, the work evokes both the wonder and instability of global journeys, drawing inspiration from Jules Verne’s Around the...

Based on traditional folklore, Tanabata (Star Festival) is celebrated across Japan each summer between July and August, the actual day of which varies according to region. Marking the earliest possible day of Tanabata (July 7), the shopping arcades of Hiratsuka city near Tokyo are adorned with around 100 giant colourful streamers, which are hung from giant ornamental balls called the kusudama. The Shonan Hiratsuka Tanabata Festival is regarded as one of the top three of such events in the Kanto region, drawing almost 2 million visitors over the three days. Aside from the impressive street decorations, you can expect parades, live performances, vendors selling local products and plenty of technicolour-fuelled buzz over the July 3-5 weekend.