Things to do in Sydney today

Director Patrick Kennedy (Sophia=(Wisdom) Part 3: The Cliffs) brings his signature surrealist style to this punk retelling of the 1889 Cleveland Street Scandal from British playwright James Fritz at the New Theatre. The play reimagines the scandal – in which a secret gay brothel, frequented by a number of gentlemen and staffed by post boys, was discovered in 19th-century London – as a collage of scenes between aristocrats, arrested post boy Charlie and his mother Emily, and even glimpses into Queen Victoria’s conversations with God.  This production is stuffed with visual delights – a looming, cartoonish figure of Queen Vic keeps a watchful eye over the play’s events as four video screens keep track of place and time, and a warped Union Jack is slung in the back corner of the stage.  The story is fast-paced (for the most part) and engaging, although it can become somewhat repetitive. The combination of such a rich visual language with hefty dialogue is also a lot to take in, with little room for reprieve during the show’s almost three-hour runtime. Still, this is exciting theatremaking for a Sydney stage, and it is well worth a watch, especially for the unfaithful revisionist approach to our gay history. The Flea is a fitting reminder of queer history, and the struggles we still face, as the Sydney Mardi Gras Festival’s series of cultural events starts to rainbow-ify the city. The Flea is playing at New Theatre, Newtown, until March 8. Find tickets & info over here. Stay...

Sydney Theatre Company’s new production of Amy Herzog’s 4000 Miles marks the second time this comedic-yet-tense finalist for the 2013 Pulitzer Prize for Drama has appeared on the Sydney stage. With a focus on struggle, resilience and change in both the personal and generational senses, the play explores the evolving relationship between 21-year-old Leo (Shiv Palekar, The Tempest) and his 91-year-old grandmother, Vera (Nancye Hayes).  After Leo’s cross-country cycling trip goes terribly wrong, no one is more surprised than Vera when he turns up on the doorstep of her Greenwich Village apartment in the middle of the night. Over the course of this one-act drama, the pair navigates grief, identity, generational differences, and the weight of the past.  Kenneth Moraleda’s direction brings out the play’s delicate balance of humour and emotional depth, ensuring that each moment feels intimate and impactful, and a sense of the love and care between Leo and Vera is quickly established. However, something about this play left this reviewer wanting more. [Nancye] Hayes is a dynamic performer...with fantastic comedic timing Although both Leo and Vera’s motivations remain uncertain, one thing is made clear: both protagonists are staunchly counter-cultural ‘lefties’. But this doesn’t mean they always see eye to eye. Leo is an impassioned young Obama-era ‘woke-ist’ who’s critical of the 'institution' – although his girlfriend Bec (Ariadne Sgouros, Belvoir’s The Curious Incident of the...

When the world lost its mind over Scottish comedian Richard Gadd’s Netflix show Baby Reindeer (a fusion of his solo show of the same name and its equally startling predecessor Monkey See, Monkey Do) for many, the mic drop was twofold. Not only was this an uncomfortably riveting and rarely told story centred on a male survivor of sexual assault and intense stalking, but it’s also mostly true, with only minor tweaks. These twin catastrophes really happened to Gadd, who bears his wounded soul. The opposite’s true of Phoebe Waller-Bridge’s similarly ‘confessional’ solo show-turned-TV sensation, Fleabag. While many of her unnamed character’s fears, hopes and failings are drawn from personal experience, Waller-Bridge has spoken about how she now regrets how many folks have mistaken her fictional family’s dysfunction for the real deal.  Hailing from Francesca Moody Productions, the same creative force helping drive both of those runaway success stories, Feeling Afraid As If Something Terrible Is Going To Happen similarly muddies the waters between truth and fiction to backfoot audiences. Landing at the Sydney Opera House's Playhouse Theatre for Sydney Mardi Gras, it looks for all the world like a stand-up comedy show – thanks to its simple stool, coiled long-cord mic and naught much else but an occasionally flashing lighting set-up.  As punchlines go, it’s a doozy, backed up by Samuel Barnett’s fleet-footed and frenetic delivery... The resemblance is so uncanny that when Olivier...

Charged with all the mystery and moody intrigue of an eerie fog rolling in over the Yorkshire Moors, this critically-acclaimed adaptation of Emily Brontë's Wuthering Heights from groundbreaking British theatre director Emma Rice has arrived at Sydney’s Roslyn Packer Theatre for a strictly limited Australian season (with a cast of impeccable actors from London in tow). If you’re after some light, fluffy entertainment surrounding high society courtships in ye olde England, then you’re probably better off staying home and rewatching Bridgerton. The one and only novel published by the second-youngest Brontë sister, Wuthering Heights is often misunderstood as a romance novel – but this is proper gothic fiction. At the center of the intergenerational drama is the relationship between the wily young Catherine and Heathcliff, an orphaned boy who her father adopts as his own. While there is a shadow of romance that underscores the central relationship; their bond is deeply rooted in hatred, pain, jealousy, isolation, misery, and despair. This adaptation sinks its teeth into these darker elements, and it bites down hard. Rather than labouring over every line of the novel beat-for-beat, Rice uses Brontë’s text as a blueprint, fusing a range of theatrical storytelling devices (from fourth-wall-breaking japery to puppets) into an epic production backed by a moody, haunting score performed by a live on-stage band. The chorus (who represents the living, breathing embodiment of ‘The...

You can see one of the most impressive gold collections to ever tour the globe right here in Sydney, at the Australian Museum's exclusive blockbuster summer exhibition – which is now sticking around until May 2025. Machu Picchu and the Golden Empires of Peru will take you back in time, showcasing more than 130 artefacts that give us a glimpse into the daily lives, spiritual practices and extraordinary achievements of societies in ancient Peru. In addition to the stunning gold collection, you’ll also find other priceless treasures on display, including exquisite jewellery and funerary objects unearthed in royal tombs. The exhibition dives into the rich histories of the diverse and varied ancient civilisations that originated in this enthralling region, including their fascination with natural life cycles, birth, death and human sacrifice. (Our team took a deeper dive over here, and in the video below.) View this post on Instagram A post shared by Time Out Sydney (@timeoutsydney) Want to get more out of your visit? You can upgrade your visit to Machu Picchu and the Golden Empires of Peru with a thrilling VR experience alongside the exhibition, which takes you on an expedition to the famous "lost city" of Machu Picchu. With cutting-edge technology, you’ll explore this UNESCO World Heritage site from the comfort of 360-degree motion chairs, immersing yourself in the sights, sounds and sensations of this mysterious city in the sky, all without leaving Sydney....