Things to do in Sydney today

The genre-defying, multi-award-winning, smash-hit Broadway sensation, Hadestown has finally made its way down to Sydneytown – and it’s unlike any musical you’ve ever seen or heard. With industrial steampunk aesthetics, a soulful jazz-folk fusion, and even a comment on our dying world, this is a brave new world for musical theatre. The Down Under debut of Hadestown opened at the Theatre Royal Sydney to a ready-made fanbase. There’s a lot of hype surrounding this show – the Broadway production picked up eight Tony Awards (including Best Musical for 2019) and still plays to packed houses today, and there’s also the highly successful West End production and the North American tour.  An incisive adaptation of the age-old myth of Orpheus and Eurydice, Hadestown is the brainchild of indie-folk musician Anaïs Mitchell (with very clear influences from Justin Vernon, aka Bon Iver, who appeared on the 2010 studio album). It started its life as a song cycle, and then a studio album, and now it’s a fully-formed stage musical with a dedicated international following. Hadestown is a spectacular challenge to what we think a musical is and can be Like many fans, I discovered Hadestown via the studio album and the Broadway recording. With such a strong, atmospheric tone, the music doesn’t even need visuals to shine – featuring everything from chugging vocal sounds, deep growling singing, floating falsettos, muted trombones, a train whistle, and heavy acoustic guitars. Hadestown is the...

Karen and Martha run a boarding school together, and have known each other since they were 17 years old. Karen is about to marry local doctor Joe, and Martha has never been interested in men. Meanwhile, when troubled young student Mary feels she’s been punished one too many times, she spins a story to her doting grandmother, and this lie turns the whole town against suspected lovers Karen and Martha.  A fascinating piece of queer dramatic history based on a true story, The Children’s Hour was the first play from legendary American playwright Lillian Hellman. It premiered on Broadway in 1934, a time when the mention of homosexuality on stage was illegal in New York State. Despite the fact that it played 691 shows to eager audiences, it was banned from performance in London, Boston and Chicago. This new version directed by Kim Hardwick in the intimate Old Fitz Theatre is compelling and important viewing.  A brilliant and heartbreaking play... Jess Bell is a standout amongst a strong cast of 13 actors – she plays a conflicted and tender Martha with expert detail, right down to her nervous facial expressions and constantly wringing hands. A cast of young schoolgirls also gives brilliant performances alongside their adult counterparts, who can’t seem to grasp their own righteousness.  Setting, lighting and costume design are kept simple, rightfully placing the focus on the emotion of the piece, and the people at the centre of the scandal. The Children’s Hour is a brilliant...

Sydney Theatre Company’s new production of Amy Herzog’s 4000 Miles marks the second time this comedic-yet-tense finalist for the 2013 Pulitzer Prize for Drama has appeared on the Sydney stage. With a focus on struggle, resilience and change in both the personal and generational senses, the play explores the evolving relationship between 21-year-old Leo (Shiv Palekar, The Tempest) and his 91-year-old grandmother, Vera (Nancye Hayes).  After Leo’s cross-country cycling trip goes terribly wrong, no one is more surprised than Vera when he turns up on the doorstep of her Greenwich Village apartment in the middle of the night. Over the course of this one-act drama, the pair navigates grief, identity, generational differences, and the weight of the past.  Kenneth Moraleda’s direction brings out the play’s delicate balance of humour and emotional depth, ensuring that each moment feels intimate and impactful, and a sense of the love and care between Leo and Vera is quickly established. However, something about this play left this reviewer wanting more. [Nancye] Hayes is a dynamic performer...with fantastic comedic timing Although both Leo and Vera’s motivations remain uncertain, one thing is made clear: both protagonists are staunchly counter-cultural ‘lefties’. But this doesn’t mean they always see eye to eye. Leo is an impassioned young Obama-era ‘woke-ist’ who’s critical of the 'institution' – although his girlfriend Bec (Ariadne Sgouros, Belvoir’s The Curious Incident of the...

When the world lost its mind over Scottish comedian Richard Gadd’s Netflix show Baby Reindeer (a fusion of his solo show of the same name and its equally startling predecessor Monkey See, Monkey Do) for many, the mic drop was twofold. Not only was this an uncomfortably riveting and rarely told story centred on a male survivor of sexual assault and intense stalking, but it’s also mostly true, with only minor tweaks. These twin catastrophes really happened to Gadd, who bears his wounded soul. The opposite’s true of Phoebe Waller-Bridge’s similarly ‘confessional’ solo show-turned-TV sensation, Fleabag. While many of her unnamed character’s fears, hopes and failings are drawn from personal experience, Waller-Bridge has spoken about how she now regrets how many folks have mistaken her fictional family’s dysfunction for the real deal.  Hailing from Francesca Moody Productions, the same creative force helping drive both of those runaway success stories, Feeling Afraid As If Something Terrible Is Going To Happen similarly muddies the waters between truth and fiction to backfoot audiences. Landing at the Sydney Opera House's Playhouse Theatre for Sydney Mardi Gras, it looks for all the world like a stand-up comedy show – thanks to its simple stool, coiled long-cord mic and naught much else but an occasionally flashing lighting set-up.  As punchlines go, it’s a doozy, backed up by Samuel Barnett’s fleet-footed and frenetic delivery... The resemblance is so uncanny that when Olivier...

You can see one of the most impressive gold collections to ever tour the globe right here in Sydney, at the Australian Museum's exclusive blockbuster summer exhibition – which is now sticking around until May 2025. Machu Picchu and the Golden Empires of Peru will take you back in time, showcasing more than 130 artefacts that give us a glimpse into the daily lives, spiritual practices and extraordinary achievements of societies in ancient Peru. In addition to the stunning gold collection, you’ll also find other priceless treasures on display, including exquisite jewellery and funerary objects unearthed in royal tombs. The exhibition dives into the rich histories of the diverse and varied ancient civilisations that originated in this enthralling region, including their fascination with natural life cycles, birth, death and human sacrifice. (Our team took a deeper dive over here, and in the video below.) View this post on Instagram A post shared by Time Out Sydney (@timeoutsydney) Want to get more out of your visit? You can upgrade your visit to Machu Picchu and the Golden Empires of Peru with a thrilling VR experience alongside the exhibition, which takes you on an expedition to the famous "lost city" of Machu Picchu. With cutting-edge technology, you’ll explore this UNESCO World Heritage site from the comfort of 360-degree motion chairs, immersing yourself in the sights, sounds and sensations of this mysterious city in the sky, all without leaving Sydney....