New Barnes show pairs the works of Rodin with those of contemporary German artist Anselm Kiefer
In art, as in love, sometimes the unlikeliest people make for the best matches. “Kiefer Rodin,” the latest special exhibit at the Barnes Foundation, pairs the French sculptor Auguste Rodin, known for sculptural masterpieces like The Thinker and The Kiss, with contemporary German artist Anselm Kiefer, who’s made a name for himself with unflinching critiques of Germany’s dark role in history.
“At first, people are surprised at the pairing, but that’s a good thing,” says Cindy Kang, associate curator at the Barnes. “To see what resonates between the two artists and the themes they’re both working on makes a lot of sense.”
This exhibition began after the Rodin Museum in Paris thought to republish the sculptor’s 1914 book, Cathedrals of France, which served as a loving tribute to the French architecture that was bombed and obliterated during World War I. For the revamp, organizers of the project were looking for a contemporary artist to contribute to the new edition.
Enter Kiefer, who had been spending time in the storerooms of the Paris museum studying Rodin’s plaster casts for his own work. It was the natural choice. Kiefer, born in southwest Germany in 1945, has built a body of work that reflects his fascination with the themes of memory, destruction, architecture and history. His interest in exploring the past gels with Rodin’s appetite for nostalgia and his drive to keep history alive.
“Kiefer Rodin,” which opens on the 100th anniversary of Rodin’s death, shows the motivation