A freelance dancer, writer, and activist based in New York City, Sarah Cecilia has performing credits that span the Metropolitan Opera, Merce Cunningham Trust, Amy Seiwert’s Imagery, Oregon Ballet Theatre, Dance Theatre of Harlem, San Francisco Opera, Oakland Ballet, Hope Mohr Dance, and Robert Moses’ Kin and more. She writes personal essays, criticism, previews, interviews, and features and is on the Board of Governors of the American Guild of Musical Artists.