Julio Torres on his hilarious new HBO series Los Espookys
Julio Torres is apologizing to his fork. Not audibly, no, so the crowd at Sisters bar in Clinton Hill doesn’t hear him. Instead, he gazes at his cutlery, then explains that when he was a boy, he crafted a story about a curvy, feminine spoon running away with a phallic knife. The prickly fork? He served as the cuckolded husband. “I created some narrative that it was some jealous thing,” says Torres with a shrug, “just because the fork was spiky.”
It isn’t just inanimate objects on which the sharp-yet-spacey comic endows an unlikely pathos. The SNL writer is constantly shining an odd light on the ignored or forgotten. Case in point: Los Espookys, which he cocreated with Fred Armisen and Ana Fabrega, another young Brooklyn comedian. Performed in Spanish, with English subtitles, it follows a crew of amateur horror-makeup artists who stage gothic experiences—exorcisms, hauntings—for hire. Despite the blood-soaked packaging, it feels like a workplace comedy.
“It’s almost like he came from another planet,” explains Fabrega of Torres’s studied remove. “But he has such emotional intelligence, too.” Torres chafes when execs separate him from other comics, labeling him a niche act. “A lot of people who make big decisions assume that if something is different, an audience won’t want to consume it,” he says. “My perspective is different, and the way that I say things is different, but there is a humanity there.” Then, with a laugh, he adds: “I think?”
The multihyphenate’s backstory help