How Jane Birkin became a music, fashion and film icon
Notoriously, Jane Birkin romped naked as a teenager in Michelangelo Antonioni’s film, Blow-Up; married Bond film composer John Barry; cooed erotically with her former lover, the late, undoubtably great French pop provocateur Serge Gainsbourg on “Je t’aime… moi non plus”; and, yes, she inspired the Hermès Birkin bag. There’s more, of course, but these days she’s renewing her musical relationship with Gainsbourg.
Joined by the Wordless Music Orchestra and guest Rufus Wainwright, Birkin performs at Carnegie Hall Thursday, February 1. The show is part of a world tour for her recent album, Birkin/Gainsbourg: Le Symphonique, which retunes Gainsbourg’s songs as orchestral pieces, exquisitely arranged by Emmy Award–winning composer Nobuyuki Nakajima, who will also be accompanying on piano at Carnegie Hall.
Speaking from her home in Paris, Birkin asserts that Le Symphonique is about Serge. Mais non, we assert, it’s about Birkin et Gainsbourg.
Le Symphonique’s arrangements are beautiful. How are the songs different in this format?People hear the words more, because of the way Nobuyuki orchestrated them—he lets me fly above the orchestra. It’s wonderful to rediscover the words Serge wrote. When I first sang them, I don’t remember realizing the beauty of the words. It was so stressful having to interpret words that were about me; they were about him and me. Fifty years later, it is as if I am interpreting songs about [overall] romance and life. It’s not about me anymore.
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