Antony Micallef on his new exhibition, ‘Raw Intent’
From working in a shed in the back of his parents’ garden to winning the BP Portrait Award, Antony Micallef’s career has gone from strength to strength. Hannah Hodson sits down with the artist to discuss his latest exhibition
“I had always wanted to make this work, but I never had the dexterity or the balls,” laments the critically acclaimed Antony Micallef when speaking of his new exhibition, Raw Intent. The collection at Pearl Lam Galleries comprises works built with layer upon layer of oil paint that rise off the canvas into grotesque, almost three dimensional heads, set against 18th-century inspired backgrounds. A ballsy effort, indeed.
Micallef’s professional ambition can be traced to growing up in Swindon, a large town just outside of London, which he affectionally mocks as a ‘cultural desert’. “I think when you grow up in those sorts of quite narrow-minded places, where if you’re different in any way you just don’t really fit in, it makes you want to do what you want to do even more, because you want to never really go back,” he reminisces. Despite not coming from an artistic family, Micallef’s talents were always encouraged. In fact, his father, a metal worker, transformed his garden shed into an art studio for him after he graduated from the University of Plymouth. “My parents didn’t ever understand what I was making, but I think [they thought] if I was happy and not outside causing trouble, that was fine,” he says. “But they always wanted me to paint a landscape. Th