Nick Cassenbaum in Bubble Schmeisis
Photograph: Courtesy of the artist | Bubble Schmeisis
Photograph: Courtesy of the artist

Off-Off Broadway shows in NYC

Looking for the best Off-Off Broadway shows? Here are the most promising productions at NYC’s smaller venues right now.

Adam Feldman
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Broadway and Off Broadway productions get most of the attention, but to get a true sense of the range and diversity of New York theater, you need to look to the smaller productions collectively known as Off-Off Broadway. There are more than dozens of Off-Off Broadway spaces in New York, mostly with fewer than 99 seats. Experimental plays thrive in New York's best Off-Off Broadway venues; that's where you'll find many of the city's most challenging and original works. But Off-Off is more than just the weird stuff: It also includes everything from original dramas to revivals of rarely seen classics, and it's a good place to get early looks at rising talents. What's more, it tends to be affordable; while cheap Broadway tickets can be hard to find, most Off-Off Broadway shows are in the $15–$35 range. Here are some of the current shows that hold the most promise.

RECOMMENDED: Full guide to Off Broadway shows in NYC 

Off-Off Broadway shows in NYC

  • Drama
  • East Village
  • price 2 of 4
Have you never been melo…dramatic? Cheer and boo to your heart's content as Magis Theatre Company gets into the spirit of old-timey theatricals with George Drance's adaptation of Jacopo Ferretti's libretto for the 1817 Rossini opera La Cenerentola—which was itself inspired by Charles Perrault's Cendrillon, better known in English as Cinderella. The story follows a noble prince who, while disguised as a commoner, falls for a beauteous girl who has been reduced to the role of servant in her own home. Drance directs a cast of 11 actors, who accompany themselves with kazoos.
  • Comedy
  • Hell's Kitchen
  • price 2 of 4
Johnny G. Lloyd's play about two longtime best friends with the same birthday—but from different races and classes—had its Columbia thesis-project production in 2022 as part of the MFA program's New Plays Festival (the same year that Second Stages premiered Lloyd's Patience). Now it returns for a longer run at the Tank, directed once again by Will Steinberger. Portland Thomas and Justin Ahdoot play the central duo, joined by Dana Berger, Anita Castillo-Halvorssen, Omari Chancellor and Remy Germinario.
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  • Drama
  • Washington Heights
  • price 1 of 4
Frank Pagliaro's drama imagines how the story of St. Peter might have been seen by the wife and son he left in Bethsaida to become the apostle of an itinerant preacher during the Roman occupation of Judea. Leslie Kincaid Burby directs the premiere for Northern Manhattan's Up Theater Company.
  • Comedy
  • Williamsburg
  • price 2 of 4
Nick Cassenbaum, a writer and performer from the UK, has spent the better part of a decade performing versions of this comic monologue about Jewish identity and the virtues of a nice long sweat. After runs in London and at the Edinburgh Fringe, he now brings his spiel to Brooklyn at the Brick. Danny Braverman directs, and Ira Khonen Temple and Alex Parke add the atmosphere with live kletzmer music. 
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  • Experimental
  • Coney Island
  • price 1 of 4
International Culture Lab mounts its eighth annual festival of neobutoh performance, with programming that mixes ritualistic physical theater with dance, cabaret, burlesque and sideshow elements. This year's edition is organized around the theme of resistance, so radical oppositional political content will certainly be on the menu. The fest is divided into three slates of short performances, all hosted by Ritcab T. Clownington: "Mythical Beasts" on March 28 and "Black Magic" on March 29, each of which comprises five pieces; and "The Living Newspaper," the March 30 matinee, which has nine of them (with titles like Trump’s Nightmare, Executive Disorder and Donny Walks the Plank). Leigh Ann Gann's Sacred Bone Alignment and Mae B Raab's Proof of Dance are in the venue's Freak Bar for all three shows.
  • Interactive
  • West Village
  • price 2 of 4
A jittery young man named Milo labors to give a eulogy for his late friend, with help from audience volunteers, in an unusual solo-with-assistance show written by Brendan George and conceived by Peter Charney. After a 2023 debut at 59E59, the piece now returns for a more site-specific rotating run at churches and meeting places: the LGBT Community Center on Thursdays, Park Slope's Old First Reformed Church on Fridays, the Lower East Side's Studio Exhibit on Saturday and the West Village's Westbeth Community Center on Sundays. Downtown theater and nightlife publicist Ron Lasko directs this incarnation of the show; Blaize Adler-Ivanbrook, Ryan Boloix and Richard Diamond alternate as Milo. 
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  • Musicals
  • East Williamsburg
  • price 3 of 4
Fatgtasia's popular immersive camp extravanganzas reimagine Broadway musicals through a joyfully subversive queer lens. This time around, the series indulges its penchant for Phan fiction in a drag tribute that stars Charlene Incarnate as a closeted trans Phantom of the Opera and Fagtasia founder Baby Love as the cis soprano she's obsessed with. Baby Love also directs, and Jupiter Genesis choreographs. Because the show is only performed twice on a single day, tickets are scarce: The matinee is already sold out, as are non-VIP seats. (If you can't make it to this edition, Fagtasia's next target will be Hairspray on June 1.) 
  • Drama
  • Upper East Side
  • price 2 of 4
Dublin's acclaimed Fishamble: The New Play Company, a frequent visitor to New York stages, returns with a solo play by Gavin Kostick, directed by Bryan Burroughs. Aonghus Og McAnally—who won an award for this performance at the Dublin Fringe back in 2010—plays an unsuccessful boxer from a long line of pugilists who is hoping to turn his luck around. (The actor knows a bit about family businesses himself; he's the grandson of the Irish stage and screen great Ray McAnally.) The production kicks off the 2025 edition of Origin's 1st Irish festival, in which Fishamble is also represented by In Two Minds.
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  • Hell's Kitchen
  • price 2 of 4
Origin's annual festival celebrates all things Irish, in partnership with local venues. There are multiweek runs at major theaters—Irishtown at the Irish Rep, Fishamble's Fight Night and In Two Minds at 59E59—as well as shorter ones at the American Irish Historical Society, 54 Below, the Churchill Tavern, Ernie O’Malley’s, Pangea, Queens's NY Irish Center and Greek Cultural Center and the Bronx café An Beal Bocht. Among the offerings are several productions from Ireland and Northern Ireland, such as Sinead O’Brien’s No One Is Coming (Apr 5–6), Tom Moran’s Tom Moran is a Big Fat Filthy Disgusting Liar (Apr 15–20) and Big Telly's immersive Granny Jackson Is Dead (Apr 24–26). The festival's green umbrella stretches wide, so consult its website for full details.
  • Drama
  • Clinton Hill
  • price 2 of 4
The Firebird Project, which gives new spins to classic tales, presents director Zoe Senese-Grossberg's new adaptation Mary Shelley's 1818 mad-scientist golem story, the mother of modern horror fiction. The story stays faithful to the original while teasing out its queer underpinnings, as perhaps embodied by the partly gender-unconventional casting of the show's four actors: Sophie Falvey as Frankenstein, Jason Maina as Clerval, Eli Wassertzug as Elizabeth and Benny Rendell as the Monster. (The squeamish should be warned—and the prurient alerted—that the show includes simulated sex, violence and gore and unsimulated nudity.)

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