Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Get us in your inbox
Sign up to our newsletter for the latest and greatest from your city and beyond
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
The director of Fires on the Plain and An Actor's Revenge didn't seem the obvious choice to mastermind a record of the 1964 Olympics, and in the event Ichikawa's film didn't please all the people all the time. Most riled were probably the bona fide sports fans, because Ichikawa's attitude to the games and participants seems quizzical rather than committed, sensual rather than gutsy. Least riled were probably Ichikawa fans, because the unpredictable humour, the 'bold delicacy' of the visuals, and the occasional real intensity, are all quite consistent with his fiction films. The only sustained 'performance' is Abebe Bikila's triumph in the marathon, but the rest is funny, sexy, beautiful, or atmospheric enough to give a lot of pleasure to the open-eyed.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!