The best things to do in Hong Kong this week (April 20-26)

Movie night just got a lot more affordable as Cinema Day returns on April 25, 2026. As part of the Hong Kong Pop Culture Festival 2026, this city-wide event sees all commercial cinemas slashing their ticket prices to just $30. Whether you're hoping to catch the latest Hollywood blockbuster or a niche indie flick, the deal applies across all regular movie screenings all day long.

Tickets go on sale at noon on April 22, and you can grab yours either online via official cinema websites and apps or in person at the box office. Just remember to be ready the moment they drop, as these bargain seats are known to disappear fast!

Take care of your health with the Mannings BoostUP Fiesta, a discovery pop-up at WestK designed as a “wellness buffet” with mind-and-body sessions, interactive experiences, complimentary health assessments, and other activities to improve holistic wellbeing. Over two days, the festival brings together 50 wellness experts and movement leaders across over 40 experiences. Start off with the Health Pod, a cardiovascular and stress monitor, a body composition analysis, and more so you can understand your needs and navigate the rest of the festival with more clarity.

There will also be workshops from pilates to sound healing, a marketplace with curated wellness and beauty products, a stage hosting high-energy workouts and mindful breathing to music, and a play zone to let out some energy and connect with the people around you. Early-bird tickets are on sale until April 15 at $100 for a single-day ticket and $180 for a two-day pass. Thereafter, prices will rise to $200 and $360 for single- and two-day entries, respectively, and $300 for single-day tickets at the door.

The Rescued Feast is back to prove that sustainability can be a high-end affair. Taking over the terrace at Terrible Baby on April 26, this Earth Day special marks the event’s first-ever weekend daytime slot. Eaton HK’s executive chef Alex Lee will lead his team through a high-stakes 24-hour window to assess donated food scraps and transform them into a gourmet spread for 200 guests. Since the menu is entirely dependent on what is ‘rescued’ in the hours leading up to the event, expect a creative, zero-waste mystery buffet that leans into Lee’s signature mix of Western techniques and Chinese influences.

Tickets are priced from $500, and your entry includes the full buffet, a welcome glass of prosecco (or a soft drink), and a goody bag filled with vouchers and gifts. To truly close the loop on waste, guests are often handed takeaway boxes at the end of the session to ensure every last plate is cleared. Get your ticket now at chomphk.com.

The Harbourside Swing Fest is back from April 24 to 26 for a three-day celebration of swing dancing and jazz culture. Produced by Rhythm Studio, this festival brings together world-class international instructors for inspiring workshops, alongside dance parties, competitions, and live jazz music curated by renowned local music director Nate Wong.

The event welcomes dancers of all levels, but if you’re a complete beginner, then be sure to check out the ‘Dance in a Day’ programme, where you’ll get an introductory session before dancing the night away at the Harbourside Swing Fest Saturday Night Social. Registration is now open with a range of passes, while details of venues and the full schedule will follow soon. 

Gold – a new “laboratory of ideas” in Wong Chuk Hang – presents its inaugural group exhibition as an exploration of the notion of uncertainty. Drawing inspiration from artist-composer La Monte Young’s ‘Composition 1960 # 10’, the artistic experimentation brings together artists from Hong Kong and abroad across various media and disciplines.

From celebrating deviation and investigating the beauty of unpredictability, ‘Certainly’ navigates the space between systems and structures, questioning the ‘straight line’ of expectations and reframing the concept as a starting point rather than an ending. Artists featured in the exhibition include Tozer Pak Sheung-chuen, Lousy, Young-Hae Chang Heavy Industries, Santiago Sierra, Shinro Ohtake, Peter Robinson, and more.

Hong Kong’s ‘Grande Dame’ unveils the lineup for its ‘Art in Resonance’ programme this year, inviting leading artists Angel Hui, Albert Yonathan Setyawan, and Dr William Lim to transform the hotel with their creative practices. Coinciding with Hong Kong Arts Month, the site-specific commissions span embroidery, ceramics, and architectural installation.

Hui brings Chinese gongbi-style delicacy to a vibrant façade artwork of embroidered goldfish. ‘Swimming in Light’ takes over the first-floor windows of the hotel to welcome guests and visitors in a playful, poetic manner. Setyawan’s ‘Metamorphic Modulation’ presents repeated forms painstakingly handcrafted through modelling and casting to investigate its sculptural effect and the beauty of raw colour and texture. Lim’s live-in-environment installation is based on his ‘A Bright Future’ oil piece, translating the artwork into a large-scale, hand-tufted tapestry that challenges dimensional awareness.

Immerse yourself in the forgotten days of the Kowloon Walled City at this epic movie set exhibition, located on the original site of the infamous Kowloon Walled City. Featuring incredibly detailed recreations of shops and other setups from the award-winning Twilight of the Warriors: Walled In, the exhibition will let visitors travel back in time to the Walled City in the 1980s.

From the local cafe to the dental clinic, the attention to detail is truly impressive. There's even a small 'screen room' mimicking the rooftops of old buildings back in the day, where visitors can sit and watch the neighbourhood turn from day to night, and listen to the roaring sound of low-flying airplanes over the Walled City area.

Check out our guide for everything you need to know about the exhibition, from dates and opening hours to highlights not to be missed.

For art lovers who simply cannot get enough of Chinese-French printmaking legend Zao Wou-ki, this major retrospective of the artist’s graphic works at M+ is not to be missed. Highlighting key pieces from Zao’s decades-long career, ‘Zao Wou-ki: Master Printmaker’ collects close to 180 items from 1949 to 2000, including paintings, books, and prints, to introduce new perspectives on his career, artistic process, and creative thinking.

‘Encouraging Printmaking’ reveals Zao’s early encounters with the bold medium, ‘Towards Abstraction’ records his experimentation phase marked by expressive techniques, and ‘No Boundaries’ presents a body of mature pieces that blend Eastern and Western artistic traditions. Alongside these central themes, the exhibition format will also serve to inform visitors about the art of printmaking – the Open Print Studio at M+ is offering interactive printmaking workshops for visitors to simply drop in on weekends to take part in lessons.

For the first time, HKU’s University Museum and Art Gallery is pairing Swiss and Chinese paper cuttings together, setting up side by side to highlight what makes each tradition so special. The Swiss works, drawn from the collection of Interlaken collectors Elsbeth and Niklaus Wyss, mostly use black paper to capture slices of Alpine life with fine, eye-catching details. On the Chinese side, red paper is often used to depict different themes and subjects like tigers, peacocks, opera masks, or pagodas – each carrying deep symbolic meanings. Both approaches are all about storytelling, pulling from Swiss village scenes or Chinese folklore to offer the audience a chance to appreciate how two cultures turn the same craft into something uniquely their own.

Pakistani-American artist Shahzia Sikander presents her latest commissioned work at M+ Façade, exploring the historical traces of power and trade and their entanglement through a cinematic tableau of hand-painted animations. ‘3 to 12 Nautical Miles’ follows the maritime trail that linked the British East India Company, Mughal-era India, and Qing-dynasty China, examining the connections between empires and complex dynamics.

Sikander’s practice brings the art of miniature painting to the big screen, allowing the medium to communicate to audiences on a different scale. Painted gestures, objects, and symbols are magnified through animation, revealing the nuanced history of the region. On March 26, the artist herself will lead a free illustrated lecture about the artwork at 5pm.

M+ in West Kowloon Cultural District is honouring the late Ryuichi Sakamoto with a museum-wide programme from now until July. Comprising a site-specific installation, moving image works, a listening experience, and film, ‘Seeing Sound, Hearing Time’ celebrates the enduring legacy of the Japanese composer, producer, and artist.

‘Async–Immersion’ presents a three-dimensional, audio-visual representation of Sakamoto’s personal album, combining sonic experience with optical immersion. Nam June Paik’s ‘All Star Video’ explores Sakamoto’s influences and creative encounters, while ‘Vinyl Sessions with Music by Ryuichi Sakamoto’ allows visitors to engage with his compositions, alongside reflections on his work from three Hong Kong-based sound artists. Additionally, ‘Ryuichi Sakamoto: Music in Film’ will screen two films to allow for an intimate look into Sakamoto’s life, profound artistry, and innovative creative process.

Curated by architectural historian Charles Lai and product designer Kay Chan Wan Ki, this exhibition brings together architects, carpenters, filmmakers, and chefs to examine Hong Kong’s favourite diners from every angle. Highlights include the preserved neon sign of Wan Chai’s Sun Fung Kee, the original door of Sheung Wan’s demolished Hoi On Cafe, and a full-scale beverage station where you can suit up and try assembling orders at cha chaan teng speed.

The exhibition is now on view at Airside’s Gate33 Gallery and runs until July 31. Admission is free until March 31, after which tickets cost $20 (except for kids aged three and under).

Lane Crawford continues its celebration of exquisite craftsmanship with ‘HUNDRED – A Curation of Ceramics by 50 Hands’. Building on the success of the previous ‘HUNDRED’ series from 2023, which focused on chairs, this ceramics edition showcases the collaborative curation efforts of American ceramics expert Robert Yellin and local artist Leo Wong. 

Open to visitors at Lane Crawford Pacific Place, the shoppable exhibition features 100 handcrafted ceramic pieces from 29 artists, showcasing timeless artistry through 21 ceramic techniques, including neriage, kinrade, inlay, shigaraki-yaki, and more. Don’t miss highlight pieces such as the Tanba Vase, the Vase Celadon, and the White Drip Glaze Vase, each one a collector’s item that preserves skills passed down through generations.

M+ and Leeum Museum of Art are teaming up to present a comprehensive exhibition featuring the groundbreaking works of influential South Korean contemporary artist Lee Bul. More than 200 pieces will be shown, spanning the artist’s career from the late 1990s to the present to trace the evolution of Lee’s artistic approach. Split into three sections, ‘Lee Bul: From 1998 to Now’ interrogates ideas of utopian and dystopian existence, the relationship between body and technology, and Lee’s creative process.

M+ Cinema will also screen a number of Lee’s performance works during the exhibition period. ‘Lee Bul: From 1998 to Now’ opens on March 14 and will be commemorated with a talk at the Grand Stair; Lee herself will be present to speak about her artistic vision.

Tucked inside Oi! Glassie, Hong Kong artist Chan Wai‑lap presents Jeremy’s Bathhouse – a dreamy, ceramic bathhouse as an extension of his ongoing ‘Swimming’ series. Inspired by love, connection, different bathing cultures, and the 2016 viral story of Jeremy, the left-spiral snail, the exhibition features a heart-shaped pool installation made with more than 1,200 handcrafted ceramic tiles designed by Chan.

Visitors will also find a set of shower cubicles lined with casts of real soap bars that Chan has collected from bathhouses around the world, and every so often, timed release of mist drifts through, softening the edges and shifting the whole atmosphere from crisp clarity to a dreamy haze.

In a landmark collaboration between the Hong Kong Palace Museum (HKPM) and the Supreme Council of Antiquities (SCA) of Egypt, 250 treasures and relics from the land of the Pharaohs will be on display in Hong Kong for nine and a half months. Named ‘Ancient Egypt Unveiled’, this exhibition is the largest, most comprehensive, and longest-running display of ancient Egyptian artefacts Hong Kong has ever seen, displaying archaeological finds loaned straight from Egypt, many of which are being shown outside of their home country for the very first time.

Some of our favourite highlights include a set of canopic jars used to store internal organs in the mummification and burial process; statues of the female pharaoh Hatshepsut and Rameses II; painted coffins of wood and stone; a Book of the Dead papyrus scroll; and even an ancient Egyptian toilet seat.

Swing by the gift shop to find a wide range of Egypt-related merch, including an adorable series of blind box plushies created by HKPM which depict pharaohs, canopic jars, mummies, and more.

Focusing on non-solid media, multi-disciplinary artist Zheng Jing’s first solo show in Hong Kong uses water, sound, air, and light to transform several warehouses into a surreal world that invites viewers to wander through.

In Warehouse 1, visitors will feel as though they are submerged beneath Victoria Harbour, with mirrored installations that let you look up at wave movements through the manipulation of light. There’s also a giant vessel featuring a video projection of a human figure endlessly diving, plus a suspended cube from which light beams are projected outward in multiple directions. Stepping out onto the lawn, visitors will also discover five golden sculptures modelled after Taihu stones, placed in an elemental cycle of ‘breathing’ to allow energy and spirits to flow through continuously.

The golden age of Hong Kong cinema saw the production of blockbuster titles like A Better Tomorrow (1986), The Conman (1998), and Infernal Affairs (2002). Packed with action, suspense, and good ol’ “nonsense” humour, these iconic crime films not only offer gripping stories but also capture the essence of life in 70s and 80s Hong Kong. Now, cinephiles can relive their favourite scenes from these classics at the Old Yau Ma Tei Police Station. ‘Yau Ma Tei Police Station: A Cinematic Journey’ delves into local cop film classics through reconstructed sets, collectibles, original scripts, and much more. 

This nostalgic exhibition is now open at the Old Yau Ma Tei Police Station, 627 Canton Road, Yau Ma Tei. Tickets are priced at $30 per person, with concessionary tickets available at $10 per person. Children aged six or below can enter the exhibition for free. Make sure to book your tickets online at cultural.cityline.com, as there will not be tickets onsite. Find out more at fpf.ccidahk.gov.hk. 

‘The Hong Kong Jockey Club Series: The Art Plaza Project at the Hong Kong Palace Museum’ is a multimedia initiative that takes traditional Chinese garden aesthetics as the main inspiration. The project features large installations by five local artists and an architect, each creative bringing a unique contemporary interpretation of traditional zen garden elements to the showcase, where iconic pavilions, flowing water, and aesthetic rock formations are reimagined with materials found in our bustling city, such as bamboo, metal, and fabric. 

This exhibition will be open to the public until November 2, 2026 at the Museum Plaza at the Hong Kong Palace Museum. Entry is free of charge during the museum’s opening hours. 

The Hong Kong Space Museum has launched a new 3D dome show catered to little Einsteins and space-loving adults. ‘The Great Solar System Adventure 3D’ replaces their previous programme exploring the Arctic wilderness with an immersive, interstellar voyage.

The show will run until October 14, 2026, with screening times at 2pm and 6.30pm on weekdays, 12.30pm and 5pm on weekends and public holidays at the Space Theatre. Tickets are priced from $15 to $40 per person.