The barnstorming ‘Broadchurch’ may have gripped the nation, but ‘Southcliffe’ dealt with similar issues – grief, psychosis and suspicion in a small town – more broadly, more deeply and more intimately. Career bests all round.
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What did you get up to in 2013? We watched loads and loads of telly. Some of it was amazing, and some of it – without wishing to be rude – basically wasn't. Keep reading to find out what our critics loved and loathed this year. Agree? Disagree? Let us know in the comments or on Twitter @TimeOutTV.
The best...
If there was a funnier labour of love on TV this year, we missed it. Kevin Eldon and chums reconstructed the Pistols’ infamous appearance opposite ‘fucking rotter’ Bill Grundy in uncanny detail, but replaced Rotten et al with people in beards, bonnets and straw hats.
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Alternative histories can be dead-end vanity projects, but this reimagining of John Lennon in 1991, trudging through an unfulfilled life 30 years after leaving The Beatles, was stunningly conceived and realised, from Ian Hart’s Lennon to Martin Carr’s pastiche soundtrack.
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Neil Maskell
‘Utopia’. ‘Run’. ‘Dates’. ‘The Mimic’. ‘The Great Train Robbery’. It’s almost quicker to list the projects with which Maskell wasn’t involved in a banner year for this unsung talent. Each of the above showcased subtly modulated, equally striking variations on his trademark sense of wounded threat and little boy lost.
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An unapologetically cerebral authored history, but moving and involving too, and delivered with verve, passion and deep personal insight by a writer-broadcaster back at the top of his game.
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The worst...
Something beginning with S. ‘Stephen Fry’, ‘shit’ and ‘stupendously condescending’ all fit this atrociously misjudged hidden-camera show which entrapped the public into behaving badly then lectured us ad nauseam. ‘I want to restore your faith in human nature,’ says Fry. How about S for ‘sod off’?
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The best...
A brilliant year for C4 drama peaked with this monumentally bleak, formally audacious, superbly performed and exquisitely directed four-parter. Not an easy watch, but the year’s most essential one.
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‘Storyville: The House I Live In’ (BBC4)
Via his own intimate family history and a vast wider narrative, Eugene Jarecki constructed a shattering rebuttal to the war on drugs. What was shocking was not so much the contention that it had failed but the suggestion that, on the contrary, its assault on America’s poor and superfluous was working just fine.
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A charming paean to the nobility of teaching throughout, but the final episode, in which the redoubtable Mr Burton managed to coax fluent speech out of chronic stammerer Musharaf, was the most uplifting hour of TV this year.
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Jane Campion became the latest cinematic heavy-hitter to realise that the small screen can offer just as many opportunities to unsettle, illuminate and horrify. This terrifyingly beautiful smalltown New Zealand crime saga kept us entranced all summer.
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Matt Berry is one of the most effortlessly amusing humans alive. And his latest vehicle, which introduced us to the pompous, rude, hilariously humourless luvvie Steven Toast, might be his most potently absurd creation yet. ‘FIRE the nuke-u-lar weapons!!’
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The worst...
TV coverage of the royal baby (all channels)
This marathon of forelock-tugging peaked with BBC News 24’s announcement that ‘there is speculation that the couple will take the baby to visit its maternal grandparents at some point in the next few weeks’. By then we were praying for some sort of national tragedy just to make it stop.
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