The best things to do in Tokyo this weekend

Enjoy the perfectly shaped, sunset-yellow ginkgo trees that form a 300m-long boulevard between Gaienmae and Aoyama-Itchome stations. This is Tokyo’s quintessential autumn scenery, which has graced countless Instagram accounts. The best time to visit is between November 23 and December 1, when the yellow leaves are lit up in the evening.

The light up takes place daily between 4.30pm and 7.30pm.

Rikugien is one of the best gardens in Tokyo to immerse yourself in beautiful Japanese landscapes. There’s no bad time to see the garden, but we do admit it’s especially picturesque in autumn, when the leaves take on vibrant shades of red and yellow.

From November 22 to December 4, Rikugien stays open until 8.30pm for its annual light-up. The trees in the garden are bathed in golden lights so that the brilliant colours of the changing leaves stand out even more, providing stunning views.

Aside from admiring the autumn foliage, don’t forget to drop by the garden’s dozo (storehouse). Its earthen walls serve as the canvas for a beautiful projection show between 6pm and 8.30pm. 

We recommend purchasing tickets online in advance, since tickets are limited and offered at a discounted price of ¥900. Otherwise, you can purchase tickets for ¥1,100 at the door.

Showa Kinen Park is the most beautiful in autumn, with the maple and ginkgo trees blushing in fiery red and yellow respectively. The ginkgo trees are the first to turn and you can see two boulevards of the golden yellow trees as soon as you enter the park’s Tachikawa gate. These trees are expected to turn full yellow in mid-November. The momiji and kaede trees, however, present their signature vermillion hues a bit later towards the end of November.

During this season, the park stays open after dark, with special light-ups taking place at the Gingko Tree Avenue (near the futsal and basketball courts) and the traditional Japanese Garden from 4.30pm until 8.30pm.

While you can enjoy the light-ups at Gingko Tree Avenue with just the park's regular admission fee (¥450, free for junior high school students and younger), you need an extra ticket to enter the Japanese Garden (advance ticket online ¥1,200, primary and junior high school students ¥600; same-day tickets sold at Komorebi House close to the Japanese Garden ¥1,300, ¥700).

Tickets to enter the Japanese Garden are now available to purchase online.

Note that the main entrance for this year's event is the Nishi-Tachikawa gate, a 2-minute walk away from Nishi-Tachikawa Station on the Ome Line. 

Enoshima’s annual illumination is widely touted as one of the three biggest and most impressive light-up events in Japan, alongside the ones at Ashikaga Flower Park and Sagamiko. There are about 10 illumination spots scattered across the hilly island – including the Enoshima Shrine, Ryuren Bell of Love on Lover's Hill and Nakatsumiya Square – so put on some comfortable shoes as you’ll be trekking a lot.

Don’t miss the main attraction located at the island’s iconic Enoshima Sea Candle lighthouse, which is decked out in 70m-long strings of lights stretching from the tip of the tower to the ground, creating a formation similar to the silhouette of Mt Fuji.

The Samuel Cocking Garden, where the Sea Candle is located, is transformed into the dreamy Hoseki (bejewelled) Forest, where everything from the ground and the grass to the trees are covered in rainbow-coloured lights. Keep an eye out for the Shonan Chandelier tunnel, all decked out with luxurious crystal beads and LED lights.

Most attractions are open from 5pm to 8pm (until 9pm on weekends and holidays). You can see most of the light-ups on Enoshima for free, but you will need a ticket (¥500, children ¥250) to enter the Samuel Cocking Garden.

If you're on the island early during daylight hours, head over to Enoshima Iwaya (¥500, children ¥250), as the island's famous cave, created by decades of wave erosion, is bedecked with sparkling lights from 9am to 5pm.

After celebrating the joys of Spain amidst gorgeous but chilly late November weather, Tokyo's world festival scene turns its attention now to the mountain state of Nepal. Expect a plentiful selection of spicy food, colourful dances and stalls hawking Nepalese souvenirs, plus workshops and markets selling handicrafts and souvenirs.

Get ready to welcome back Designtide, a design-focused fair returning to Tokyo for the first time in 12 years. This year’s edition features 32 exhibiting works courtesy of designers and artists from Japan and abroad, including Korea, Taiwan, Sweden, the UK and more. Additionally, there'll also be a special exhibition featuring works by eight up-and-coming artists that focus on crossing the boundaries of art and design. 

11 talk programmes are also scheduled throughout the event with appearances by world-renowned entrepreneur and CEO of Mistletoe, Taizo Son, and museum curator and writer Ikko Yokoyama. For the full list of talks, visit here.

At the event, a special space will also be dedicated to the Market, where you can shop for exhibitors' works, prototypes, material samples, objects that served as inspiration, and more. There'll also be a selection of art books in various categories.

For more event information, visit the website.

Mt Takao is one of the most picturesque destinations in Tokyo to see autumn leaves. And one of the best ways to do that is by taking the scenic cable car ride, which brings you closer to the mountain’s Yakuoin temple. Here you can sample shojin ryori, a traditional Japanese Buddhist vegetarian meal.

Throughout the duration of the festival, you can also look forward to a host of free events at Kiyotaki Station, the cable car stop at the base of Mt Takao, including musical and dance performances by local university students. Check the website for the schedule.

As it’s the case every year, the base of Mt Takao will be crowded in autumn, so it’s best to arrive via public transport.

The 400m-long Keyakizaka Street next to the Roppongi Hills shopping centre is lighting up with 800,000 sparkling white and blue LEDs until Christmas Day. From the pedestrian bridge near the Roppongi Hills Arena, you'll get a stunning view of the trees covered in shimmering lights, with Tokyo Tower in the background, from 5pm to 11pm daily. 

Among the illustrated characters that emerged in Japan across the second half of the 20th century, and continue to capture hearts both at home and across the globe, none represents the phenomenon better than Hello Kitty. With a half-century now having passed since the cartoon feline was introduced by the Sanrio company, this major exhibition looks at how Kitty-chan’s design has evolved over decades of cultural change: without ever losing that innate charm that has endeared her to generation after generation.

The largest collection of Hello Kitty goods ever amassed in one place, as well as video content and other media, gradually reveals the secrets to this character’s appeal: how besides keeping pace with the times while simultaneously transcending them, Hello Kitty can mirror the day-to-day moods of each and every fan. Highlights include collaboration pieces created with well-known artists and designers, and a series of immersive photo spots featuring not only Kitty-chan but also other faces from the Sanrio stable, including My Melody and Cinnamoroll.

If you're visiting the Warner Bros. Studio Tour – The Making of Harry Potter this holiday season, you’re in for a treat. Tokyo’s hottest Harry Potter attraction has gone all out for its second Christmas celebration with a stunning six-metre-tall Christmas tree, a 1:24 scaled reproduction of Hogwarts Castle covered in snow, plenty of sparkling illuminations and a special food menu, all inspired by the first Christmas scene from ‘Harry Potter and the Philosopher's Stone'. 

Themed 'Hogwarts in the Snow', the Warner Bros. Studio Tour's 2024 holiday extravaganza has painstakingly recreated the Hogwarts Christmas scene from the first film with a breathtaking festive makeover of its Great Hall. You'll find a stunning Christmas tree in the lobby while illuminations are spread out across the premises including around the entrance lobby. The light-ups come on in the evening until 30 minutes after closing time.

As for the holiday menu, each of the Studio Tour's three food outlets are serving Christmas specials. For instance, you'll find a Christmas afternoon tea set and a buche de Noël Christmas cake at Backlot Cafe, a s'more dessert pizza at the Food Hall, and Christmas tree ice cream cones at the Frog Cafe.

Marunouchi Street Park, which comprises the areas along Marunouchi Naka-dori and Gyoko-dori streets, is illuminated with festive lights in the evening. Until December 25, the area in front of the Marunouchi Building will have glass huts serving meals, baked goods and hot beverages, as well as stalls offering Western antiques. In front of the Marunouchi Nichome Building, you’ll find plenty of benches to rest on while enjoying live music in the evening of December 9, 10, 16 and 23.

You’ll also want to check out the ice skating rink at Gyoko-dori. It has a stunning view of the beautiful Tokyo Station building. The rink is open from 11am to 10pm daily (last entry 9.30pm) until Christmas.

The illuminations take place daily from 11am to 10pm.

Head to Miyashita Park’s rooftop garden this Christmas for purple illuminations, complete with a matching Christmas tree. The colour purple is meant to represent Shibuya’s diversity, and people of all backgrounds are encouraged to spend time together at this Shibuya landmark.

In addition to the festive lights, a special Christmas music festival is taking place for three days in evening from December 20 to 22 between 4pm and 9pm. Be sure to check the event website closer to the date, as headliners have yet to be announced. 

The illuminations take place daily until 10pm.

The Azabudai Hills complex will host its second Christmas Market this year with the freshly opened shops in Minato’s newest hotspot. This event's centrepiece is a giant Christmas tree with roughly 20,000 LED lights. Treats include everything from mulled wine and fresh beignets served by doughnut shop Hocus Pocus, to pretzels and bratwursts from German Christmas Stand. Even vegans, who are often overlooked at these annual food markets, have something to keep their spirits high, with plant-based foods like gluten-free stollen from Eightablish.

Knick-knacks on offer include Christmas ornaments, elaborate German Christmas cards and festive mugs, but we’ve got our eyes on Fiasconaro's limited edition Panettone cakes and nougats, which come with elegant tin casings designed by Dolce & Gabbana. 

Taking over from the farmers market that happens year round at Ebisu Garden Place's Clock Plaza, this European-style Christmas market at Chateau Square and Clock Plaza offers all the usual knickknacks and goodies, from snow globes to mulled wine and continental grub, in addition to French specialities such as galettes and handmade candles. An impressive tree is set up right next to the stalls, while the shopping complex below is decorated with a massive Baccarat chandelier and thousands of shining LEDs.

Note: The Christmas market at Chateau Square begins on November 29.

If you’re looking for the most OTT illumination in Tokyo, this is it. Yomiuri Land's annual winter light show will bedazzle even the most jaded illumination-fiend. As the name suggests, jewels are the focus here: literally millions of colourful LEDs are set up throughout the vast theme park evoking sparkling gems. The park is split into ten areas where you will be treated to beautifully lit attractions. 

In addition to the 180-metre-long, rainbow-lit Celebration Promenade and Crystal Passage, you’ll spot two gigantic sparkly Ferris wheels to mark the amusement park's 60th anniversary. The highlight, however, is the fountain show, with water illuminated in different colours and sprayed into the air to create stunning shapes. There are three kinds of show happening every 15 minutes from 5pm daily. Also look out for the fountain’s flames and lasers, which are synchronised to music.

French-born artist Louise Bourgeois (1911-2010) has long loomed large over Roppongi Hills: her outdoor sculpture of a gigantic spider, named ‘Maman’, is a local landmark. The sprawling development’s Mori Art Museum, then, is a fitting venue for this major retrospective of one of the most important artists of the past century. As explored by Bourgeois’ first large-scale Japanese solo exhibition in over 25 years, fear was an ongoing motivation over her seven-decade career.

This fear, however, was not the arachnophobia that one might suppose, given the formidable ‘Maman’. Rather, Bourgeois’ work was driven in part by fear of abandonment; something rooted in her complex and sometimes traumatic childhood. Through her famed oversized sculptures, installations, drawings, paintings and other mediums, she confronted painful personal memories while simultaneously channelling them into work that expresses universal emotions and psychological states.

Across three exhibition ‘chapters’ that each explore a different aspect of family relationships, highlights include the ‘Femme Maison’ series of paintings from the 1940s. These works, which decades later were championed by the feminist movement, each depict a female figure whose top half is obscured by a house which protects yet imprisons her.

Bourgeois’ extensive use of the spider motif, meanwhile, is examined in depth. As hinted at by the landmark ‘Maman’ (the French equivalent of ‘mummy’), for Bourgeois the spider was symbolic of the mother figure who heals wounds just as a spider repairs the threads of its web. The artist's use of this powerful symbol is traced from a small 1947 drawing through to the giant Roppongi arachnid and its 'sister' sculptures located in several cities worldwide.

The exhibition is open until 11pm on September 27 and 28, until 5pm on October 23, and until 10pm on December 24 and 31.

The shining full moon looms large in both the autumn night sky and Japanese cultural tradition that is so deeply rooted in nature. This event, at one of Japan’s most lavishly decorated hotels, brings together these two elements and mixes in a third element of contemporary art, in an aesthetic celebration of a natural phenomenon that has enchanted humanity for millennia.

From traditional moon-viewing season in early October, multiple rooms and spaces around the hotel’s Hyakudan Kaidan (‘The Hundred Stairs’, a designated tangible cultural property that spans seven storeys) host lunar-centric artworks ranging from Edo-period (1603-1868) woodblock prints to stunning, hi-tech projection-mapping installations.

Highlights include 20 prints by artist Tsukioka Yoshitoshi, who is considered the last great master of ukiyo-e (woodblock print) painting and printmaking, and a selection of works by contemporary artists, in which the moon was rendered using a wide variety of techniques including glass and Japanese washi paper.

Across the ornate interiors of seven rooms, meanwhile, projection mapping helps conjure up a two-metre-wide full moon that shines above a series of installations inspired by ukiyo-e depictions of moonlit autumnal scenes.

The exhibition is open daily, but closed on Tuesday November 5.

If you’re looking for the most OTT illumination in Tokyo, this is it. Yomiuri Land's annual winter light show will bedazzle even the most jaded illumination-fiend. As the name suggests, jewels are the focus here: literally millions of colourful LEDs are set up throughout the vast theme park evoking sparkling gems. The park is split into ten areas where you will be treated to beautifully lit attractions. 

In addition to the rainbow-lit, 180-metre-long Celebration Promenade and Crystal Passage, you’ll spot two gigantic sparkly Ferris wheels to mark the amusement park's 60th anniversary. The highlight, however, is the fountain show, with water illuminated in different colours and sprayed into the air to create stunning shapes. There are three kinds of show happening every 15 minutes from 5pm daily. Also look out for the fountain’s flames and lasers, which are synchronised to music.

Master painter Claude Monet (1840-1926) is best known for Impressionist works that captured on canvas the ceaseless transitions of nature. As explored by this major exhibition, however, in the later years of his career, this French artist pursued a more abstract approach, with inspiration coming from both personal and wider realities such as bereavement, his own eye disease and the First World War.

The natural world remained Monet’s ostensible subject matter, such as his signature water lily ponds and their surrounding trees and skies, but his depictions of such scenes were then additionally coloured by internal distress.

For this show, around 50 pieces from Musée Marmottan Monet in Paris have been brought over to Japan, with many being shown in the country for the very first time. These are augmented by works held in collections across Japan, to form an expansive look at Monet’s later career.

The highlight here is a large screen of water lilies, which stands over two metres tall and makes for a truly immersive experience.

The exhibition is closed on Mondays (except November 4, January 13, February 10 and February 11) as well as November 5, December 28-January 1, and January 14.

Get ready to have your senses awakened at What Museum’s latest exhibit, Synesthesia. This captivating showcase explores the work of an artist who uses air, water, and light to craft mesmerizing sculptures that blur the lines between perception and reality. 

Exhibiting artist Akihito Okunaka, with a background in sociology and art education, was influenced by the late philosopher Bruno Latour to explore the connections between nature and society through our five senses. This exhibition invites visitors to touch, enter and lie down in a balloon-like installation piece, and truly feel a connection with our surroundings through a multi-sensory journey.

The centrepiece of the show is sure to be the 12-meter diameter balloon sculpture. Weighed down by a water pillow and bathed in different light frequencies, this mesmerizing creation promises a visual and tactile experience that blurs the lines between sight and touch. Imagine light refracting through multiple layers of translucent plastic film, creating a kaleidoscope of colours that dance across the surface, all while the gentle sway of the balloon invites exploration.

This exhibition is closed on Mondays (except October 14, November 4, January 13, February 3 and 24) and New Year’s holidays