December 2024 events in Tokyo

The 1.2-kilometre-long Marunouchi Naka-dori street, always one of the most popular Tokyo illumination spots, will have around 280 trees lit up with about 820 thousand low-energy, champagne-coloured LEDs this year, making for an environmentally friendly and stylish display.

If you’d rather stay cosy while admiring the lights, visit the newly renovated Marunouchi House, where the seventh-floor terrace will feature festive illuminations for a limited time. The terrace has plenty of seats surrounded by outdoor heaters.

Closer to Christmas, Gyoko-dori between the Imperial Palace and Tokyo Station will have more illuminations between November 28 and December 25.

Until January 31, the district surrounding Tokyo Skytree Town and Asakusa is lighting up with ornate takeakari bamboo lanterns created by Chikaken, an company specialising in these unique traditional lanterns. Many of their takeakari bamboo light creations have been featured at some of Japan’s popular illuminations including Hana Akari at Yomiuri Land and even at selected Tokyo’s hotels.

The Sumida River Walk bridge connecting Tokyo Mizumachi and Sumida Park is especially pretty, as it features a special installation with Tokyo SkyTree in the background. There’s another installation at the Kitajukken riverside terrace running alongside Tokyo Mizumachi, where you'll find beautifully handcrafted takemari bamboo ornaments lining the 200-metre walkway from Makura Bridge to Genmori Bridge.

Ushijima Shrine is also lit up daily from 5pm to 10pm with bamboo lights as well as colourful takemari.

Sagamiko Resort Mori Mori has gone all out for its winter illuminations, featuring over six million dazzling LEDs. This year, there's an entire area dedicated to Japan's beloved laid-back bear, Rilakkuma, along with his sidekick Korilakkuma and other San-X friends like Sumikkogurashi.

You can hop on the park’s Rainbow Chairlift and sail over colourful stripes before reaching the top of a hill, where you'll find a series of illumination art walls showcasing Rilakkuma and his friends. Walk further in to discover a massive Tarepanda inflatable and a bear-shaped igloo with Sumikkogurashi characters glowing in colourful lights.

Be sure to catch the spectacular illumination show at the San-X character stage, where Korilakkuma, Afro-dog and Ebifurai No Shippo perform live with synchronised laser lights for four minutes each. Nearby, a massive Rilakkuma is perched a set of swings, providing the perfect setup for a special photo.

While you’re there, indulge in Rilakkuma and Sumikkogurashi-themed meals and snacks. Enjoy a hearty Sumikkogurashi Bon Pasta or the Meat Doria Plate with San-X characters. Prefer something sweet? Then check out the colorful popcorn sundae or the Rilakkuma pudding in a cup.

Enoshima’s annual illumination is widely touted as one of the three biggest and most impressive light-up events in Japan, alongside the ones at Ashikaga Flower Park and Sagamiko. There are about 10 illumination spots scattered across the hilly island – including the Enoshima Shrine, Ryuren Bell of Love on Lover's Hill and Nakatsumiya Square – so put on some comfortable shoes as you’ll be trekking a lot.

Don’t miss the main attraction located at the island’s iconic Enoshima Sea Candle lighthouse, which is decked out in 70m-long strings of lights stretching from the tip of the tower to the ground, creating a formation similar to the silhouette of Mt Fuji.

The Samuel Cocking Garden, where the Sea Candle is located, is transformed into the dreamy Hoseki (bejewelled) Forest, where everything from the ground and the grass to the trees are covered in rainbow-coloured lights. Keep an eye out for the Shonan Chandelier tunnel, all decked out with luxurious crystal beads and LED lights.

Most attractions are open from 5pm to 8pm (until 9pm on weekends and holidays). You can see most of the light-ups on Enoshima for free, but you will need a ticket (¥500, children ¥250) to enter the Samuel Cocking Garden.

If you're on the island early during daylight hours, head over to Enoshima Iwaya (¥500, children ¥250), as the island's famous cave, created by decades of wave erosion, is bedecked with sparkling lights from 9am to 5pm.

Head over to Minami-Machida for this adorable Snoopy-themed ice skating rink at outlet mall Grandberry Park. The rink is part of the shopping centre’s Christmas event and can be found at the Oasis Plaza. There are plenty of illustrations depicting Snoopy and his friends, while the rink is also illuminated in seven different colours in the evening.

Gloves are mandatory when skating here and can be purchased at the venue for ¥300. Beginners can either join a ten-minute ice skating lesson daily for ¥1,000, or a 60-minute lesson from 9.30am on December 22, 27, 29, 31 and January 3, 5, 11, 13, 19 and 26. It’s ¥3,500 per person (skate rental included) and reservations have to be made in advance online (form opens December 7) or by phone.

Skate rental is included in the admission fee of ¥2,000 (high school, junior high and primary school students ¥1,700, preschoolers ¥1,200). Visitors who drop by from 6pm will get a discount and pay only ¥1,500 (high school, junior high and primary school students ¥1,200, preschoolers ¥700).

The rink is open from 1pm to 8pm on weekdays and from 11am to 8pm on weekends and holidays; until 6pm on Dec 31. Note that the rink is closed on Jan 1 and Feb 18.

The annual illuminations at Oi Racecourse (also known as Tokyo City Keiba) are returning for their sixth run, with the sprawling venue bathed in colourful lights every evening. You can enjoy elaborate light-up and projection mapping displays across two areas.

Upon entering the venue, you’ll find yourself in the Twinkle area, where you’ll walk through a long corridor lit up with twinkling blue lights leading you to the main attractions. Aside from the vivid light projections on the ground, you’ll also come across the Aurora Forest with glowing trees and laser-lit mists. This particular attraction puts on regular five-minute light shows synchronised to music. 

The Wa no Kirameki area, on the other hand, occupies the centre of the racecourse. Here, a colourful water fountain becomes the centre of an aurora light display synchronised to music. There's also an illuminated cherry blossom tunnel, a large trellis of artificial wisteria all decked out with pink and golden lights, plus an illumination recreating a typical Japanese rural landscape complete with paddy fields and a stream.

What's more, with this event taking place at a racecourse, you can even pet and take photos with real horses.

If you're visiting the Warner Bros. Studio Tour – The Making of Harry Potter this holiday season, you’re in for a treat. Tokyo’s hottest Harry Potter attraction has gone all out for its second Christmas celebration with a stunning six-metre-tall Christmas tree, a 1:24 scaled reproduction of Hogwarts Castle covered in snow, plenty of sparkling illuminations and a special food menu, all inspired by the first Christmas scene from ‘Harry Potter and the Philosopher's Stone'. 

Themed 'Hogwarts in the Snow', the Warner Bros. Studio Tour's 2024 holiday extravaganza has painstakingly recreated the Hogwarts Christmas scene from the first film with a breathtaking festive makeover of its Great Hall. You'll find a stunning Christmas tree in the lobby while illuminations are spread out across the premises including around the entrance lobby. The light-ups come on in the evening until 30 minutes after closing time.

As for the holiday menu, each of the Studio Tour's three food outlets are serving Christmas specials. For instance, you'll find a Christmas afternoon tea set and a buche de Noël Christmas cake at Backlot Cafe, a s'more dessert pizza at the Food Hall, and Christmas tree ice cream cones at the Frog Cafe.

Among the illustrated characters that emerged in Japan across the second half of the 20th century, and continue to capture hearts both at home and across the globe, none represents the phenomenon better than Hello Kitty. With a half-century now having passed since the cartoon feline was introduced by the Sanrio company, this major exhibition looks at how Kitty-chan’s design has evolved over decades of cultural change: without ever losing that innate charm that has endeared her to generation after generation.

The largest collection of Hello Kitty goods ever amassed in one place, as well as video content and other media, gradually reveals the secrets to this character’s appeal: how besides keeping pace with the times while simultaneously transcending them, Hello Kitty can mirror the day-to-day moods of each and every fan. Highlights include collaboration pieces created with well-known artists and designers, and a series of immersive photo spots featuring not only Kitty-chan but also other faces from the Sanrio stable, including My Melody and Cinnamoroll.

Master painter Claude Monet (1840-1926) is best known for Impressionist works that captured on canvas the ceaseless transitions of nature. As explored by this major exhibition, however, in the later years of his career, this French artist pursued a more abstract approach, with inspiration coming from both personal and wider realities such as bereavement, his own eye disease and the First World War.

The natural world remained Monet’s ostensible subject matter, such as his signature water lily ponds and their surrounding trees and skies, but his depictions of such scenes were then additionally coloured by internal distress.

For this show, around 50 pieces from Musée Marmottan Monet in Paris have been brought over to Japan, with many being shown in the country for the very first time. These are augmented by works held in collections across Japan, to form an expansive look at Monet’s later career.

The highlight here is a large screen of water lilies, which stands over two metres tall and makes for a truly immersive experience.

The exhibition is closed on Mondays (except November 4, January 13, February 10 and February 11) as well as November 5, December 28-January 1, and January 14.

What Museum’s latest exhibit, Synesthesia, is an interactive one. This engaging showcase is the work of a Japanese artist who uses air, water and light to craft mesmerising sculptures that blur the lines between perception and reality. 

With a background in sociology and art education, Akihito Okunaka is inspired by late philosopher Bruno Latour to explore the connections between nature and society through our five senses. Here you get to touch, enter and lie down in a balloon-like installation and feel connected with your surroundings.

The 12-metre in diameter balloon sculpture is weighed down by a water 'bed' and bathed in different light frequencies. This multi-sensorial work promises a visual and tactile experience that blurs the lines between sight and touch. Imagine light refracting through multiple layers of translucent plastic film, creating a kaleidoscope of colours that dance across the surface, all while being swayed gently by the water bed.

This exhibition is closed on Mondays (except October 14, November 4, January 13, February 3 and 24) and New Year holidays.

French-born artist Louise Bourgeois (1911-2010) has long loomed large over Roppongi Hills: her outdoor sculpture of a gigantic spider, named ‘Maman’, is a local landmark. The sprawling development’s Mori Art Museum, then, is a fitting venue for this major retrospective of one of the most important artists of the past century. As explored by Bourgeois’ first large-scale Japanese solo exhibition in over 25 years, fear was an ongoing motivation over her seven-decade career.

This fear, however, was not the arachnophobia that one might suppose, given the formidable ‘Maman’. Rather, Bourgeois’ work was driven in part by fear of abandonment; something rooted in her complex and sometimes traumatic childhood. Through her famed oversized sculptures, installations, drawings, paintings and other mediums, she confronted painful personal memories while simultaneously channelling them into work that expresses universal emotions and psychological states.

Across three exhibition ‘chapters’ that each explore a different aspect of family relationships, highlights include the ‘Femme Maison’ series of paintings from the 1940s. These works, which decades later were championed by the feminist movement, each depict a female figure whose top half is obscured by a house which protects yet imprisons her.

Bourgeois’ extensive use of the spider motif, meanwhile, is examined in depth. As hinted at by the landmark ‘Maman’ (the French equivalent of ‘mummy’), for Bourgeois the spider was symbolic of the mother figure who heals wounds just as a spider repairs the threads of its web. The artist's use of this powerful symbol is traced from a small 1947 drawing through to the giant Roppongi arachnid and its 'sister' sculptures located in several cities worldwide.

The exhibition is open until 11pm on September 27 and 28, until 5pm on October 23, and until 10pm on December 24 and 31.