Free things to do in Tokyo this weekend

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world. The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle.  Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats.  From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details. Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows,...

One of Tokyo’s largest koinobori festivals takes place at the foot of Tokyo Skytree, with 1,000 carp streamers fluttering in the air. The traditional koinobori carp streamers are put up to celebrate Children’s Day, which happens every May 5 during Golden Week.  If you visit the fifth-floor Block 12 event space near Space 634, children can participate in a fun workshop to colour their own koinobori with guidance from carp streamer artisans for ¥500 (April 11-12). Additionally, other activities will also be taking place at venues around Tokyo Skytree Town, including a Taiwanese food festival, a workshop to make full-length embroidered carp streamers at Kyototo, and a carp streamer candy sculpting workshop at the Asakusa Amezaiku Ameshin store.

Tokyo’s Kameido Tenjin Shrine is famous for its wisteria flowers, and with good reason – the shrine has over 50 wisteria trees, which usually reach their flowering peak between mid-April and early May.  This annual festival features a handful of food stalls and an evening wisteria light up (from sundown to 9pm). The purple blooms also look quite stunning during the day, when you can get a spectacular view of Tokyo Skytree in the background. The shrine is in the shitamachi (old downtown) part of Tokyo, so while you’re there, make sure to take a stroll around the area to explore the old-fashioned local shops and eateries. To check the current flowering status, visit the shrine's Instagram.

Flower and Light Movement is an initiative by the Tokyo Metropolitan Government aimed at creating new and attractive – and eye-catchingly large – flowerbeds in city parks. The project is returning to Toneri Park in Adachi from April 10 to April 26 for a spectacular display of illuminated baby blue eyes (nemophilia). Both this vast field and the park’s two fountains will be illuminated from 6pm to 8pm (until 8.30pm on Fridays, Saturdays and Sundays). With several photo spots on site, be sure to bring a camera for that perfect Instagram photo-op.

Andrius Arutiunian (born 1991) is an Armenian-Lithuanian artist and composer whose practice unfolds at the intersection of sound, ritual and speculative cosmology. Working across installation, performance and moving image, he approaches listening as a hybrid and political act, treating music as an architecture of distorted time. His work, shown at major international exhibitions including the Venice, Shanghai, Gwangju and Lyon Biennales, explores how belief systems, vernacular knowledge and collective rituals shape alternative models of social and temporal order. ‘Obol’, Arutiunian’s first solo exhibition in Japan, takes place from February 20 to May 31 at Le Forum. Presented by Ginza Maison Hermès and curated by Tomoya Iwata, the exhibition imagines a futuristic vision of the underworld, a speculative space where myth, sound and ceremony converge. Drawing on ancient cosmologies, esoteric texts and fragments of ritual, ‘Obol’ is conceived as a ‘club for the dead’, where time becomes viscous and hypnotic, and where the boundaries between past, present and future dissolve. Central to the exhibition is a new body of work using bitumen, a petroleum-derived material once imbued with sacred meaning but now relegated to utilitarian use. As both material and metaphor, it anchors a meditation on Charon, the ferryman of the underworld, evoked through silver obols, serpentine forms and generative mythological imagery. Layered soundscapes weave through the space, binding playfulness...

Held in Nagoya, Kyoto and Tokyo, this fully vegan festival is a welcome celebration in meat-mad Japan. The Tokyo event, which is held both in spring and autumn, is Japan's biggest plant-based festival. Expect a strong line-up of 79 stalls at Kiba Park, selling everything vegan including veggie burgers, curries, burritos, doughnuts, ice cream, gelato and plenty more. Every food stall will list the ingredients used (in Japanese), so you can be 100 percent sure that no animal was harmed or involved in the process of making your meal.

Taking place every other weekend at the renovated Shibuya Municipal Kitaya Park, this outdoor vintage market is the place to pick up everything from American Levi's and handmade knit sweaters to candles and unique artisanal accessories. Boasting approximately 20-30 booths, the market offers a curated selection of shops selling on-trend vintage outfits and trinkets from local artists, making it an exciting day out for fashion fiends. Dates are subject to change. Check the event Instagram for more details.

The UNU farmers’ market is one of Tokyo’s longest running and best-attended markets. Taking place every weekend in front of the university’s Aoyama headquarters, this one always attracts a knowledgeable crowd. Organic and local fare is readily available every Saturday and Sunday from 10am to 4pm, with the farmers themselves happy to provide details about their wares. Plus, there's always a few food trucks on hand if you wish to enjoy a quick meal.

Born in Kolkata in 1963 and now based in New York, Rina Banerjee has established herself as a singular voice in the global contemporary art scene. Drawing from her experience of migration and diasporic identity, Banerjee creates intricate, richly layered sculptures and installations out of everyday materials like cotton threads, feathers, shells and glass chandeliers. Her practice, informed by both engineering training and fine art education at Yale, navigates the intersections of postcolonial history, feminism and global exchange, often infusing critical perspectives with a subtle, disarming sense of humour. ‘You made me leave home…’ at Espace Louis Vuitton Tokyo is an exhibition of 19 works drawn from the collection of the Fondation Louis Vuitton. Organised as part of the foundation’s ‘Hors-les-murs’ programme, which brings major artworks to venues around the world, the exhibition marks both the 20th anniversary of the Espace Louis Vuitton and a decade of the ‘Hors-les-murs’ initiative. Spanning installation, sculpture and painting, the exhibition foregrounds Banerjee’s ongoing exploration of migration, colonial legacies and the circulation of people and objects. At its core is the monumental installation In an unnatural storm… (2008), presented publicly for the first time by the Fondation. Suspended from the ceiling in a cascading constellation of forms, the work evokes both the wonder and instability of global journeys, drawing inspiration from Jules Verne’s Around the...

The historic Shiseido Gallery presents a tribute to the visionary graphic designer Masayoshi Nakajo. Five years after his passing, the exhibition revisits Nakajo’s long and influential relationship with the cosmetics company through around 200 works spanning more than four decades. Nakajo played a pivotal role in shaping Shiseido’s visual culture, producing posters, packaging and advertising designs that blended playful experimentation with refined elegance. Visitors will encounter iconic graphics created for Shiseido Parlour, including biscuit packaging, wrapping papers and promotional posters, alongside original drawings shown publicly for the first time. A central focus of the exhibition is Nakajo’s work as art director of Hanatsubaki, Shiseido’s influential cultural magazine. A special reading corner allows visitors to browse some 350 issues published between 1982 and 2011, offering insight into his distinctive editorial approach, where typography, illustration and photography interact in dynamic visual rhythms. Known for his free-hand compositions and intuitive use of form, Nakajo once said he always chose ‘the design most likely to sing’. This exhibition captures that spirit, where letters become melody, images move like choreography, and graphic design reveals its expressive, almost musical potential.