BL Manga

Five influential BL manga to read

We take a look at the sub-genre of manga known as 'Boys' Love' (or BL), which depicts gay male characters tackling issues ranging from domestic life to gender identity

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If youre browsing the manga corner in a big bookshop, the rows and rows of BL’ volumes may pique your interest. BL, or ‘Boys’ Love, is a genre which depicts male same-sex relationships, and is particularly popular with female readers. It has its roots in the 1970s with famous works such as Moto Hagios Thomas no Shinzo’ (The Heart of Thomas) and Keiko Takemiyas Kaze to Ki no Uta’ (The Poem of Wind and Trees), but the genre only really became established in the 1990s, when specialist magazines begapopping up.

It hasnt been without controversy. These stories have been criticised as mere female fantasy projections of gay male lovers – yet the genre has undeniably introduced a much more diverse set of characters (different sexual orientations, occupations or family make-ups, etc) than those found in conventional manga to a wide readership. As Akiko Mizoguchi, a researcher of BL, puts it, they are works that have really helped tackle issues such as heterosexual normativity, misogyny and homophobia.

Here we introduce you to some of the best manga depicting gay male trials and tribulations, inckuding those beyond the confines of the Boys’ Love genre.

Start with these five manga

Otona no Mondai (Adult’s problem), Ichiko Ima

Starting as a series in a manga magazine that primarily publishes Boys’ Love stories, ‘Otona no Mondais’ protagonist is actually a heterosexual guy. The story follows a straight couple going through a divorce after it emerges that the husband is gay, as told from the perspective of the familys university student-aged son.

The narrative can be comical, often interspersed with the hetero protagonists rather insensitive comments and attitude, which can make for uncomfortable reading. But overall, the fathers marriage to his younger boyfriend and the love life of the mother (challenging Japanese society's tendency to judge mothers who dare to have one) are depicted in a refreshingly candid manner.

New York, New York, Marimo Ragawa

This series, which launched in 1995, wasnt published in a BL-centric magazine, yet it still made a considerable impact on BL and gay readers alike. At a time when realistic gay love was rarely depicted, it broke new ground by taking gay life seriously through highlighting social issues such as prejudice and the AIDS epidemic. Even though it is set in New York, it became the main vehicle for the gay community in Japan to imagine what their life could be like if things were more liberal back home.

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Dokyusei (Classmate), Asumiko Nakamura

Although the love story between two young, androgynous, pretty boys might seem like the ultimate female fantasy, Asumiko Nakamuras work receives many accolades for its artistry and aesthetic sense. Shes known for her lavish style, but here the characters are drawn in a vibrant and fresh new way. It could be said that this is the new premise of BL, where homosexuality is portrayed as normal and homophobia is non-existent.

Kino Nani Tabeta? (What Did You Eat Yesterday?), Fumi Yoshinaga

This ongoing series by BL author Fumi Yoshinaga depicts a middle-aged gay couple, mostly through their eating habits. Its more food manga than BL; of course, it features elements unique to gay life, such as the complicated relationships with their parents, but these themes tend to be addressed in the background. The protagonists’ sexuality is depicted as very common.

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Shimanami Tasogare, Yuki Kamatani

Currently published as a series through a manga app, this work is set in the Japanese countryside. The author, known for ninja manga which were later animated, declared themselves as being of third gender; this is their first work to deal with homosexuality properly. It hits at the heart, following a mid-pubescent hero who is helped by a range of strange characters, an awkward path to which anyone who has struggled with their gender identity can easily relate.

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