The style of Japanese woodblock printing known as ukiyo-e (‘images of the floating world’) flourished during the Edo period (1603–1867). Artists captured the vibrant spirit of the ‘floating world’, a phrase that evoked both the pleasures of urban life and the fleeting nature of existence. Characterised by precise lines, luminous pigments, and depictions of kabuki actors, courtesans and landscapes, ukiyo-e became the defining art form of its time. Masters like Sharaku, Utamaro and Hokusai elevated the genre into a cultural touchstone whose influence endures worldwide.
That lasting impact is on display at ‘Ukiyo-e In Play’, hosted by the Hyokeikan at the Tokyo National Museum until June 15. Organised by the Adachi Foundation for the Preservation of Woodcut Printing, the exhibition features works by 85 contemporary artists, designers and creators who reinterpret the ukiyo-e legacy through collaboration with artisans working with traditional carving and printing methods.
A highlight of the show is the section called ‘Ukiyo-e Artists Today’, where new prints by the likes of renowned pop artist Keiichi Tanaami are presented. Visitors are invited to discover how ukiyo-e has remained a vibrant, playful and resolutely modern art form through the centuries.