Founded back in 1926, this museum is Japan’s very first public art museum. It features a variety of special exhibitions, thematic showcases and art masterpieces from around the world. Not only worth the visit for the art, visitors are welcome to drop by to enjoy the museum's restaurant, café and museum shop where you can pick up great souvenirs. The building is designed by renowed Japanese architect Kunio Maekawa, and is an absolute highlight for those who appreciate design.
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Details
- Address
- 8-36 Ueno Koen, Taito-ku
- Tokyo
- Transport:
- Ueno Station (Yamanote line), park exit; (Ginza, Hibiya lines), Shinobazu exit
- Price:
- Admission varies by exhibition. Free admission on May 18 and Oct 1.
- Opening hours:
- 9.30am-5.30pm (until 8pm on Fridays during Special Exhibitions) / closed every 1st and 3rd Mon (Tue if Mon is a holiday)
What’s on
The life of painter Tanaka Isson (1908-1977), best known for expressing the natural beauty of the Unesco World Heritage-designated island Amami Oshima, took a truly dramatic arc. While still a child, his outstanding talent for nanga – a Japanese painting style inspired by the aesthetics of the Chinese literati – led to him being hailed as a young prodigy destined for success.
After he dropped out of Tokyo Fine Arts School (now Tokyo University of the Arts) for still-unknown reasons, subsequent decades saw Isson work as a farmer, while continuing to paint despite lack of recognition. At the age of 50, in 1958, he relocated alone to remote Amami Oshima, close to Okinawa in Japan’s southwest, whose tropical flora and fauna would inspire him anew.
While working as a fabric dyer to support his artistic practice, Isson developed a way of conveying his idyllic new surroundings that was painterly and simultaneously marked by a level of vivid detail that could today be described as ‘high definition’. It was only following Isson’s death at the age of 69, while still residing on Amami Oshima, that his work began to receive its long-overdue acclaim.
Isson’s posthumous reputation has continued to grow, culminating in this major retrospective comprising over 250 works. Paintings, sketches, documents and other artefacts create a complete picture of the artist’s life and work, with some recently discovered pieces revealing hitherto unknown aspects of his creative practice.
This exhibition is
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