Mori Art Museum
Photo: Mori Art Museum, Tokyo | |

Mori Art Museum

  • Art
  • Roppongi
  • Recommended
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Time Out says

The exhibitions are world-class, focused mainly on contemporary culture, but the secrets of the Mori Art Museum’s success are location (part of the phenomenally popular Roppongi Hills), location (on the 52nd and 53rd floors of the Mori Tower, offering spectacular views) and location (within a two-floor ‘experience’ that includes a bar, cafe, shop and panoramic observation deck). One ticket allows access to all areas, and the late opening hours maximise accessibility.

Exhibitions are deliberately varied, with past offerings including Bill Viola’s video art, a survey of the Middle Eastern art world and the periodic 'Roppongi Crossing' group shows for Japanese artists. The vista from Tokyo City View isn’t quite 360°, and it’s expensive compared to the free Tokyo Metropolitan Government building observatory, but the views are arguably better, especially at night with a drink in your hand from Mado Lounge. If you don't mind paying an extra ¥500, you take a short elevator ride to the rooftop Sky Deck, and take in an even better – not to mention rather breezier – vista.

Details

Address
Mori Tower 53F, 6-10-1 Roppongi, Minato
Tokyo
Transport:
Roppongi Station (Hibiya, Oedo lines), exit 1
Opening hours:
10am-8pm (last entry 7.30pm)

What’s on

Machine Love

Cutting-edge technologies such as AI and the merging of virtual and real worlds are reshaping our planet at an ever-faster pace. A wider look back at human history, meanwhile, reveals that art and technology have always progressed in parallel: computer art, where the two spheres become truly enmeshed with each other, is the latest example of this. This boldly future-facing exhibition presents a selection of contemporary art whose creators have utilised AI, VR and game engines, as well as works produced entirely by generative AI. Together, these diverse exhibits explore radical new aesthetics, and revolutionary approaches to image-making. Among works that alternate between digital and real space, highlights include enchanting video works by Japan's Asako Fujikura, in which she uses 3D graphic rendering to create virtual cities where industrial materials move around as if alive. Beeple, meanwhile, an alias of US artist, designer and animator Mike Winkelmann, presents 'Human one' (2021). This kinetic video sculpture is intended to represent the first 'human' born within the metaverse, as they travel through a changing digital landscape. This exhibition is open until 10pm on April 29 and May 6.

Sou Fujimoto

In the news for his role as the designer of the Expo 2025 site, Sou Fujimoto is an architect whose work explores the relationship between nature and architecture. Born in Hokkaido, he is inspired by the natural landscapes of his childhood and seeks to integrate organic forms into the built environment through an approach he calls ‘primitive future’. This philosophy translates into an exploration of the limits between indoors and outdoors and the natural and the artificial, creating spaces that invite a new experience of inhabiting it. Fujimoto’s residential projects in Japan, such as House N, House O and House T, as well as international projects such as the Serpentine Gallery Pavilion in London, illustrate this desire to blur spatial boundaries. His work is characterised by the use of simple materials, often only one per project, implemented in innovative ways to create complex and intriguing shapes. The balance between a defined program and the freedom of appropriation by the occupants is at the heart of his approach. Fujimoto’s first major Tokyo retrospective takes over the Mori Art Museum from July 2 to November 9. The exhibition offers a comprehensive overview of the architect’s journey over the past quarter century, showcasing his achievements. Models, plans and documentary photographs sit alongside life-size models and installations, providing an immersive visual and spatial experience of the essence of his work. The exhibition highlights projects such as the...
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