12 best art exhibitions in Tokyo right now

Japanese-American contemporary artist Tomokazu Matsuyama’s practice encompasses painting, sculpture and installation. Born in 1976 in Gifu, he currently lives and works in Brooklyn. His work organically merges and reimagines diverse elements, such as Asian and European cultures, ancient and modern eras, and figurative and abstract styles. His art both reflects his intercultural experiences and tirelessly questions the complex and polarised issues of our time: political cleavages, economic inequality, social conflict, the paradox of gender equality, media manipulation and the proliferation of disinformation.

Drawing on a wide range of cultural and historical influences, from Japanese art of the Edo and Meiji periods to classical Greek and Roman statuary, French Renaissance painting and contemporary post-war art, Matsuyama has over the past twenty-five years established himself as a key artist in the New York scene.

This show at the Azabudai Hills Gallery is the artist’s first major exhibition in Tokyo. Running from March 8 to May 11, ‘First Last’ presents some 40 works (15 of which have never been seen before in Japan). It showcases Matsuyama's reflections on the paradoxes of contemporary society, which seems to maintain a fragile balance through perpetual struggles, illustrating the biblical adage ‘the last will be first, and the first last’.

As his nickname ‘God of Manga’ suggests, the Osaka-born Osamu Tezuka (1928–1989) revolutionised Japanese manga and animation, shaping the industry into what it is today. His immense creativity and pioneering storytelling introduced the world to classics such as Astro Boy, Black Jack and Kimba the White Lion. The artist himself, however, considered Phoenix (Hinotori) his magnum opus. A profound and ambitious saga exploring the nature of life, death and reincarnation, the Phoenix narrative follows humanity’s relentless pursuit of immortality through the mythical bird whose blood grants eternal life, alternating between the distant past and far future. 

To celebrate the 70th anniversary of this landmark work, the first large-scale Phoenix exhibition will take place from March 7 to May 25 at Tokyo City View in Roppongi Hills. Featuring over 800 pieces spanning the manga’s twelve main arcs, the exhibition will not only showcase original artworks and manuscripts; it’ll also invite visitors to explore Tezuka's conclusion, left unfinished following the artist’s untimely death in 1989.

By merging art, philosophy and science, ‘Osamu Tezuka’s Phoenix Exhibition’ offers a fresh perspective on one of manga’s greatest masterpieces, conveying Tezuka’s visionary legacy to new generations.

Step into the masterful world of Japan’s most celebrated woodblock print artist this spring at ‘Hokusai: Another Story’, held at Shibuya’s Tokyu Plaza. Utilising the latest in high-definition imaging, spatial audio and Sony’s state-of-the-art sensory technology, the exhibition promises to bring Hokusai’s iconic works to life.

The main highlight of the exhibition is the vivid scenery of Hokusai's ‘Thirty-Six Views of Mount Fuji’, with ultra-high-definition visuals and Sony's Crystal LED displays recreating the intricate details of the work. Visualise, hear and feel the sensation of jumping on puddles or walking on dry sand, thanks in part to haptic floor technology developed by Sony PCL. Then, follow a path illuminated by bamboo lights to reach a room where you can browse master replicas of iconic ukiyo-e prints. Each replica is crafted using DTIP (3D Texture Image Processing) technology that scans every fibre of the traditional washi-paper originals to preserve the works digitally. This multisensory experience allows visitors to not only see, but truly feel, the world Hokusai depicted.

Tickets must be purchased in advance through the event website.

Cutting-edge technologies such as AI and the merging of virtual and real worlds are reshaping our planet at an ever-faster pace. A wider look back at human history, meanwhile, reveals that art and technology have always progressed in parallel: computer art, where the two spheres become truly enmeshed with each other, is the latest example of this. This boldly future-facing exhibition presents a selection of contemporary art whose creators have utilised AI, VR and game engines, as well as works produced entirely by generative AI. Together, these diverse exhibits explore radical new aesthetics, and revolutionary approaches to image-making.

Among works that alternate between digital and real space, highlights include enchanting video works by Japan's Asako Fujikura, in which she uses 3D graphic rendering to create virtual cities where industrial materials move around as if alive. Beeple, meanwhile, an alias of US artist, designer and animator Mike Winkelmann, presents 'Human one' (2021). This kinetic video sculpture is intended to represent the first 'human' born within the metaverse, as they travel through a changing digital landscape.

This exhibition is open until 10pm on April 29 and May 6.

Swedish-born artist Hilma af Klint (1862-1944) was a pioneer of abstract painting, whose work prefigured that of such revered figures as Piet Mondrian and Wassily Kandinsky. Yet, for decades, her work was known only to a handful of people. The 21st century, however, has seen Klint receive some long overdue global recognition. A 2018 retrospective at New York's Guggenheim Museum attracted the largest visitor numbers in that venue's history, and now the prestigious National Museum of Modern Art, Tokyo presents her first career overview to be held in Asia.

The exhibition centres upon selections from "The Paintings for the Temple", a series which Klint, who was involved in the then-booming spiritualist movement, produced between 1906 and 1915 after believing the project to have been 'commissioned' from another dimension during a seance. The artist perceived these works which combine abstract and figurative elements, and organic and geometric forms, to have been created 'through' her by some external spiritual force.

Advance tickets are sold until March 3. This exhibition is closed on Mondays (except March 31 and May 5) as well as May 7.

Spanish-born Joan Miró (1893-1983) has long been considered one of the most important artists of the twentieth century; revered for his poetic transformation of nature-derived shapes such as the moon and stars into abstract symbols. In this major retrospective, the various phases of Miró's career are presented together in Japan for the first time. Overseen by the Fundació Joan Miró, based in the artist's birthplace of Barcelona, this exhibition sees masterpieces held in collections across the world brought to Tokyo, to form a comprehensive overview of an artistic practice that encompassed painting, ceramics, sculpture and more.

Post-impressionistic early works, such as the 1919 self-portrait, give way to a resolutely surrealist approach as Miró becomes involved in the artistic current then sweeping Paris, where he spent much of the 1920s and '30s. The subsequent three decades then see the artist develop and hone the singular style with which he is most associated, exemplified here by exhibition highlight 'The Morning Star' (1940) and other selections from his 'Constellations' series. Finally, the show highlights how, even in his final years, Miró continued his lifelong search for new modes of expression.

The exhibition is closed on Mondays (except April 28, May 5) as well as May 7.