12 best art exhibitions in Tokyo right now

What Museum’s latest exhibit, Synesthesia, is an interactive one. This engaging showcase is the work of a Japanese artist who uses air, water and light to craft mesmerising sculptures that blur the lines between perception and reality. 

With a background in sociology and art education, Akihito Okunaka is inspired by late philosopher Bruno Latour to explore the connections between nature and society through our five senses. Here you get to touch, enter and lie down in a balloon-like installation and feel connected with your surroundings.

The 12-metre in diameter balloon sculpture is weighed down by a water 'bed' and bathed in different light frequencies. This multi-sensorial work promises a visual and tactile experience that blurs the lines between sight and touch. Imagine light refracting through multiple layers of translucent plastic film, creating a kaleidoscope of colours that dance across the surface, all while being swayed gently by the water bed.

What Museum, in Tokyo waterfront district Tennozu, presents an ‘inadvertent’ collection of contemporary art belonging to renowned tech and AI entrepreneur, Takafumi Takahashi. The ‘T2 Collection’, which takes its name from owner’s initials, has been amassed over the past six years as Takahashi gradually dived deeper into the world of modern art. Along the way he picked up works which captivated him in some way, by notable Japanese and international artists including Kohei Nawa, Barry McGee and Tatsuo Miyajima. What was never consciously acquired with a ‘collection’ in mind is now on public display for the first – and possibly only – time.

Across the 35 diverse works featured here, a common thread is Takahashi’s recognition of a connection between art and entrepreneurship, in that the leading players in both spheres challenge the world with unique and unprecedented concepts and visions. One exhibition room, dedicated to the medium of photography, explores how contemporary artists have developed their photographic expression amid a rapid rate of change in both technology and the role of images in society.

The work of Kei Imazu, a Japanese-born artist now based in Indonesia, explores how technological innovations have the power to influence human perception. Now, with Imazu increasingly gaining global attention, Tokyo Opera City Art Gallery presents her first major solo exhibition.

Tactile, 'traditional' artistic tools and materials meet digital imaging tech in Imazu's experimental approaches. Images sourced from a diversity of media are digitally sampled and processed, before being combined on canvas with oil painting. Elements from history and mythology, including those of her adopted Indonesia, join present-day concerns such as environmental issues and ecofeminism to form large-scale, analogue-digital collages that are truly of their time.

This exhibition is closed on Mondays (except January 13 and February 24) as well as January 14, February 9 and February 25.

Working mainly amidst the modernisation push and ensuing tumult of the Meiji era, Toyohara Kunichika (1835–1900) was a visionary ukiyo-e printmaker who revitalised the traditional art form with his bold use of colour and dynamic compositions. Best known for his yakusha-e (portraits of kabuki actors), Kunichika brought the world of theatre to life with an intensity rarely seen before. 

The Ota Memorial Museum of Art commemorates the 190th anniversary of Kunichika’s birth with a retrospective featuring 210 carefully selected works. The exhibition offers a comprehensive view of the artist’s palette, highlighting not only his famous actor portraits, but also his bijin-ga (beautiful women), musha-e (warriors), landscapes, and rare nikuhitsu-ga (hand-painted ukiyo-e). Drawing on the latest academic research, the retrospective sheds new light on Kunichika’s artistic evolution and enduring influence.

Kunichika isn’t quite as well-known or highly appreciated as some of his fellow printmakers from the same era, so this exhibition makes for a rare opportunity to explore the full oeuvre of an artist who, against the tide of modernisation, remained true to his commitment to a centuries-old tradition while redefining it for a new era.

UPDATE, January 28: Due to overcrowding, tickets sold online from January 29 onwards will be date designated. The sale of tickets sold on-site may be discontinued without notice during museum hours. Check the event website for updates.

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Ryuichi Sakamoto, who passed away in 2023 aged 71, was one of Japan's most globally influential musicians and composers. He also had a talent for creating multimedia art and became a prominent social activist, concerned with pacifism and environmental issues.

For much of the past two decades, Sakamoto focused upon three-dimensional sound installations, and these comprise the bulk of this show. A series of these immersive large-scale works unfolds around the MOT's vast exhibition spaces to mesmerising effect. The outdoor 'Sunken Terrace', for example, plays host to a literal 'fog sculpture' titled 'Life-Well Tokyo', produced in collaboration with artists Shiro Takatani, of Dumb Type and Fujiko Nakaya. Inside several works draw upon the music that Sakamoto created for his 2017 album 'async', a recording that pursued asynchronicity in a bid to create entirely 'untraditional' music. Indoor and out, together these pieces form a poignant tribute to a much-missed member of the creative community. 

Japanese-American contemporary artist Tomokazu Matsuyama’s practice encompasses painting, sculpture and installation. Born in 1976 in Gifu, he currently lives and works in Brooklyn. His work organically merges and reimagines diverse elements, such as Asian and European cultures, ancient and modern eras, and figurative and abstract styles. His art both reflects his intercultural experiences and tirelessly questions the complex and polarised issues of our time: political cleavages, economic inequality, social conflict, the paradox of gender equality, media manipulation and the proliferation of disinformation.

Drawing on a wide range of cultural and historical influences, from Japanese art of the Edo and Meiji periods to classical Greek and Roman statuary, French Renaissance painting and contemporary post-war art, Matsuyama has over the past twenty-five years established himself as a key artist in the New York scene.

This show at the Azabudai Hills Gallery is the artist’s first major exhibition in Tokyo. Running from March 8 to May 11, ‘First Last’ presents some 40 works (15 of which have never been seen before in Japan). It showcases Matsuyama's reflections on the paradoxes of contemporary society, which seems to maintain a fragile balance through perpetual struggles, illustrating the biblical adage ‘the last will be first, and the first last’.

As his nickname ‘God of Manga’ suggests, the Osaka-born Osamu Tezuka (1928–1989) revolutionised Japanese manga and animation, shaping the industry into what it is today. His immense creativity and pioneering storytelling introduced the world to classics such as Astro Boy, Black Jack and Kimba the White Lion. The artist himself, however, considered Phoenix (Hinotori) his magnum opus. A profound and ambitious saga exploring the nature of life, death and reincarnation, the Phoenix narrative follows humanity’s relentless pursuit of immortality through the mythical bird whose blood grants eternal life, alternating between the distant past and far future. 

To celebrate the 70th anniversary of this landmark work, the first large-scale Phoenix exhibition will take place from March 7 to May 25 at Tokyo City View in Roppongi Hills. Featuring over 800 pieces spanning the manga’s twelve main arcs, the exhibition will not only showcase original artworks and manuscripts; it’ll also invite visitors to explore Tezuka's conclusion, left unfinished following the artist’s untimely death in 1989.

By merging art, philosophy and science, ‘Osamu Tezuka’s Phoenix Exhibition’ offers a fresh perspective on one of manga’s greatest masterpieces, conveying Tezuka’s visionary legacy to new generations.

Step into the masterful world of Japan’s most celebrated woodblock print artist this spring at ‘Hokusai: Another Story’, held at Shibuya’s Tokyu Plaza. Utilising the latest in high-definition imaging, spatial audio and Sony’s state-of-the-art sensory technology, the exhibition promises to bring Hokusai’s iconic works to life.

The main highlight of the exhibition is the vivid scenery of Hokusai's ‘Thirty-Six Views of Mount Fuji’, with ultra-high-definition visuals and Sony's Crystal LED displays recreating the intricate details of the work. Visualise, hear and feel the sensation of jumping on puddles or walking on dry sand, thanks in part to haptic floor technology developed by Sony PCL. Then, follow a path illuminated by bamboo lights to reach a room where you can browse master replicas of iconic ukiyo-e prints. Each replica is crafted using DTIP (3D Texture Image Processing) technology that scans every fibre of the traditional washi-paper originals to preserve the works digitally. This multisensory experience allows visitors to not only see, but truly feel, the world Hokusai depicted.

Tickets must be purchased in advance through the event website.

Cutting-edge technologies such as AI and the merging of virtual and real worlds are reshaping our planet at an ever-faster pace. A wider look back at human history, meanwhile, reveals that art and technology have always progressed in parallel: computer art, where the two spheres become truly enmeshed with each other, is the latest example of this. This boldly future-facing exhibition presents a selection of contemporary art whose creators have utilised AI, VR and game engines, as well as works produced entirely by generative AI. Together, these diverse exhibits explore radical new aesthetics, and revolutionary approaches to image-making.

Among works that alternate between digital and real space, highlights include enchanting video works by Japan's Asako Fujikura, in which she uses 3D graphic rendering to create virtual cities where industrial materials move around as if alive. Beeple, meanwhile, an alias of US artist, designer and animator Mike Winkelmann, presents 'Human one' (2021). This kinetic video sculpture is intended to represent the first 'human' born within the metaverse, as they travel through a changing digital landscape.

This exhibition is open until 10pm on April 29 and May 6.

Swedish-born artist Hilma af Klint (1862-1944) was a pioneer of abstract painting, whose work prefigured that of such revered figures as Piet Mondrian and Wassily Kandinsky. Yet, for decades, her work was known only to a handful of people. The 21st century, however, has seen Klint receive some long overdue global recognition. A 2018 retrospective at New York's Guggenheim Museum attracted the largest visitor numbers in that venue's history, and now the prestigious National Museum of Modern Art, Tokyo presents her first career overview to be held in Asia.

The exhibition centres upon selections from "The Paintings for the Temple", a series which Klint, who was involved in the then-booming spiritualist movement, produced between 1906 and 1915 after believing the project to have been 'commissioned' from another dimension during a seance. The artist perceived these works which combine abstract and figurative elements, and organic and geometric forms, to have been created 'through' her by some external spiritual force.

Advance tickets are sold until March 3. This exhibition is closed on Mondays (except March 31 and May 5) as well as May 7.

Spanish-born Joan Miró (1893-1983) has long been considered one of the most important artists of the twentieth century; revered for his poetic transformation of nature-derived shapes such as the moon and stars into abstract symbols. In this major retrospective, the various phases of Miró's career are presented together in Japan for the first time. Overseen by the Fundació Joan Miró, based in the artist's birthplace of Barcelona, this exhibition sees masterpieces held in collections across the world brought to Tokyo, to form a comprehensive overview of an artistic practice that encompassed painting, ceramics, sculpture and more.

Post-impressionistic early works, such as the 1919 self-portrait, give way to a resolutely surrealist approach as Miró becomes involved in the artistic current then sweeping Paris, where he spent much of the 1920s and '30s. The subsequent three decades then see the artist develop and hone the singular style with which he is most associated, exemplified here by exhibition highlight 'The Morning Star' (1940) and other selections from his 'Constellations' series. Finally, the show highlights how, even in his final years, Miró continued his lifelong search for new modes of expression.

The exhibition is closed on Mondays (except April 28, May 5) as well as May 7.