Close up of Sydney Opera House
Photograph: Destination NSW
Photograph: Destination NSW

How to have the ultimate arts escape in Sydney

Don't let the Sydney's stunning natural beauty deceive you – the city is the perfect escape for culture vultures

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Melbourne sure likes to claim the title of "Australia's cultural capital", but there are other cities in Australia that house a world-class arts industry. 

Consider this: if Melbourne is a dark and mysterious Charles Blackman painting, then Sydney is a bright and colourful Grace Cossington Smith. Colour, light and heat pervades Sydney and it’s reflected in the city’s zest for culture, not to mention its dining scene and penchant for the outdoors.

Planning an arts and culture escape to Sydney? Here's our guide to making the most of a creative getaway in the Harbour City. 

Recommended: 50 things everyone in Sydney needs to do at least once.

Do

It’s fair to say that anyone who’s grown up in Australia is fairly familiar with the Sydney Opera House. Or are you? As it turns out, there’s a tonne of history, stories and facts about this iconic building that would surprise even a dedicated Sydneysider – and you can find out all about them on one of the Sydney Opera House tours.

These tours take you to all the nooks and crannies that you wouldn’t normally see at a regular Opera House event while also sharing with you some of the venue’s colourful history – from construction disputes to live chickens on cellists. 

You’ll also get to peek inside the new digital experience, which recreates the Sydney Opera House concert experience in an immersive digital theatre.

If you want to visit the raw, beating heart of Sydney's creativity, put aside at least half a day to visit Newtown. The inner west suburb is humming with creativity, with its main drag, King Street, packed with cafés and cool stores. While you could spend all day exploring its every laneway and sidestreet, for first-timers, the big drawcards in Newtown are its array of vintage fashion stores and its collection of street art. 

If the allure vintage and upcycled fashion is what hooks you, drop into stores like Vintage@313, Cream and Uturn to trawl through the thousands of retro threads. The stores themselves are well worth a stickybeak too, even if you’re not set on buying. 

Now if you’re keen to discover Newtown’s street art, it is entirely possible to do so using the “what’s that over there” technique. However, if you’d like a wee bit of guidance, the Newtown Grafitti Map shows you where all the major murals are scattered around the suburb.

If you're interested in the visual arts, a trip to Art Gallery of New South Wales is a must. The grand gallery was established in 1871 and is the leading museum of art in New South Wales and Sydney, as well as one of Australia's foremost cultural institutions. It holds significant collections of Australian, European and Asian art, and presents nearly 40 exhibitions annually. When we visited the showstopping exhibition was Streeton (Nov 7, 2020-Feb 14, 2021), the most significant survey of Australian impressionist, Arthur Streetonthat has ever been held. Notably, AGNSW is the home of the Archibald Prize, arguably Australia's most famous art prize. 

And although White Rabbit Gallery doesn't have the same impressive facade of AGNSW, it's certainly one gallery not to miss. You'll find Judith Neilson's four-storey temple to contemporary Chinese art in Chippendale where it houses one of the world's largest collections of 21st-century Chinese art in a sleek modern outfit. 

You'll also want to make time to pop into the Museum of Contemporary Art. The MCA is one of Australia's leading institutions of art by living artists, and regularly hosts exhibitions that present contemporary artists (both Australian and international) in a manner accessible to all visitors – not just those with an understanding of art history and terms.

Eat

Everyone who visits Sydney should really go to Bondi institution, Icebergs, at least once in their life. Not only will you be treated to fine food, but you’ll also be privy to some of the Harbour City’s best views (when we visited we were treated to a literal rainbow over Bondi Beach at sunset) along with a selection of its most stylish set. 

The location of the restaurant is just the entrée; the combination of refined Italian fare and elegant service is really what puts Icebergs in our restaurant hall of fame (quite, literally).

Before checking out the art, entertainment and shopping of Newtown, we suggest fueling up at Cuckoo Callay. This dinky train station café speaks right to Melbourne’s “cafés should be squished into any and all available street space” maxim. Whether you choose to sit inside or outside, there’s an air of the bohemian about the venue, which serves up an all-day menu of brunch and brunch-adjacent fare. There's a strict no bookings policy so head there on a weekday for your best chance of being seated (or opt for takeaway from the window stall).

If you want food as pretty as Sydney itself, Concrete Jungle should be on your list. Conveniently located in Chippendale (an easy walk from Central Station), this café is all about serving up wholesome meals that just happen to look incredible at the same time.

For an edible representation of Sydney, order Concrete Jungle’s signature dish, the Blue Majik Smoothie bowl. The dish consists of banana, pineapple, coconut milk and blue spirulina blended and topped with puffed granola, blueberries, toasted coconut and edible flowers. It looks like the beach and tastes like a summer holiday. If you’d prefer heartier fare, there’s plenty of traditional options available – though if ordering toast we’d recommend opting for it with the house-made banana and blueberry jam.

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Drink

The semi-subterranean Poly might technically be a wine bar, but it's pretty easy to spoil your dinner by generously sampling the bar snacks menu. They say don't fill up on bread but it's hard advice to follow with Poly's anchovy toasts. The grilled mortadella is lighter, though packed with flavour thanks to the pineapple mostarda that turns it into something akin a Hawaiian pizza.

A selected list of wines by the glass is offset by the extensive bottle list, which is largely European. It's not all wine at Poly, though, with a number of sake, cocktails, beers and ciders available too from a bar staff who clearly know their stuff.

Bodega x Wyno is a wine and tapas bar brought to you by the Porteño restaurant family. The venue is a delightful Frankenstein's monster of sorts, combining Surry Hill's old Bodega tapas bar with the site's former occupant, Italian wine bar 121BC.

Its lineage means Bodega x Wyno allows guests to experience the best of both worlds, whether you're looking for a shared dinner of small plates or an evening sampling fines wines. The team know their stuff too; instead of offering wines by the bottle or the glass, all wines are effectively available by the glass. Simply let your server know what sort of wines you're into and they'll find something to suit your tastes. And if nothing else, be sure to order the fish fingers, garlicky slices of charred toast topped with tender ceviche. 

  • Hotels
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From the website through to the minimalist lobby, every detail in Paramount House Hotel has been carefully considered, meticulously placed and kept affectionately local.

On our recent visit, we stayed in one of the loft rooms, a stylish two-storey space with a secluded courtyard and an elevated bed (complete with the softest linen) overlooking the living space. 

Regarding amenities, the room is kitted out with Aesop hand soap and cream, but also shampoo, conditioner and shower gel in the shower and bath. With loft rooms, you'll want to be very comfortable with any potential roommates because while there's a separate room for the toilet, the shower and bath unit is in the living space. 

Shrug off that prudity by popping open one local bevvies found in the mini-bar fridge tucked away under the sink, which doubles as your dresser, kitchenette and bathroom mirror.

Your mini-bar is a cut above the industry standard and, in addition to a premium selection of beers and wines, comes stocked with all the accoutrements to make a fine cheese platter. Of course, if you don't want to sloth out inside, the hotel is next door to Chin Chin as well as around the corner from DOC. Or enjoy the best of both worlds and order delivery to enjoy as room service.

Want to catch a show while in Sydney?

  • Theatre & Performance
When it comes to staging a performance of any live musical (or an opera, for arguments’ sake), there are a whole lot of moving parts that must come together. The pitch-perfect live orchestra, the actors emerging from quick costume changes, leaping straight into painstakingly blocked choreography, delivering carefully memorised lines and lyrics *with conviction* as a whole squadron of unseen people steer all of the technical elements to keep the train on the track – when you witness all of these pieces come together in real time, there really is nothing else quite like it. So what happens when you take all of the delicate elements of live theatre, and up the stakes by thrusting it onto an outdoor stage the size of “a football field” suspended over Sydney Harbour, and top it off with a big smattering of fireworks? That’s what you get at Handa Opera on the Harbour (HOSH), and this year’s bombastic take on the musical comedy classic, Guys & Dolls, which director Shaun Rennie describes as “one of the best musicals ever written”.  “It's a unique beast, that's for sure,” says Rennie, who is also Opera Australia’s associate director. “It's part spectacle, part musical theatre – and yet, there are logistics that you wouldn’t even think about. Like the wigs, if it rains, all have to be reset – and there’s literally not enough time to reset them all.”  View this post on Instagram A post shared by Time Out Sydney (@timeoutsydney) According to Rennie, the “genius...
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The recipe for Handa Opera on Sydney Harbour (HOSH) is simple but brilliant: take one stunning outdoor location with world-class city views, add spectacular over-the-top set design, razzle-dazzle costumes, show-stopping dance routines, a live orchestra, some world-class performers – and a great big dash of fireworks for good measure.  Heck, you might as well top it off with a tipple of Champagne, right? And you can’t settle in for a show on an empty stomach – lucky for you, there’s a variety of vendors on location at Mrs Macquarie’s Point, with themed menus that range from cheap-ish snacks to bougie sit-down dinners. Consumed while overlooking the harbour as dusk falls, we’d say this renders your night out a bona fide experience. We’re not the only ones, over half a million tickets have been sold for this annual event since it began. HOSH has been an annual highlight of the city’s culture calendar for 14 years now, and we reckon this spectacle deserves a place on everyone’s bucket list. After spending more than a decade dedicated solely to operatic classics, Opera Australia (OA) started mixing it up in 2019 by introducing classic musicals to the mix as well. If you’re intimidated by the thought of reading along with the English surtitles during an opera in an unfamiliar language, perhaps you’ll be tempted by a Broadway classic? And for the opera purists, we have the words of OA’s Associate Director, Shaun Rennie, who says: “I don't see them as separate streams [operas and...
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  • Musicals
  • Sydney
  • 5 out of 5 stars
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The genre-defying, multi-award-winning, smash-hit Broadway sensation, Hadestown has finally made its way down to Sydneytown – and it’s unlike any musical you’ve ever seen or heard. With industrial steampunk aesthetics, a soulful jazz-folk fusion, and even a comment on our dying world, this is a brave new world for musical theatre. The Down Under debut of Hadestown opened at the Theatre Royal Sydney to a ready-made fanbase. There’s a lot of hype surrounding this show – the Broadway production picked up eight Tony Awards (including Best Musical for 2019) and still plays to packed houses today, and there’s also the highly successful West End production and the North American tour.  An incisive adaptation of the age-old myth of Orpheus and Eurydice, Hadestown is the brainchild of indie-folk musician Anaïs Mitchell (with very clear influences from Justin Vernon, aka Bon Iver, who appeared on the 2010 studio album). It started its life as a song cycle, and then a studio album, and now it’s a fully-formed stage musical with a dedicated international following. Hadestown is a spectacular challenge to what we think a musical is and can be Like many fans, I discovered Hadestown via the studio album and the Broadway recording. With such a strong, atmospheric tone, the music doesn’t even need visuals to shine – featuring everything from chugging vocal sounds, deep growling singing, floating falsettos, muted trombones, a train whistle, and heavy acoustic guitars. Hadestown is the...
  • Drama
Bell Shakespeare is kicking off its 35th anniversary season for 2025 with a cracker of a show. In early March, a stunning contemporary production of one of the most famous war plays of all time, Henry 5, will premiere under the spectacular sails of the Sydney Opera House. Celebrated theatre maker and former Associate Artistic Director of Bell Shakespeare Marion Potts (Othello, Hamlet) is returning to the company for the first time in 15 years to direct this all-new production starring newcomer JK Kazzi in his highly anticipated mainstage theatre debut, with Melbourne-based composer Jethro Woodward joining an esteemed creative team. Follow young Prince Hal as he leaves his wayward adolescence behind and assumes the mantle of kingship. Following an insult by the French prince, King Henry launches England into a war with France to claim the throne he believes is rightfully his and, against all odds, he leads his troops from despair to climactic victory at the Battle of Agincourt. King Henry is hailed as a warrior and a hero – but at what cost? The NSW season will run from March 1 to April 5 at the Sydney Opera House and at Illawarra Performing Arts Centre from April 30 to May 1, before the production tours to Canberra and Melbourne. You can learn more and book tickets over here. RECOMMENDED: The best theatre to see in Sydney this month.
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  • Musicals
  • Darling Harbour
  • 3 out of 5 stars
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If you’re of a certain age, you have history (HIStory, perhaps?) with Michael Jackson. I remember getting ‘Thriller’ on cassette as a kid. ‘Dangerous’ was one of the first CDs I ever owned. I remember seeing the extended music video for ‘Thriller’ on VHS, which came packaged with a behind-the-scenes documentary. One woman, cornered for a quick vox pop at one of the filming locations, asserted that she loved Jackson because he was “down to earth”, which is darkly hilarious in hindsight.  Down to earth? The press called him “wacko Jacko” – we all did. He slept in a hyperbaric chamber. He owned the Elephant Man’s skeleton. His skin kept getting paler, his nose thinner. What a weird guy! Was any of it true? Hard to say. Even today, when a careless tweet is like a drop of blood in a shark tank to fans and journos alike, the media furor around Michael Jackson stands as one of the most frenetic in living memory, eclipsing the likes of Beatlemania. Jackson wasn’t bigger than God, he was God to a lot of people – the King of Pop, the first Black artist to smash through the MTV colour barrier, an artist, an icon, a living legend. Then came the allegations of child sexual abuse, which first began in August 1993, and continue to this day. For those who were still on the fence, the documentary Leaving Neverland, released in 2019, saw many more fans abandon Jackson, who died in 2009 at the age of 50. And so, it makes sense that MJ the Musical would set Jackson’s relationship with the...
  • Comedy
Redfern, 1966. Three First Nations young women are gearing up for the biggest night of the year: the Deb Ball. As far as Cheryl, Lulu and Queenie are concerned, life is good – even if jobs are precarious, and police harassment and racism are hiding around every corner. But they aren’t aware that their lives, their neighbourhood, and the whole country are about to change. Big Girls Don’t Cry is a  witty and heartfelt new play that offers a glimpse into the lives of First Nations women in the 1960s who were looking for more. Playwright and Gumbaynggirr/Wiradjuri woman Dalara Williams – who also stars in this premiere production at Belvoir St Theatre – was inspired by her grandmothers, who were part of the Aboriginal civil rights movement that paved the way for Indigenous women today. “Why should people come and see the show? To see another aspect of Aboriginal life, one that we never get a chance to tell,” says Williams. “Just black joy and black love amongst friends, amongst siblings, amongst romantic partners.” Directed by Ian Michael (STC’s Picnic at Hanging Rock), the stacked cast of seven also includes the talents of Megan Wilding (The Rover, The Seagull, A Little Piece of Ash) Stephanie Somerville (Stolen), Bryn Chapman Parish (Netflix's Heartbreak High) , Mathew Cooper (Coranderrk), Nic English (Outhouse Theatre Co’s Consent) and Guy Simon (Jacky).  Big Girls Don’t Cry is playing at Belvoir St Theatre until April 27, 2025. Tickets start from $41, and you can grab...
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  • Musicals
  • Millers Point
  • 4 out of 5 stars
  • Recommended
Call it “One Flew Over the Old Bird’s Nest”, if you like. Following its hugely successful debut with Melbourne Theatre Company in 2023, veteran comedian and Working Dog mainstay Tom Gleisner’s (The Castle, ABC television's Utopia) catchy new musical comedy set in a nursing home (and seasoned with a dash of tears, as expected) is now Sydney Theatre Company’s latest and very welcome offering. Directed by Dean Bryant (Dear Evan Hansen) with music by Katie Weston, Bloom is an across-the-board crowd-pleaser, the kind of popular four-quadrant gem that’s almost impossible to dislike. It even has a few pointed comments to make about the fraught state of aged care in Australia, but these never overwhelm the palpable sense of fun. What more could you want? We get two fish out of water (or Randle McMurphys, if you will) for the price of one here, both arriving at the understaffed, underfunded (and, as it eventuates, underestimated) Pine Grove Aged Care facility on the same day. One is new resident (or possibly inmate?) Rose (played by Evelyn Krape, reprising her role from the Melbourne run) – a feisty-to-the-point-of-prickly old dame, age has not wearied Rose, but it did lead to an accidental fire that made her an unwilling candidate for permanent care. The other is stoner/slacker/music student Finn (Sloan Sudiro), who was drawn here by the promise of a free room and board in exchange for some light duties. The duties turn out to be anything but light, as the frazzled staff –...
  • Theatre & Performance
Do you hear the people sing? Singing a song of angry men?... Well, that might be the sound of the spectacular, star-studded arena production of Les Misérables that is marching towards Sydney for the Australian leg of a massive world tour, following rave reviews and sold-out crowds across the UK and major European cities. Describing itself as “the most spectacular arena production of a musical ever staged”, this epic tour is celebrating the 40th anniversary of the world’s longest running musical, the record-breaking London production of Les Mis, which is still playing to sell out audiences today.  Les Misérables The Arena Spectacular will arrive at the ICC Sydney Theatre on April 30 for 15 performances (including extra shows added to meet the demand), followed by dates at Melbourne’s Rod Laver Arena and the Brisbane Entertainment Centre. Super-producer Cameron Mackintosh has assembled a world class creative team, with the exciting new production design being specifically created for each venue – and the international cast is also absolutely top tier.  Photograph: Supplied | Marina Prior and Matt Lucas star in ‘Les Misérables The Arena Spectacular’ Australia’s leading lady, Marina Prior, is playing Madame Thénardier. Maria is certified musical theatre royalty – before she blew everyone away as the original Christine Daaé in the Australian premiere of The Phantom of the Opera in the early ’90s, she also played Cosette in the original Australian production of Les Misérables....
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  • Musicals
  • Haymarket
  • 4 out of 5 stars
  • Recommended
Just over a decade since it was last seen in Australia, Annie is back – bursting onto the Capitol Theatre stage filled with optimism, joy, and hope. Director Karen Mortimer revives this quintessential piece of musical theatre with a sentimental production that preserves the charm and flair found in Thomas Meehan’s book. For those living under a rock (mainly me), this Tony Award-winning musical follows the story of 11-year-old Annie, who is growing up in an orphanage in 1930s New York, under the cruel eye of Miss Hannigan. In the midst of the Great Depression, pessimism is all around, but chipper young Annie has the antidote: hope. Encouraging others to believe that “the sun will come out tomorrow”, Annie’s enduringly positive spirit seems to finally pay off, when billionaire Oliver Warbucks chooses to take her in for two weeks over Christmas. Four spirited young performers share the titular role in this production, alongside an alternating cast of child actors. On opening night, Dakota Chanel’s Annie is a ray of sunshine, fully embodying the doe-eyed optimism of the character, balancing warmth and comedy with the more tender and emotional segments. The whole ensemble of “orphans” share an incredible chemistry, which is strongly on display in their performance of ‘It’s The Hard Knock Life’. The stakes are high when it comes to such a well-known and well-loved song, but this ensemble more than meets the challenge with a passionate and committed performance.  Annie is the...
  • Drama
  • Surry Hills
  • 4 out of 5 stars
  • Recommended
As the audience enters the downstairs space at Belvoir St Theatre for the premiere of Snakeface, our eyes are immediately drawn to a large, pale rectangular object in the centre of the stage – whispers are exchanged, questioning what exactly it is. There is a black screen at the back of the stage, thin web-like material hangs from the lighting rigs, and a person (who we assume to be the titular Snakeface) is crouched to the right of the screen, shifting every few seconds from left to right.  This new one-person show presented by Fruit Box Theatre (Back to Birdy, Cruise) draws on the legend of Medusa, the famous snake-haired monster figure from Greek mythology, to tell a modern story of self discovery that grapples with overcoming sexual trauma, and the beauty and brutality of moving through white Australia in a queer Black body. Despite the heavy themes, writer/performer Aliyah Knight and director Bernadette Fam are able to balance elements light and dark well. The audience goes on a journey with Snakeface, a freshly dumped 23-year-old, as she rampages through the queer clubs and art studios of a slightly surreal Sydney, recounting relatably awkward high school experiences, and falling in love with her teenage bestie (an experience that’s all too relatable for those of us who grew up questioning our sexuality).  ...beautifully poetic, dancing steadily through the heavy moments as well as the lighter parts of the story Knight gives an incredibly powerful and emotive...

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