Close up of Sydney Opera House
Photograph: Destination NSW
Photograph: Destination NSW

How to have the ultimate arts escape in Sydney

Don't let the Sydney's stunning natural beauty deceive you – the city is the perfect escape for culture vultures

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Melbourne sure likes to claim the title of "Australia's cultural capital", but there are other cities in Australia that house a world-class arts industry. 

Consider this: if Melbourne is a dark and mysterious Charles Blackman painting, then Sydney is a bright and colourful Grace Cossington Smith. Colour, light and heat pervades Sydney and it’s reflected in the city’s zest for culture, not to mention its dining scene and penchant for the outdoors.

Planning an arts and culture escape to Sydney? Here's our guide to making the most of a creative getaway in the Harbour City. 

Recommended: 50 things everyone in Sydney needs to do at least once.

Do

It’s fair to say that anyone who’s grown up in Australia is fairly familiar with the Sydney Opera House. Or are you? As it turns out, there’s a tonne of history, stories and facts about this iconic building that would surprise even a dedicated Sydneysider – and you can find out all about them on one of the Sydney Opera House tours.

These tours take you to all the nooks and crannies that you wouldn’t normally see at a regular Opera House event while also sharing with you some of the venue’s colourful history – from construction disputes to live chickens on cellists. 

You’ll also get to peek inside the new digital experience, which recreates the Sydney Opera House concert experience in an immersive digital theatre.

If you want to visit the raw, beating heart of Sydney's creativity, put aside at least half a day to visit Newtown. The inner west suburb is humming with creativity, with its main drag, King Street, packed with cafés and cool stores. While you could spend all day exploring its every laneway and sidestreet, for first-timers, the big drawcards in Newtown are its array of vintage fashion stores and its collection of street art. 

If the allure vintage and upcycled fashion is what hooks you, drop into stores like Vintage@313, Cream and Uturn to trawl through the thousands of retro threads. The stores themselves are well worth a stickybeak too, even if you’re not set on buying. 

Now if you’re keen to discover Newtown’s street art, it is entirely possible to do so using the “what’s that over there” technique. However, if you’d like a wee bit of guidance, the Newtown Grafitti Map shows you where all the major murals are scattered around the suburb.

If you're interested in the visual arts, a trip to Art Gallery of New South Wales is a must. The grand gallery was established in 1871 and is the leading museum of art in New South Wales and Sydney, as well as one of Australia's foremost cultural institutions. It holds significant collections of Australian, European and Asian art, and presents nearly 40 exhibitions annually. When we visited the showstopping exhibition was Streeton (Nov 7, 2020-Feb 14, 2021), the most significant survey of Australian impressionist, Arthur Streetonthat has ever been held. Notably, AGNSW is the home of the Archibald Prize, arguably Australia's most famous art prize. 

And although White Rabbit Gallery doesn't have the same impressive facade of AGNSW, it's certainly one gallery not to miss. You'll find Judith Neilson's four-storey temple to contemporary Chinese art in Chippendale where it houses one of the world's largest collections of 21st-century Chinese art in a sleek modern outfit. 

You'll also want to make time to pop into the Museum of Contemporary Art. The MCA is one of Australia's leading institutions of art by living artists, and regularly hosts exhibitions that present contemporary artists (both Australian and international) in a manner accessible to all visitors – not just those with an understanding of art history and terms.

Eat

Everyone who visits Sydney should really go to Bondi institution, Icebergs, at least once in their life. Not only will you be treated to fine food, but you’ll also be privy to some of the Harbour City’s best views (when we visited we were treated to a literal rainbow over Bondi Beach at sunset) along with a selection of its most stylish set. 

The location of the restaurant is just the entrée; the combination of refined Italian fare and elegant service is really what puts Icebergs in our restaurant hall of fame (quite, literally).

Before checking out the art, entertainment and shopping of Newtown, we suggest fueling up at Cuckoo Callay. This dinky train station café speaks right to Melbourne’s “cafés should be squished into any and all available street space” maxim. Whether you choose to sit inside or outside, there’s an air of the bohemian about the venue, which serves up an all-day menu of brunch and brunch-adjacent fare. There's a strict no bookings policy so head there on a weekday for your best chance of being seated (or opt for takeaway from the window stall).

If you want food as pretty as Sydney itself, Concrete Jungle should be on your list. Conveniently located in Chippendale (an easy walk from Central Station), this café is all about serving up wholesome meals that just happen to look incredible at the same time.

For an edible representation of Sydney, order Concrete Jungle’s signature dish, the Blue Majik Smoothie bowl. The dish consists of banana, pineapple, coconut milk and blue spirulina blended and topped with puffed granola, blueberries, toasted coconut and edible flowers. It looks like the beach and tastes like a summer holiday. If you’d prefer heartier fare, there’s plenty of traditional options available – though if ordering toast we’d recommend opting for it with the house-made banana and blueberry jam.

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Drink

The semi-subterranean Poly might technically be a wine bar, but it's pretty easy to spoil your dinner by generously sampling the bar snacks menu. They say don't fill up on bread but it's hard advice to follow with Poly's anchovy toasts. The grilled mortadella is lighter, though packed with flavour thanks to the pineapple mostarda that turns it into something akin a Hawaiian pizza.

A selected list of wines by the glass is offset by the extensive bottle list, which is largely European. It's not all wine at Poly, though, with a number of sake, cocktails, beers and ciders available too from a bar staff who clearly know their stuff.

Bodega x Wyno is a wine and tapas bar brought to you by the Porteño restaurant family. The venue is a delightful Frankenstein's monster of sorts, combining Surry Hill's old Bodega tapas bar with the site's former occupant, Italian wine bar 121BC.

Its lineage means Bodega x Wyno allows guests to experience the best of both worlds, whether you're looking for a shared dinner of small plates or an evening sampling fines wines. The team know their stuff too; instead of offering wines by the bottle or the glass, all wines are effectively available by the glass. Simply let your server know what sort of wines you're into and they'll find something to suit your tastes. And if nothing else, be sure to order the fish fingers, garlicky slices of charred toast topped with tender ceviche. 

  • Hotels
  • Boutique hotels
  • Surry Hills
  • Recommended

From the website through to the minimalist lobby, every detail in Paramount House Hotel has been carefully considered, meticulously placed and kept affectionately local.

On our recent visit, we stayed in one of the loft rooms, a stylish two-storey space with a secluded courtyard and an elevated bed (complete with the softest linen) overlooking the living space. 

Regarding amenities, the room is kitted out with Aesop hand soap and cream, but also shampoo, conditioner and shower gel in the shower and bath. With loft rooms, you'll want to be very comfortable with any potential roommates because while there's a separate room for the toilet, the shower and bath unit is in the living space. 

Shrug off that prudity by popping open one local bevvies found in the mini-bar fridge tucked away under the sink, which doubles as your dresser, kitchenette and bathroom mirror.

Your mini-bar is a cut above the industry standard and, in addition to a premium selection of beers and wines, comes stocked with all the accoutrements to make a fine cheese platter. Of course, if you don't want to sloth out inside, the hotel is next door to Chin Chin as well as around the corner from DOC. Or enjoy the best of both worlds and order delivery to enjoy as room service.

Want to catch a show while in Sydney?

  • Musicals
  • Sydney
  • 4 out of 5 stars
  • Recommended
Isobel McArthur’s Pride & Prejudice* (*sort of) strips away the intellectual exclusivity of Jane Austen’s classic, not only making it accessible to a wide variety of audiences, but also making clear the sort of tools that Austen herself was using in her original novel: gender, satire, romance, and – most of all – comedy. There’s no Colin Firth here – but there are plenty of karaoke songs to hum along to. What is the premise of Pride & Prejudice* (*sort of)? Told by the servants who work tirelessly behind the main characters within Austen’s work, we’re given a slapstick comedy version of Pride and Prejudice. Dressed in white gowns with Doc Martens poking out underneath, the five-strong cast clean their way through the audience with yellow rubber gloves and individualised accents from across Great Britain. The fourth wall is destroyed immediately – they want you to be a part of the story. After a rather disturbing entrance involving a plunger and a rather messy toilet, Elvis Costello’s ‘Everyday I Write the Book’ launches us into literary territory and the premise is set up. Though you may only know the main characters of Pride and Prejudice, there were unsung heroes helping to push the Bennet sisters along their journey towards love and stability. Now, it’s their turn to tell a version of the events, with a song or two along the way – it’s best not to reason about the artistic merits or reasoning behind this addition, just go with it. Perhaps the jumbled selection of songs...
  • Dawes Point
  • 4 out of 5 stars
  • Recommended
A new work by revered Australian playwright Jane Harrison (The Visitors, Stolen) is always one to be celebrated. Her works tackle and investigate both the past and present existence of First Nations communities, weaving a contemporary lens through which she aims to reconcile, teach and honour. The newest Sydney Theatre Company-commissioned work, Bennelong in London, is no different. Here, Harrison dissects the historical narrative of Woollarawarre Bennelong, a man who found himself in an unprecedented moment in history. At the centre of the work is a complex individual whose historical narrative has been documented by the colonisers and whose history can only truly be known by his actions. This is a play that is ultimately a conversation between generations, focusing on identity, representation and the responsibility that comes with one’s story. What is the premise of Bennelong in London? Sebastian (Guy Simon – Stolen, Holding the Man) is a contemporary First Nations actor preparing to audition for the role of Woollarawarre Bennelong (Googoorewon Knox – Hamilton) in an unnamed project. It’s clear from the outset that he can’t quite get a grip on the portrayal of one of the most significant figures in the early years of invasion as he shoots numerous takes on a precariously propped phone. Harrison’s plot takes no time in getting to the crunch – after an offhand plea to summon the spirit of Bennelong for help, Sebastian gets what he asks for in the form of the figure...
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  • Musicals
  • Elizabeth Bay
"They're creepy and they're kooky / Mysterious and spooky / They're altogether ooky / The Addams Family."  If you love that jingle and the famously freaky family associated with it, you'll be thrilled to know that The Addams Family is haunting Hayes Theatre, Potts Point until August 9. Cue dark humour and death stares in this in this Gothic musical comedy where love, family and chaos collide.  Brought to life by the acclaimed team behind The Producers, this new production is directed by Julia Robertson (The Producers, Metropolis) and choreographed by Shannon Burns (Gutenberg! The Musical, The Producers). Based on the beloved characters created by cartoonist Charles Addams, the musical follows Wednesday Addams as she falls for a “normal” boy – forcing the wonderfully weird Addams clan to confront love, acceptance and the awkward business of meeting the in-laws. Leading the cast is Erika Heynatz as Morticia Addams (Legally Blonde, Menopause the Musical), bringing plenty of gothic glamour to the iconic matriarch. Marcus Rivera steps into the role of devoted husband Gomez Addams (Miss Saigon, City of Angels), while Jenny Guigayoma plays Wednesday Addams (Nine, Peter Pan) and Georgia Oom takes on the mischievous Pugsley (Werkaholics, Footloose). Evan Lever brings his peculiar charm to Uncle Fester (The Normal Heart, Muriel’s Wedding), Deborah Galanos embraces the chaos as Grandmama and Elliot Aitken makes his professional debut as the deadpan Lurch. The Addams Family delivers...
  • Musicals
  • Haymarket
  • 5 out of 5 stars
  • Recommended
The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...
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  • Theatre & Performance
The world’s #1 musical is heading back Down Under, with Disney Theatrical Group announcing that an all new Australian staging of Disney’s The Lion King will premiere in Sydney from April this year – and it's safe to say we're pretty excited to witness those iconic enormous giraffe puppets strut out onto the stage at the gorgeous Capitol Theatre. Approaching 30 landmark years on Broadway, The Lion King has been seen by over 112-million people worldwide, and continues to ascend as one of the most popular stage musicals in the world. It has been more than a decade since The Lion King’s last Australian tour – and this epic show has captivated nearly four-million audience members during its two previous tours Down Under. The new Sydney season of this beloved musical is an exciting opportunity for loyal fans to reconnect and to spark a new wave of excitement in the next generation. Also, it will be a huge employment opportunity for a bunch of local theatrical talent, on-stage and off-stage. “We are thrilled to welcome The Lion King back to Sydney, the place where it all began in Australia over 20 years ago. The Walt Disney Company ANZ is proud to be one of only three places in the world where, alongside Broadway and The West End, we self-produce musicals, directly employing hundreds of Australian theatre professionals,” said Kylie Watson-Wheeler, Senior Vice President & Managing Director of The Walt Disney Company Australia and New Zealand.  Photograph: Disney Theatrical...
  • Drama
  • Surry Hills
  • Recommended
If you missed out on seeing the powerful and deeply moving play, The Jungle and the Sea in 2022, it returns to Belvoir St Theatre from July 11 to August 2. Created by S. Shakthidharan and Eamon Flack, the creative team behind Counting and Cracking, the production tells the story of one family caught in the devastating Sri Lankan civil war, which raged between the Sinhalese-majority government and the Liberation Tigers of Tamil Eelam (LTTE) from 1983 to 2009, leaving unimaginable death and destruction in its wake. At the heart of the story is Gowrie, a mother desperately trying to reunite her family as violence engulfs her homeland. After an act of destruction tears her loved ones apart, she takes a radical vow of defiance, blindfolding herself and refusing to see the world again until her family is reunited. While she sends her husband and one daughter to Australia for safety, she and her other two daughters search through the jungles of northern Sri Lanka for her estranged son.  Drawn from real-life testimonies and woven with elements of the Mahabharata and Antigone, the play is both grand in scale and deeply human. Featuring live Carnatic music with a stellar cast including Bharathanatyam dancer Anandavalli, plus Prakash Belawadi, Nadie Kammallaweera and Shiv Palekar, The Jungle and the Sea is a stirring tale of love and loss in the face of war. The Jungle and the Sea runs from July 11 to August 2 at Belvoir St Theatre's Upstairs Theatre with a run time of almost three...
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  • Drama
  • Millers Point
  • price 1 of 4
  • Recommended
Institution versus intuition. Power versus prejudice. Bias versus belief. It’s all laid bare in the stage production of Doubt: A Parable, now at the Sydney Theatre Company. Sam Reid (The Newsreader, Interview with the Vampire) stars opposite Pamela Rabe (Wentworth) in John Patrick Shanley’s Pulitzer Prize and Tony Award-winning play that’s directed by Australian theatre great, Marion Potts. The production also features Zindzi Okenyo (director of Purpose) and Shannen Alyce Quan (The Dictionary of Lost Words), bringing together a stellar cast for this engrossing 90-minute drama. Set in a Catholic school in the Bronx, New York in 1964, Doubt centres on a shocking accusation that blurs the lines between suspicion and truth. Sister Aloysius (Rabe), the rigid headmistress of St. Nicholas Church School suspects the charismatic Father Flynn (Reid) of inappropriate sexual behaviour towards the school’s sole black student, Donald Muller. If the plot sounds familiar, it’s perhaps because you’ve watched the 2008 film adaptation, starring Meryl Streep and the late Philip Seymour Hoffman.  Provocative and deeply unsettling, the play asks audiences to question everything – and is as relevant now as when it made its Broadway debut about 20 years ago. As the evidence remains frustratingly inconclusive, audiences are left to wrestle with their own assumptions long after the final curtain falls. Doubt: A Parable is at the Sydney Theatre Company’s Roslyn Packer Theatre until August 2, 2026....
From glitzy musicals and Shakespearean reimaginings to fresh new plays and laugh-out-loud comedies, Sydney’s theatre scene is packed with reasons to put down the remote and head out. Whether you're after a big night out, a thought-provoking drama or a show that'll leave you grinning all the way home, these are the best theatre shows and musicals to see in Sydney this month. Did you know Australia’s last remaining pub theatre is right here in Sydney? Found below Woolloomooloo's 150-year-old Old Fitzroy Hotel, the Old Fitz Theatre is the place for boundary-pushing shows from some of the city's most talented creatives. If you find yourself with a free night and feel like something different – and supporting indie work – check out what's on here. Scroll on for the best musicals, plays and more to see in Sydney this month. RELATED READS: It’s guaranteed laughs galore at the Comedy Store Make Tuesdays more fun with this affordable comedy show in the Inner West
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If you’re the designated ticket-booker in your theatre-going party, you know how stressful it can be to pick the right seats. How far back can you sit and still make out an actor’s facial expressions? Will you end up with neck cramp if you sit in row B? Just how restricted is that ‘restricted view’ seat on the side? Will you feel like you’re in another postcode if you can only afford the back row? What even is the difference between the stalls and circle? (Hint: Stalls are always downstairs – the upstairs balconies in a theatre are called the circle or the mezzanine). Our editors have spent thousands of hours sitting and awing at dramas and comedies and one-woman experimental monologues, so along the way we’ve gathered plenty of intel on exactly where you want to be in Sydney's theatres. Here are our tips, from the absolute best seats to the surprising bargains you can sometimes nab. RECOMMENDED: How to score cheap theatre tickets in Sydney. 
  • Circuses
  • Sydney
Dust off your sequins – a glittery-as-heck night of disco, circus and cabaret is taking over the Sydney Opera House this winter. Showing in the Studio from July 24 to September 13, Velvet Inferno is the very sparkly new evolution of the hit Australian production Velvet, promising wildly impressive acrobatics, powerhouse vocals and a solid soundtrack of disco anthems. The brilliant Marcia Hines will own the role of The Diva, with beloved multidisciplinary star Brendan Maclean taking on the fan-favourite role of Country Mike. Joining the Velvet family for the first time is singer-songwriter KYE as Gloria, whose coming-of-age story unfolds beneath a sparkling Studio 54-inspired mirrorball. The circus line-up is just as impressive. Expect next-level hula-hooping from Craig "Hula Boy" Reid, the Australian debut of Ukrainian roller-skating duo Duo Stardust, plus terrifyingly impressive aerial performances from Oleg Tatarynov and Zoe Marshall. Hyper-talented vocalists Emma Feliciano and Mateja Sardelis round out the cast. Soundtracked by disco classics including It's Raining Men, If You Could Read My Mind and No More Tears (Enough Is Enough), Velvet Inferno reunites the original creative team behind the global hit: director Craig Ilott, musical director Joe Accaria and choreographer Amy Campbell. More than a decade after Velvet first wowed audiences, the production continues to tour internationally, with an ongoing residency in Hamburg. Tickets start at $49.90. You can learn more...

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