Close up of Sydney Opera House
Photograph: Destination NSW
Photograph: Destination NSW

How to have the ultimate arts escape in Sydney

Don't let the Sydney's stunning natural beauty deceive you – the city is the perfect escape for culture vultures

Advertising

Melbourne sure likes to claim the title of "Australia's cultural capital", but there are other cities in Australia that house a world-class arts industry. 

Consider this: if Melbourne is a dark and mysterious Charles Blackman painting, then Sydney is a bright and colourful Grace Cossington Smith. Colour, light and heat pervades Sydney and it’s reflected in the city’s zest for culture, not to mention its dining scene and penchant for the outdoors.

Planning an arts and culture escape to Sydney? Here's our guide to making the most of a creative getaway in the Harbour City. 

Recommended: 50 things everyone in Sydney needs to do at least once.

Do

It’s fair to say that anyone who’s grown up in Australia is fairly familiar with the Sydney Opera House. Or are you? As it turns out, there’s a tonne of history, stories and facts about this iconic building that would surprise even a dedicated Sydneysider – and you can find out all about them on one of the Sydney Opera House tours.

These tours take you to all the nooks and crannies that you wouldn’t normally see at a regular Opera House event while also sharing with you some of the venue’s colourful history – from construction disputes to live chickens on cellists. 

You’ll also get to peek inside the new digital experience, which recreates the Sydney Opera House concert experience in an immersive digital theatre.

If you want to visit the raw, beating heart of Sydney's creativity, put aside at least half a day to visit Newtown. The inner west suburb is humming with creativity, with its main drag, King Street, packed with cafés and cool stores. While you could spend all day exploring its every laneway and sidestreet, for first-timers, the big drawcards in Newtown are its array of vintage fashion stores and its collection of street art. 

If the allure vintage and upcycled fashion is what hooks you, drop into stores like Vintage@313, Cream and Uturn to trawl through the thousands of retro threads. The stores themselves are well worth a stickybeak too, even if you’re not set on buying. 

Now if you’re keen to discover Newtown’s street art, it is entirely possible to do so using the “what’s that over there” technique. However, if you’d like a wee bit of guidance, the Newtown Grafitti Map shows you where all the major murals are scattered around the suburb.

If you're interested in the visual arts, a trip to Art Gallery of New South Wales is a must. The grand gallery was established in 1871 and is the leading museum of art in New South Wales and Sydney, as well as one of Australia's foremost cultural institutions. It holds significant collections of Australian, European and Asian art, and presents nearly 40 exhibitions annually. When we visited the showstopping exhibition was Streeton (Nov 7, 2020-Feb 14, 2021), the most significant survey of Australian impressionist, Arthur Streetonthat has ever been held. Notably, AGNSW is the home of the Archibald Prize, arguably Australia's most famous art prize. 

And although White Rabbit Gallery doesn't have the same impressive facade of AGNSW, it's certainly one gallery not to miss. You'll find Judith Neilson's four-storey temple to contemporary Chinese art in Chippendale where it houses one of the world's largest collections of 21st-century Chinese art in a sleek modern outfit. 

You'll also want to make time to pop into the Museum of Contemporary Art. The MCA is one of Australia's leading institutions of art by living artists, and regularly hosts exhibitions that present contemporary artists (both Australian and international) in a manner accessible to all visitors – not just those with an understanding of art history and terms.

Eat

Everyone who visits Sydney should really go to Bondi institution, Icebergs, at least once in their life. Not only will you be treated to fine food, but you’ll also be privy to some of the Harbour City’s best views (when we visited we were treated to a literal rainbow over Bondi Beach at sunset) along with a selection of its most stylish set. 

The location of the restaurant is just the entrée; the combination of refined Italian fare and elegant service is really what puts Icebergs in our restaurant hall of fame (quite, literally).

Before checking out the art, entertainment and shopping of Newtown, we suggest fueling up at Cuckoo Callay. This dinky train station café speaks right to Melbourne’s “cafés should be squished into any and all available street space” maxim. Whether you choose to sit inside or outside, there’s an air of the bohemian about the venue, which serves up an all-day menu of brunch and brunch-adjacent fare. There's a strict no bookings policy so head there on a weekday for your best chance of being seated (or opt for takeaway from the window stall).

If you want food as pretty as Sydney itself, Concrete Jungle should be on your list. Conveniently located in Chippendale (an easy walk from Central Station), this café is all about serving up wholesome meals that just happen to look incredible at the same time.

For an edible representation of Sydney, order Concrete Jungle’s signature dish, the Blue Majik Smoothie bowl. The dish consists of banana, pineapple, coconut milk and blue spirulina blended and topped with puffed granola, blueberries, toasted coconut and edible flowers. It looks like the beach and tastes like a summer holiday. If you’d prefer heartier fare, there’s plenty of traditional options available – though if ordering toast we’d recommend opting for it with the house-made banana and blueberry jam.

Advertising

Drink

The semi-subterranean Poly might technically be a wine bar, but it's pretty easy to spoil your dinner by generously sampling the bar snacks menu. They say don't fill up on bread but it's hard advice to follow with Poly's anchovy toasts. The grilled mortadella is lighter, though packed with flavour thanks to the pineapple mostarda that turns it into something akin a Hawaiian pizza.

A selected list of wines by the glass is offset by the extensive bottle list, which is largely European. It's not all wine at Poly, though, with a number of sake, cocktails, beers and ciders available too from a bar staff who clearly know their stuff.

Bodega x Wyno is a wine and tapas bar brought to you by the Porteño restaurant family. The venue is a delightful Frankenstein's monster of sorts, combining Surry Hill's old Bodega tapas bar with the site's former occupant, Italian wine bar 121BC.

Its lineage means Bodega x Wyno allows guests to experience the best of both worlds, whether you're looking for a shared dinner of small plates or an evening sampling fines wines. The team know their stuff too; instead of offering wines by the bottle or the glass, all wines are effectively available by the glass. Simply let your server know what sort of wines you're into and they'll find something to suit your tastes. And if nothing else, be sure to order the fish fingers, garlicky slices of charred toast topped with tender ceviche. 

  • Hotels
  • Boutique hotels
  • Surry Hills
  • Recommended

From the website through to the minimalist lobby, every detail in Paramount House Hotel has been carefully considered, meticulously placed and kept affectionately local.

On our recent visit, we stayed in one of the loft rooms, a stylish two-storey space with a secluded courtyard and an elevated bed (complete with the softest linen) overlooking the living space. 

Regarding amenities, the room is kitted out with Aesop hand soap and cream, but also shampoo, conditioner and shower gel in the shower and bath. With loft rooms, you'll want to be very comfortable with any potential roommates because while there's a separate room for the toilet, the shower and bath unit is in the living space. 

Shrug off that prudity by popping open one local bevvies found in the mini-bar fridge tucked away under the sink, which doubles as your dresser, kitchenette and bathroom mirror.

Your mini-bar is a cut above the industry standard and, in addition to a premium selection of beers and wines, comes stocked with all the accoutrements to make a fine cheese platter. Of course, if you don't want to sloth out inside, the hotel is next door to Chin Chin as well as around the corner from DOC. Or enjoy the best of both worlds and order delivery to enjoy as room service.

Want to catch a show while in Sydney?

  • Musicals
  • Sydney
  • 5 out of 5 stars
  • Recommended
The genre-defying, multi-award-winning, smash-hit Broadway sensation, Hadestown has finally made its way down to Sydneytown – and it’s unlike any musical you’ve ever seen or heard. With industrial steampunk aesthetics, a soulful jazz-folk fusion, and even a comment on our dying world, this is a brave new world for musical theatre. The Down Under debut of Hadestown opened at the Theatre Royal Sydney to a ready-made fanbase. There’s a lot of hype surrounding this show – the Broadway production picked up eight Tony Awards (including Best Musical for 2019) and still plays to packed houses today, and there’s also the highly successful West End production and the North American tour.  An incisive adaptation of the age-old myth of Orpheus and Eurydice, Hadestown is the brainchild of indie-folk musician Anaïs Mitchell (with very clear influences from Justin Vernon, aka Bon Iver, who appeared on the 2010 studio album). It started its life as a song cycle, and then a studio album, and now it’s a fully-formed stage musical with a dedicated international following. Hadestown is a spectacular challenge to what we think a musical is and can be Like many fans, I discovered Hadestown via the studio album and the Broadway recording. With such a strong, atmospheric tone, the music doesn’t even need visuals to shine – featuring everything from chugging vocal sounds, deep growling singing, floating falsettos, muted trombones, a train whistle, and heavy acoustic guitars. Hadestown is the...
  • Musicals
  • Sydney
  • 4 out of 5 stars
  • Recommended
These days, it seems the best thing that a musical can be is non-traditional. Countless new productions have landed on our stages in recent years, proclaiming that their show is “like nothing we’ve ever seen before”. And while it is exciting to see new works that push the form into genre-defying territory (the brilliant Hadestown is testament to this) as well as productions that put a new twist on well-trodden territory (like The Hayes’ reinvention of The Pirates of Penzance), it’s a refreshing change to see the complete opposite: a proper classic musical theatre spectacle, that remains authentic to the source material. Opera Australia’s fresh production of Guys & Dolls – the latest outdoor spectacle in the Handa Opera on Sydney Harbour series – gives us just that, with the picturesque backdrop of the Sydney skyline, to boot.  Recommended: get ready with our guide to going to Guys & Dolls on Sydney Harbour The New York imagined by Damon Runyon, whose short stories served as inspiration for Guys & Dolls, is a place of heightened realism, populated by comical gangsters with absurd names like Harry the Horse and a thirst for illegal gambling. Director Shaun Rennie (Jesus Christ Superstar) stays true to this world, while also injecting some fresh touches. Brian Thomson’s heightened stage design perfectly compliments this – oversized set pieces, such as a giant yellow taxi, make the most of the unique outdoor setting and the enormous floating stage.  The production’s stars...
Advertising
After a sell-out Melbourne premiere, the critically-acclaimed musical comedy Bloom is set to charm Sydney audiences, bursting onto stage at Sydney Theatre Company in March with a heartwarming story and a laugh-out-loud sense of humour. Musical comedy powerhouse Christie Whelan Browne stars as Mrs MacIntyre, the determined but cash-strapped owner of Pine Grove Aged Care. She reckons she’s cracked the code to its financial woes – offering university students free board in exchange for care work. Naturally, the newcomers turn things upside down, asking tough questions, bending the rules and forming bonds along the way. Australian showbiz royalty John Waters also stars alongside a mega-talented cast: Evelyn Krape, Vidya Makan, Maria Mercedes, Eddie Muliaumaseali’i, John O’May, Christina O’Neill, Jackie Rees and Slone Sudiro. They're set to show Sydney a performance that our Time Out Melbourne theatre reviewer referred to as a "poignantly funny and uniquely Aussie comedy experience." The uplifting Melbourne Theatre Company show springs from the creative genius of Working Dog's Tom Gleisner, who co-created popular Aussie hits like The Castle and ABC's Utopia. Gleisner's vision is brought to sparkling life with help from composer Katie Weston and award-winning director Dean Bryant (Dear Evan Hansen). Gleisner says, “I especially love the fact that this story of ours brings together two quite different groups, a young student with a life yet to be lived – coming face-to-face...
Paid content
  • Musicals
  • Darling Harbour
  • 3 out of 5 stars
  • Recommended
If you’re of a certain age, you have history (HIStory, perhaps?) with Michael Jackson. I remember getting ‘Thriller’ on cassette as a kid. ‘Dangerous’ was one of the first CDs I ever owned. I remember seeing the extended music video for ‘Thriller’ on VHS, which came packaged with a behind-the-scenes documentary. One woman, cornered for a quick vox pop at one of the filming locations, asserted that she loved Jackson because he was “down to earth”, which is darkly hilarious in hindsight.  Down to earth? The press called him “wacko Jacko” – we all did. He slept in a hyperbaric chamber. He owned the Elephant Man’s skeleton. His skin kept getting paler, his nose thinner. What a weird guy! Was any of it true? Hard to say. Even today, when a careless tweet is like a drop of blood in a shark tank to fans and journos alike, the media furor around Michael Jackson stands as one of the most frenetic in living memory, eclipsing the likes of Beatlemania. Jackson wasn’t bigger than God, he was God to a lot of people – the King of Pop, the first Black artist to smash through the MTV colour barrier, an artist, an icon, a living legend. Then came the allegations of child sexual abuse, which first began in August 1993, and continue to this day. For those who were still on the fence, the documentary Leaving Neverland, released in 2019, saw many more fans abandon Jackson, who died in 2009 at the age of 50. And so, it makes sense that MJ the Musical would set Jackson’s relationship with the...
Advertising
  • Drama
  • Sydney
  • 4 out of 5 stars
  • Recommended
Henry V (stylized as Henry 5 in this production) is inarguably one of William Shakespeare’s most martial works. First performed somewhere between 1599 and 1605, there’s debate over whether the play is a deliberate act of nationalistic propaganda – certainly, its initial staging came at a time of English military adventurism, particularly in Ireland and against the Spanish. And Shakespeare, who benefited from royal approval from both Elizabeth I and James I, knew which side of the bread his butter was on. It’s always been popular in times of war – Sir Laurence Olivier’s 1944 film adaptation came mere months after the Allied invasion of Normandy, and leans into the stirring patriotism, the blood and the thunder. The text itself is deliciously ambiguous – occasionally frustratingly so in a time when, culturally, audiences demand straight lines and clear demarcations of morality. Kicking off Bell Shakespeare’s 2025 season, this latest production bucks that trend. Former Associate Artistic Director Marion Potts returns to the company after a 15-year absence to direct this carefully concentrated version. It excises many characters and subplots (farewell, Pistol and the lads from the Boar’s Head) and, of course, keeps the sinew-stiffening and blood-summoning speeches, but leans into the cost of war, taking pains to underscore the horrors. It's 1415 or thereabouts, and newly crowned King Henry (newcomer JK Kazzi), having been convinced in a very funny scene of his claim to certain...
  • Drama
  • Sydney
  • price 1 of 4
  • 4 out of 5 stars
  • Recommended
Perhaps it’s unpatriotic to suggest it, but I’d argue that Australia has produced strikingly few immortal works of art, particularly narrative art. But, we’ll always have Picnic at Hanging Rock – which can make a strong claim for being the most important Australian artistic work of the 20th century, and one that still casts a shadow over the 21st.  The novel by Joan Lindsay first saw the light of day in 1967, but it was Peter Weir’s 1975 film adaptation – a haunting and subtle work and the ne plus ultra of Australian Gothic – that really struck a chord with audiences. This year marks the film’s 50th anniversary, which seems to be the reason behind this haunting new production for Sydney Theatre Company’s 2025 season, the latest of numerous stage adaptations.  STC Resident Director Ian Michael (Constellations, Stolen) and playwright Tom Wright (whose adaptation was first staged by Malthouse Theatre and Black Swan Theatre in 2016) are certainly betting on Picnic at Hanging Rock’s cultural staying power. This Picnic is in no way naturalistic, but it certainly evokes a sense of the uncanny Both Lindsay’s novel and Weir’s film are elliptical and meditative, posing questions rather than offering answers. This production is perhaps more opaque than either, taking an experimental direction that ramps up the themes of horror and suspense. This works a treat in the early movements of the play, keeping the audience off kilter, forcing us to engage with a conceptual realm where time,...
Advertising
  • Sydney
  • 5 out of 5 stars
  • Recommended
Let’s just start by saying I’m not a D&D player. I’ve played a couple of times with my family, led by my teenage son as Dungeon Master, but that was just to show interest in something he loves. So I do understand the basics – that said, you don’t need any prior knowledge of D&D to get swept up in the magic that is Dungeons and Dragons The Twenty-Sided Tavern. If anything, this show is probably the best way I’ve found so far to get a better grasp on the complex game that is D&D. This is an interactive show that began in New York as an Off-Broadway production – the same director, Michael Fell, also rehearsed with the Australian cast. In what ways is it interactive? The story lies in the audience’s hands, as well as with the roll of the 20-sided dice.  As you enter The Studio at the Sydney Opera House, you pick a coloured sticker from a basket. Depending on what colour you choose, you get aligned with one of the three classes: Warrior, Mage (Wizard) or Assassin/Entertainer. Throughout the show, you make decisions for the character in your assigned class, mostly by choosing options via your mobile phone (after scanning a QR code) – and sometimes just by yelling out. (Top tip:Make sure you turn up with a fully-charged phone.) You answer polls and take part in little games to choose what character the actors play, then make decisions or see the outcomes of characters’ actions. Dice rolls are directed by the Dungeon Master, played by the charismatic Cody Simpson-lookalike William...
  • Musicals
  • Redfern
  • 5 out of 5 stars
  • Recommended
Ah, the Titanic. An unsinkable cultural icon, the “Ship of Dreams” has appeared in almost as many movies and stage productions as the songs of Canada’s queen of the power ballad, Céline Dion. It’s even got a two-and-a-half-hour (surprisingly serious) movie musical adaptation based on Maury Yeston’s Titanic: the Musical. Although, none can hold a candle to the cultural impact of James Cameron’s 1997 blockbuster – you know, the one with Kate Winslet and Leonardo DiCaprio. So, with nostalgia being such hot property right now, it was only a matter of time before we got the camp-as-hell musical fantasia made-for-and-by-the-gays that is Titanique. Created by Marla Mindelle (who originated the role of Céline Dion – well, as imagined in this show), Constantine Rousouli (who originated the role of Jack) and director Tye Blue (whose countless industry credits include working on the casting team of RuPaul’s Drag Race), Titanique is revisionist history at its best. Loaded with Céline Dion’s greatest bangers, it casts Queen Dion herself (played so wonderfully by cabaret legend Marney McQueen here in Aus) as the narrator of the tragic tale, who continuously places herself at the center of the action – quite literally – much to Jack and Rose’s repeated dismay. It brings the campness of the film to the front, with Stephen Anderson (Mary Poppins) playing Rose’s awful mother Ruth (complete with a bird’s nest headpiece), and Abu Kebe (Choirboy) playing a brilliant, tear-jerking drag parody...
Advertising
  • Musicals
  • Darling Harbour
  • 3 out of 5 stars
  • Recommended
A disarmingly charming work of gig theatre that packs an unexpected emotional punch, No Love Songs, is just the right fit to help break in Sydney’s newest performance space, the Foundry Theatre.  A sort of stripped-back modern romance story filled with catchy, indie-rock-inflected songs, the premiere Australian tour brings together musical theatre darling Lucy Maunder (Chicago, Mary Poppins) and Keegan Joyce (who you might recognise from his roles in the series Rake and Please Like Me) as Lana and Jessie, a plucky young couple navigating love’s highs and lows.  I must confess, I approached this show with trepidation, not entirely convinced that I’d be able to get on board. However, once you persevere through a handful of corny jokes, the performance really finds its feet. Leading with honesty and a sense of ratbag authenticity, this 80-minute two-hander taps into surprisingly profound depths. (And those depths get quite dark, too. So if you’re feeling in any way emotionally fragile, proceed with caution.) A breakout hit of the 2023 Edinburgh Fringe Festival, the songs of No Love Songs are penned by Kyle Falconer, frontman of Scottish band The View – and if that name doesn’t immediately ring bells, the breakout single ‘Same Jeans’ from their debut album, Hats Off to the Buskers, will certainly stir up some nostalgia for any self-respecting Millennials who loyally followed the indie rock frequencies in the 2000s. (I can practically feel the skinny jeans compressing my...

Don't miss

Recommended
    More on coolest neighbourhoods
      You may also like
      You may also like
      Advertising