Close up of Sydney Opera House
Photograph: Destination NSW
Photograph: Destination NSW

How to have the ultimate arts escape in Sydney

Don't let the Sydney's stunning natural beauty deceive you – the city is the perfect escape for culture vultures

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Melbourne sure likes to claim the title of "Australia's cultural capital", but there are other cities in Australia that house a world-class arts industry. 

Consider this: if Melbourne is a dark and mysterious Charles Blackman painting, then Sydney is a bright and colourful Grace Cossington Smith. Colour, light and heat pervades Sydney and it’s reflected in the city’s zest for culture, not to mention its dining scene and penchant for the outdoors.

Planning an arts and culture escape to Sydney? Here's our guide to making the most of a creative getaway in the Harbour City. 

Recommended: 50 things everyone in Sydney needs to do at least once.

Do

It’s fair to say that anyone who’s grown up in Australia is fairly familiar with the Sydney Opera House. Or are you? As it turns out, there’s a tonne of history, stories and facts about this iconic building that would surprise even a dedicated Sydneysider – and you can find out all about them on one of the Sydney Opera House tours.

These tours take you to all the nooks and crannies that you wouldn’t normally see at a regular Opera House event while also sharing with you some of the venue’s colourful history – from construction disputes to live chickens on cellists. 

You’ll also get to peek inside the new digital experience, which recreates the Sydney Opera House concert experience in an immersive digital theatre.

If you want to visit the raw, beating heart of Sydney's creativity, put aside at least half a day to visit Newtown. The inner west suburb is humming with creativity, with its main drag, King Street, packed with cafés and cool stores. While you could spend all day exploring its every laneway and sidestreet, for first-timers, the big drawcards in Newtown are its array of vintage fashion stores and its collection of street art. 

If the allure vintage and upcycled fashion is what hooks you, drop into stores like Vintage@313, Cream and Uturn to trawl through the thousands of retro threads. The stores themselves are well worth a stickybeak too, even if you’re not set on buying. 

Now if you’re keen to discover Newtown’s street art, it is entirely possible to do so using the “what’s that over there” technique. However, if you’d like a wee bit of guidance, the Newtown Grafitti Map shows you where all the major murals are scattered around the suburb.

If you're interested in the visual arts, a trip to Art Gallery of New South Wales is a must. The grand gallery was established in 1871 and is the leading museum of art in New South Wales and Sydney, as well as one of Australia's foremost cultural institutions. It holds significant collections of Australian, European and Asian art, and presents nearly 40 exhibitions annually. When we visited the showstopping exhibition was Streeton (Nov 7, 2020-Feb 14, 2021), the most significant survey of Australian impressionist, Arthur Streetonthat has ever been held. Notably, AGNSW is the home of the Archibald Prize, arguably Australia's most famous art prize. 

And although White Rabbit Gallery doesn't have the same impressive facade of AGNSW, it's certainly one gallery not to miss. You'll find Judith Neilson's four-storey temple to contemporary Chinese art in Chippendale where it houses one of the world's largest collections of 21st-century Chinese art in a sleek modern outfit. 

You'll also want to make time to pop into the Museum of Contemporary Art. The MCA is one of Australia's leading institutions of art by living artists, and regularly hosts exhibitions that present contemporary artists (both Australian and international) in a manner accessible to all visitors – not just those with an understanding of art history and terms.

Eat

Everyone who visits Sydney should really go to Bondi institution, Icebergs, at least once in their life. Not only will you be treated to fine food, but you’ll also be privy to some of the Harbour City’s best views (when we visited we were treated to a literal rainbow over Bondi Beach at sunset) along with a selection of its most stylish set. 

The location of the restaurant is just the entrée; the combination of refined Italian fare and elegant service is really what puts Icebergs in our restaurant hall of fame (quite, literally).

Before checking out the art, entertainment and shopping of Newtown, we suggest fueling up at Cuckoo Callay. This dinky train station café speaks right to Melbourne’s “cafés should be squished into any and all available street space” maxim. Whether you choose to sit inside or outside, there’s an air of the bohemian about the venue, which serves up an all-day menu of brunch and brunch-adjacent fare. There's a strict no bookings policy so head there on a weekday for your best chance of being seated (or opt for takeaway from the window stall).

If you want food as pretty as Sydney itself, Concrete Jungle should be on your list. Conveniently located in Chippendale (an easy walk from Central Station), this café is all about serving up wholesome meals that just happen to look incredible at the same time.

For an edible representation of Sydney, order Concrete Jungle’s signature dish, the Blue Majik Smoothie bowl. The dish consists of banana, pineapple, coconut milk and blue spirulina blended and topped with puffed granola, blueberries, toasted coconut and edible flowers. It looks like the beach and tastes like a summer holiday. If you’d prefer heartier fare, there’s plenty of traditional options available – though if ordering toast we’d recommend opting for it with the house-made banana and blueberry jam.

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Drink

The semi-subterranean Poly might technically be a wine bar, but it's pretty easy to spoil your dinner by generously sampling the bar snacks menu. They say don't fill up on bread but it's hard advice to follow with Poly's anchovy toasts. The grilled mortadella is lighter, though packed with flavour thanks to the pineapple mostarda that turns it into something akin a Hawaiian pizza.

A selected list of wines by the glass is offset by the extensive bottle list, which is largely European. It's not all wine at Poly, though, with a number of sake, cocktails, beers and ciders available too from a bar staff who clearly know their stuff.

Bodega x Wyno is a wine and tapas bar brought to you by the Porteño restaurant family. The venue is a delightful Frankenstein's monster of sorts, combining Surry Hill's old Bodega tapas bar with the site's former occupant, Italian wine bar 121BC.

Its lineage means Bodega x Wyno allows guests to experience the best of both worlds, whether you're looking for a shared dinner of small plates or an evening sampling fines wines. The team know their stuff too; instead of offering wines by the bottle or the glass, all wines are effectively available by the glass. Simply let your server know what sort of wines you're into and they'll find something to suit your tastes. And if nothing else, be sure to order the fish fingers, garlicky slices of charred toast topped with tender ceviche. 

  • Hotels
  • Boutique hotels
  • Surry Hills
  • Recommended

From the website through to the minimalist lobby, every detail in Paramount House Hotel has been carefully considered, meticulously placed and kept affectionately local.

On our recent visit, we stayed in one of the loft rooms, a stylish two-storey space with a secluded courtyard and an elevated bed (complete with the softest linen) overlooking the living space. 

Regarding amenities, the room is kitted out with Aesop hand soap and cream, but also shampoo, conditioner and shower gel in the shower and bath. With loft rooms, you'll want to be very comfortable with any potential roommates because while there's a separate room for the toilet, the shower and bath unit is in the living space. 

Shrug off that prudity by popping open one local bevvies found in the mini-bar fridge tucked away under the sink, which doubles as your dresser, kitchenette and bathroom mirror.

Your mini-bar is a cut above the industry standard and, in addition to a premium selection of beers and wines, comes stocked with all the accoutrements to make a fine cheese platter. Of course, if you don't want to sloth out inside, the hotel is next door to Chin Chin as well as around the corner from DOC. Or enjoy the best of both worlds and order delivery to enjoy as room service.

Want to catch a show while in Sydney?

  • Drama
Shakespeare’s timeless tale of feuding nobles, young love and tragic fate, Romeo & Juliet, returns to Sydney Opera House in a stripped-back production running from November 19 to December 7. Following a critically acclaimed run in 2023 (Time Out awarded it four stars), this bold reimagining from Bell Shakespeare is back under the direction of Artistic Director Peter Evans, marking his third time mounting Shakespeare’s most famous play. While Evans returns to the helm, the production welcomes fresh talent in the lead roles, with rising stars Madeline Li and Ryan Hodson taking on the parts of the ill-fated lovers. “We’ve got a fantastic young cast who are coming at this classic story with a fresh and infectious energy that you won’t want to miss,” says Evans. The rest of the cast is rounded out by Merridy Eastman as Nurse, Jack Halabi as Paris, Khisraw Jones-Shukoor as Friar Laurence, Tom Matthews as Tybalt, Brittany Santariga as Mercutio/Prince, James Thomasson as Benvolio, Michael Wahr as Capulet, Adinia Wirasti as Lady Capulet, plus Caitlin Burley and Thomas Royce-Hampton as understudies.  Sydney is just one stop on the production's national tour, with 25 more dates across the country. “After such a positive reception in 2023, I’m excited to take our production of Romeo & Juliet further afield so audiences all across the country can experience it,” says Evans.  Tickets are on sale now from $45 and you can book yours here. 
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  • Musicals
  • Haymarket
  • 4 out of 5 stars
  • Recommended
As I’m on my way to Sydney's Capitol Theatre for the new Australian production of The Book of Mormon, my friend tells me it’s the very first musical a lot of people see. Created by South Park duo Trey Parker and Matt Stone (with Robert Lopez), the show’s reputation for extremely irreverent jabs at religion draws a non-traditional theatre crowd. What I now realise my friend didn’t mean was, “it’s often the first musical kids see”. When I say the musical is extremely irreverent, I mean it. The humour is crass, verging on grotesque (some things I wouldn’t dare repeat). So it’s probably questionable that I’ve brought along my 13-year-old son with me. That said, he loves it.  Some of the humour is classic teen boy (i.e. a regular exclamation from one of the Ugandan characters that he has “maggots in my scrotum”). Very South Park. My son laughs loudly with the rest of the audience – and when the jokes go too far, he cringes, glancing around with a “should I be laughing at this?” look. Although the shock value is high, it’s nice seeing a Gen Alpha-ite who’s been raised on Youtube and other screen-based entertainment bopping along in his seat to the song and dance of a stage show.    What’s the premise of The Book of Mormon? The Book of Mormon tells the story of two young Mormon missionaries sent to a small village in Uganda. Although the story centres on Mormonism, Parker and Stone have been known to refer to the show as an “atheist’s love letter to religion” – a wink and a jab...
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  • Drama
The ghosts of your mother and grandmother walk into a bar. Or, so goes the story of the sci-fi meets musical meets madcap comedy production Congratulations, Get Rich! hitting the Sydney stage this November as part of the STC's jam-packed 2025 season.   Written by Merlynn Tong (Golden Blood), this supernatural musical comedy sees her star as Mandy, whose beloved karaoke bar is on the verge of closure. Luckily (or unluckily) the ghosts of her mother and grandmother show up on its final night to commiserate, pontificate and offer advice. Inspired by her own experiences growing up in a family-run karaoke bar in Singapore, Tong ties it all together with an intergenerational tale of three powerful women.  Director and former STC Resident Artist, Courtney Stewart (The Poison of Polygamy), has assembled a stellar cast including Zac Boulton as the doting boyfriend, Kimie Tsukakoshi as the grandmother and Seong Hui Xuan as the mother.  A historic collaboration between La Boite Theatre and Singapore Repertory Theatre, this production pits past ideals against contemporary concerns and delves into the complexities of mother-daughter relationships. Think Everything Everywhere All At Once but with original songs (and audience participation).  Tickets for Congratulations, Get Rich! are on sale now. The 90-minute production will run from November 21 to December 14 at Wharf 1 Theatre, Walsh Bay. Find more info and book here.  Co-Producers: La Boite and Singapore Repertory Theatre
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  • Musicals
  • Sydney
  • price 2 of 4
  • 5 out of 5 stars
  • Recommended
Most of us know and love the whip-crackin’, brown-leather-pants-wearing character of Calamity Jane from her appearance in the 1953 movie musical of the same name starring Doris Day. This version of her sings like a Disney princess and has perfectly coiffed blonde hair, which is somewhat unrealistic for a woman who dressed in soldier’s uniforms in the 1880s, took responsibility for her six younger siblings, and could outshoot, outdrink and outswear any other man in her hometown of Deadwood, USA. Beloved Australian actor Virginia Gay’s interpretation of the famous Calamity irreverently, lovingly muddies up the too-perfect-movie-musical-version in a brand-new production that is positively stuffed with theatrical treats, now showing at the Opera House. It’s grimy, it’s silly, and the fourth wall is nowhere to be found. It’s also the biggest production since the original staging of this idea, which debuted in 2017 as part of the Neglected Musicals program at Hayes Theatre Co transforming Sydney Opera House’s studio theatre into a grand version of Deadwood’s Golden Garter saloon and theatre. The premise of Calamity Jane is this: Calamity is an unruly local of small-town Deadwood who rides with “Wild” Bill Hickok, and has a hopeless crush on second lieutenant Danny Gilmartin (despite her otherwise masculine appearance, Calamity is still very much a little emotional girl at heart). When the local theatre owner fails to secure a beautiful actress from New York, Calamity vows to...
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  • Darling Harbour
  • 4 out of 5 stars
  • Recommended
Great Scott! All the way from 1985 to 1955 and now 2025, Sydney has landed the opening of mega-movie musical Back to the Future: The Musical, complete with a superb ensemble, captivating visual effects and enough nostalgia to power a time-travelling DeLorean.  For full transparency, Back to the Future is one of my favourite films of all time. Growing up watching Michael J. Fox’s Marty McFly and Christopher Lloyd’s Dr. Emmett Brown travel through time across three films was a large part of my movie-watching childhood. So when it was announced that it would be getting a high-octane staging, I was both ecstatic and sceptical. However, like the show’s original writer (and now the musical’s) Bob Gale said, “we’re not going to do this unless we can do it right”.   Thankfully, of the musical version I can safely say – to borrow from the Doc – “IT WORKS!” What’s the premise of Back to the Future: The Musical? After uncovering an old folder of photos in his parents’ basement, Gale wondered, after seeing a high school version of his father, whether he would have been friends with him back then. “The answer is no,” he joked at the opening night bows. The result of this is classic ’80s nostalgia – in both setting and plot.  BTTF follows teenager Marty McFly in Hill Valley, 1985, whose life is less than spectacular. He dreams of being a rock 'n’ roll star but he’s told he’s too loud and a “slacker” like his father. His family are just as hopeless. None more so than his father George...
  • Musicals
  • Elizabeth Bay
  • 4 out of 5 stars
  • Recommended
Every year, I wait with bated breath to see what original Australian musical the Hayes Theatre Company will put forward. In recent seasons, I’ve seen rock-singing country wrestlers, breakdancing zombies, and now – tap-dancing horses? Yes, Phar Lap: The Electro-Swing Musical gallops onto the Hayes stage with all the energy, heart and irreverent Aussie spirit you’d expect from this beloved company. Even for those unfamiliar with Australia’s horse-racing history, the name “Phar Lap” carries mythic weight – the underdog chestnut who became a national hero during the Great Depression, and whose story is forever tied to “the race that stops the nation.” This new musical takes that legend and runs with it, blending history and humour with plenty of high kicks to create a crowd-pleasing spectacle that’s equal parts hoofbeats and hope. What's the premise of Phar Lap: The Electro-Swing Musical? At the centre of the story is Harry Telford (Justin Smith, Into the Woods, The Dismissal, Dubbo Championship Wrestling), a down-on-his-luck trainer who’s never managed to produce a winner. His fortunes change when he stumbles upon Phar Lap (Joel Granger, Guys & Dolls, The Book of Mormon), a New Zealand–born thoroughbred with the makings of a champion. Sensing an opportunity, Telford strikes a precarious deal with the ever-money-hungry David Davis (Nate Jobe, Shrek the Musical). To get Phar Lap into winning form, the unlikely pair must navigate the horse’s relationship with his jockey Jim Pike...
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Let’s dive into the springtime theatrical fun currently on in Sydney. Forget running – gallop over to Hayes Theatre right now to see the incredible new Australian work, Phar Lap: The Electro-Swing Musical. Written by Steven Kramer and directed by Sheridan Harbridge, this brand-new musical brings a hilarious and talented cast to the stage, telling a rags-to-riches story with a big heart. Expect “tap-dancing horses, domineering jockeys and fanatical horse-girls,” and so much more. It’s on until November 22. Find out more here. Fancy a dazzling night out? La Ronde is here at Sydney’s Grand Electric, bringing an intoxicating performance of comedy, cabaret and circus to the stage – with a side of cocktails and chaos. From the creators of Blanc de Blanc and Limbo, this exciting new show is sure to deliver glitz, glamour and entertainment. Check out a sneak peek here, and find out more here. Over at Sydney Theatre Company, Who's Afraid of Virginia Woolf? is on until December 14. See award-winner Kat Stewart star in Edward Albee’s most famous play that explores love, marriage and everything in between. Find out more here.  Great Scott! Back to the Future: The Musical is now playing at Sydney Lyric, so round up your fellow movie buffs and enjoy a blast from the past. As our reviewer says: "And if you think they couldn’t get the DeLorean to do that final scene of the movie? Well…you’ll have to go and see for yourself." Find out more here. Tongue-in-cheek musical The Book of...
  • Musicals
It's part major-pop musical, part Shakespearean comedy and full of heart and humour – enter The Lovers. This spectacular remix of Shakespeare’s A Midsummer Night’s Dream is about to ignite the Theatre Royal Sydney from 31 October, for a strictly limited season. Billed as Australia’s next mega musical (we gave it five stars, just saying), The Lovers updates the Bard’s tale of bickering fairies meddling in the love lives of mortals with swipes, situationships and ghosting. And yes, there’s a killer original pop score to match. The show is produced by Shake & Stir Theatre Co and composed by Laura Murphy (The Dismissal, Zombie! The Musical), with direction by Nick Skubij (Frankenstein, Fourteen). The tale traces Oberon and Puck, centuries-old matchmakers worried that true love is on the brink of extinction. Enter four messy, modern lovers and one unforgettable night. The cast is stacked: Natalie Abbott as the hopelessly romantic Helena, Jason Arrows as Demetrius, Jayme-Lee Hanekom as Puck, Loren Hunter as Hermia, Stellar Perry as Oberon and Mat Verevis as Lysander.  Murphy brilliantly decodes Shakespeare’s language and universal lessons in the era of emojis and selfies – add in a catchy score, empowering messages and an unexpected queer subplot (all on a Shakespearean scale) and you’ve got one helluva show.   Catch The Lovers during its limited two-week season at Theatre Royal Sydney from October 31 to November 16.  Tickets start from $89 and you can get yours here. 
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If you’re the designated ticket-booker in your theatre-going party, you know how stressful it can be to pick the right seats. How far back can you sit and still make out an actor’s facial expressions? Will you end up with neck cramp if you sit in row B? Just how restricted is that ‘restricted view’ seat on the side? Will you feel like you’re in another postcode if you can only afford the back row? What even is the difference between the stalls and circle? (Hint: Stalls are always downstairs – the upstairs balconies in a theatre are called the circle or the mezzanine). Our editors have spent thousands of hours sitting and awing at dramas and comedies and one-woman experimental monologues, so along the way we’ve gathered plenty of intel on exactly where you want to be in Sydney's theatres. Here are our tips, from the absolute best seats to the surprising bargains you can sometimes nab. RECOMMENDED: How to score cheap theatre tickets in Sydney. 
  • Comedy
When it comes to reimagining classic fairytales – especially those from Hans Christian Andersen – you can’t get much better (and more chaotic) than this. From October 4, Meow Meow’s The Red Shoes will take over Belvoir St Theatre for its official Sydney premiere, masterfully weaving absurdity and sensuality with razor-sharp wit and intellectual depth, into one unforgettable spectacle. The bold interpretation is born from the creative genius of Meow Meow, one of Australia’s most celebrated performers, and co-produced with Black Swan State Theatre and Malthouse Theatre. The cabaret sensation behind Meow Meow’s Little Match Girl and Meow Meow’s Little Mermaid has captivated audiences worldwide, selling out Carnegie Hall and Spiegeltents.  Now, she turns Andersen’s haunting tale on its head, a story that punished its protagonist with a curse, forcing her to dance uncontrollably. Responding to the harsh morality embedded in the prolific writer’s fairy tales, Meow Meow asks: can she be saved from her fate? What does this punishment mean? Audiences can expect raucous laughter, plenty of dancing, and a poignant reminder of the transformative power of dance. Performances run throughout the week, with tickets priced between $43 and $92. Prices may vary from performance to performance. Catch Meow Meow’s The Red Shoes at Belvoir St Theatre from October 4 to November 9. For more information and to book tickets, visit the Belvoir St Theatre website.

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