Love, for all its risks, is rarely framed as something unsettling or dangerous. Desire, hope and care are often gathered together in pursuit of joy. Though sometimes what emerges is darker: love can shift your sense of self, clouded by danger, deceit and dread. The River, directed by Margaret Thanos, explores the space between desire and deceit in an evocative introspection on love. Written by Tony Award-winning playwright Jez Butterworth, the production forces the audience to confront not only what love reveals, but what it conceals.
What is the premise of The River?
The Man (Ewen Leslie) and The Woman (Miranda Otto) spend a weekend together at his remote cabin by a river. He is eager to share a particular fishing expedition with her – one that can only happen at night, with no moon. As the play unfolds, what begins as ripples of a tender, romantic escape becomes more uncertain – an estuary sifting through contradiction, manipulation and honesty.
The production never fully decides what it wants to be – a romance, a tragedy, or something in between. While these questions linger, Thanos’s creative vision allows the ambiguities to become an asset, giving the audience space to remain in the uneasy territory between desire and distrust, where each confession feels both revelatory and suspect. Rather than resolving its tensions, the production lets them pool and deepen, leaving the audience suspended – albeit a little too long – in its murky emotional currents.
Who are the cast...
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