March events in Sydney

The genre-defying, multi-award-winning, smash-hit Broadway sensation, Hadestown has finally made its way down to Sydneytown – and it’s unlike any musical you’ve ever seen or heard. With industrial steampunk aesthetics, a soulful jazz-folk fusion, and even a comment on our dying world, this is a brave new world for musical theatre. The Down Under debut of Hadestown opened at the Theatre Royal Sydney to a ready-made fanbase. There’s a lot of hype surrounding this show – the Broadway production picked up eight Tony Awards (including Best Musical for 2019) and still plays to packed houses today, and there’s also the highly successful West End production and the North American tour.  An incisive adaptation of the age-old myth of Orpheus and Eurydice, Hadestown is the brainchild of indie-folk musician Anaïs Mitchell (with very clear influences from Justin Vernon, aka Bon Iver, who appeared on the 2010 studio album). It started its life as a song cycle, and then a studio album, and now it’s a fully-formed stage musical with a dedicated international following. Hadestown is a spectacular challenge to what we think a musical is and can be Like many fans, I discovered Hadestown via the studio album and the Broadway recording. With such a strong, atmospheric tone, the music doesn’t even need visuals to shine – featuring everything from chugging vocal sounds, deep growling singing, floating falsettos, muted trombones, a train whistle, and heavy acoustic guitars. Hadestown is the...

For people of Islamic faith, Ramadan is the most sacred month of the year. During this time, Muslims fast from dawn to dusk. But once the sun sets, iftar begins – a fast-breaking feast that runs late into the night, bringing family and friends together to enjoy an array of rich treats and moreish morsels. To coincide with this time of year, Sydney’s popular month-long celebration Lakemba Nights is back. This year’s event will be a little different, and instead of daily markets, Lakemba Nights will be running every Thursday to Sunday from now to March 30, 2025. RELATED READ: The 5 must-try dishes at Sydney's Lakemba Nights Ramadan markets. What time does Lakemba Nights during Ramadan open and close? From 6pm until 2am, Thursday through to Sunday, more than 60 local businesses will transform Lakemba’s Haldon Street into a vibrant, global food bazaar with traditional cuisine from Indonesia, Burma, Pakistan, Lebanon, the Cocos Islands, Syria and more. Time Out tip: We recommend getting there early, around 6pm, and making a beeline straight for the busiest stalls (they're the ones with fences up for lines!). It’s not only Sydney’s Muslim communities that comes together during Lakemba Nights – people of all backgrounds are welcome to flock to sample the fare of pop-up kitchens and food trucks lining Haldon Street. What started as a single street barbeque back in 2012 has grown into what many consider one of Australia's best places to celebrate the ancient tradition, with...

Calling all Inner City art fans. For three inspiring weeks this autumn, Neon Playground – Sydney’s largest Asian-Australian cultural arts festival – will transform Haymarket into a luminous wonderland of neon light installations, comedy shows, art exhibitions, incredible live performances and excellent food.  After a hugely popular first year, Neon Playground is back for round two, kicking off this Saturday (Saturday, March 15) with the epic Chinatown Block Party (taking over Dixon Street in the centre of Haymarket). The opening-night event will be headlined by Korean-Australian rap group 1300, with a super-strong line-up (featuring Hong Kong-Australian rapper Tommy Gunn, Taiwanese-Australian pop artist tiffi, CRIMSON dance crew and more) soundtracking the streets from 5pm until 10pm.  Throughout the duration of the festival, a carefully curated program of Asian-Australian artists will perform at a range of free-to-attend and ticketed shows, and the streets will be buzzing with vibrant art exhibitions and light installations. Showcasing a rotating roster of established and emerging Asian-Australian artists including Chris Yee, Kentaro Yoshida, Pei Kwang, Andrew Yee, and Samuel Kim, a magnificent sculpture formed of 14 luminous towers will act as Neon Playground's visual centerpiece. The 4-5 metre towers of light will feature 80 lightbox illustrations; use 1km of neon; and integrate more than 100,000 individual LEDs. Produced in collaboration with world-renowned creative...

If you’re of a certain age, you have history (HIStory, perhaps?) with Michael Jackson. I remember getting ‘Thriller’ on cassette as a kid. ‘Dangerous’ was one of the first CDs I ever owned. I remember seeing the extended music video for ‘Thriller’ on VHS, which came packaged with a behind-the-scenes documentary. One woman, cornered for a quick vox pop at one of the filming locations, asserted that she loved Jackson because he was “down to earth”, which is darkly hilarious in hindsight.  Down to earth? The press called him “wacko Jacko” – we all did. He slept in a hyperbaric chamber. He owned the Elephant Man’s skeleton. His skin kept getting paler, his nose thinner. What a weird guy! Was any of it true? Hard to say. Even today, when a careless tweet is like a drop of blood in a shark tank to fans and journos alike, the media furor around Michael Jackson stands as one of the most frenetic in living memory, eclipsing the likes of Beatlemania. Jackson wasn’t bigger than God, he was God to a lot of people – the King of Pop, the first Black artist to smash through the MTV colour barrier, an artist, an icon, a living legend. Then came the allegations of child sexual abuse, which first began in August 1993, and continue to this day. For those who were still on the fence, the documentary Leaving Neverland, released in 2019, saw many more fans abandon Jackson, who died in 2009 at the age of 50. And so, it makes sense that MJ the Musical would set Jackson’s relationship with the...

Calling all cost-conscious brides! If your wedding budget is blowing over, we’re here to help. From Saturday, March 29 until Friday, April 4, the Vinnies Waverley store will transform into a wonderland of discounted delights, with a huge selection of new and pre-loved wedding gowns, suits, bridesmaids’ dresses, formalwear, and accessories (including jewellery and shoes). According to Vinnies, the average Australian wedding now costs $36,000 – so any cost-saving measure to lighten that load is a welcome gift. Back in 2023, Vinnies launched their first ever bridal expo, attracting 674 customers over three days of shopping, and helping to raise money for the organisation’s charitable mission. Later this month, the mega sale is coming back – bigger and better than ever. This year’s event will feature more than 500 wedding dresses, 200 of which are brand new, plus outfits for your bridal party and accessories galore. Mapping out your budget? All brand new dresses will be priced at $300, and all pre-loved dresses will be priced at $50. You’ll find the Vinnies bridal expo at Vinnies Waverley, 253-259 Bronte Road, Waverley. The store will be open from 9.30am until 5.30pm Monday through Saturday and from 10am until 5pm on Sunday. It’s a first-in, best-dressed situation, with last year’s event attracting queues down the street as budget-savvy brides-to-be waited to snap up their cut-price finds. Our advice? Grab a coffee and a sambo from Frank’s Deli (a few doors down), and get in...

Riding into town this March on his white horse is country music star Chris Stapleton. Not only will Sydneysiders delight in his sold-out shows at Qudos Bank Arena, but can also look forward to what may be Australia’s biggest whiskey shout. From Thursday, February 27, Sydney bar Jolene’s – in the CBD's YCK precinct – is shouting nips of liquid gold every day for a month at 8pm. And it's not just any shout. Chris Stapleton’s new Traveller Whiskey has been distilled by the renowned Buffalo Trace Distillery, so you know you’re in for something good.  Catch a free daily tasting while you can, and while you’re at it, sample one of the Traveller cocktails, like the Parachute, Traveller Old Fashioned, and East Kentucky Sweet Tea. If you need something to line the stomach, the pop-up will also be dishing out Traveller tater tots (that's mini hash browns, for us Aussies) with smoky brisket, liquid cheese and whiskey-infused barbecue sauce. How’s that for southern comfort?  There aren’t any promises that Chris will make an appearance, but a little birdie told us to never say never. Find out more about the deal here.

Update March 21: From now until the end of this starry season, you can snag your Moonlight Cinema tickets for just $14 with the code 'TIMEOUT'. It’s time to stop and smell the popcorn and grab your picnic basket – this popular outdoor cinema is returning to the beautiful surrounds of Centennial Parklands this summer. From November 22, 2024, Moonlight Cinema is back in action for its 29th year in Sydney and screening a bunch of flicks in the open air and under the stars. The program features a stellar line up of 2024 Box Office blockbusters, festive movie favourites and family flicks right through to March 30, 2025. The Moonlight experience is about more than the movie. You can snuggle up in the comfiest of bean bags – and so can your furry best mate, because dogs are allowed! It’s BYO friendly (so chuck a bottle of bubbles on ice) but if you’re famously under prepared, have no fear – there’s a phalanx of food trucks, licensed bars for libations and on-site activations flogging free samples, to boot.  There are multiple ticketing options at various price points to choose from. Are you the extra-AF type? Level up your outing with the ‘Mount Franklin Lightly Sparkling Platinum experience’, which includes sparkling water (naturally) plus a food package and personal waiter service direct to deluxe double bean bags. If you're an outdoor cinema aficionado, it's worth signing up as a Moonlight Cinebuz member for reduced-price tickets, every time. So what’s playing this summer?...

Henry V (stylized as Henry 5 in this production) is inarguably one of William Shakespeare’s most martial works. First performed somewhere between 1599 and 1605, there’s debate over whether the play is a deliberate act of nationalistic propaganda – certainly, its initial staging came at a time of English military adventurism, particularly in Ireland and against the Spanish. And Shakespeare, who benefited from royal approval from both Elizabeth I and James I, knew which side of the bread his butter was on. It’s always been popular in times of war – Sir Laurence Olivier’s 1944 film adaptation came mere months after the Allied invasion of Normandy, and leans into the stirring patriotism, the blood and the thunder. The text itself is deliciously ambiguous – occasionally frustratingly so in a time when, culturally, audiences demand straight lines and clear demarcations of morality. Kicking off Bell Shakespeare’s 2025 season, this latest production bucks that trend. Former Associate Artistic Director Marion Potts returns to the company after a 15-year absence to direct this carefully concentrated version. It excises many characters and subplots (farewell, Pistol and the lads from the Boar’s Head) and, of course, keeps the sinew-stiffening and blood-summoning speeches, but leans into the cost of war, taking pains to underscore the horrors. It's 1415 or thereabouts, and newly crowned King Henry (newcomer JK Kazzi), having been convinced in a very funny scene of his claim to certain...

In the mood for a street party? We’ve got good news. City of Sydney’s street party series – aptly named Sydney Streets – is back for 2025, with festival-style street parties popping up across the city for six Saturdays this summer and autumn. Designed to celebrate the local community, Sydney Streets is taking over high streets across the city over the next few months, with the first one transforming Potts Point’s Macleay Street on Saturday, February 15. Kicking off at 11am and running into the night, the events will see the host streets closed to traffic – making space for outdoor dining, roving entertainment and live performance. Following a smoking ceremony and Welcome to Country facilitated by traditional custodians of the land, activities at the various events will range from origami workshops to dog agility, with each event specific to its suburb. Local businesses will be hosting pop-up stalls, with the neighbouring restaurants and shops included in the action. Although the specific businesses and events will vary, Sydneysiders can expect family-friendly fun and music into the night across the board. After the Macleay Street event on Saturday, February 15, Sydney Streets will take over Darlinghurst’s bustling Stanley Street on Saturday, February 22, Harris Street in Pyrmont on March 8, Glebe Point Road on Saturday, March 15, Redfern Street on Saturday, March 29 and Crown Street in Surry Hills on Saturday, April 5. Keen? You can learn more over here.  Stay in the loop:...

Perhaps it’s unpatriotic to suggest it, but I’d argue that Australia has produced strikingly few immortal works of art, particularly narrative art. But, we’ll always have Picnic at Hanging Rock – which can make a strong claim for being the most important Australian artistic work of the 20th century, and one that still casts a shadow over the 21st.  The novel by Joan Lindsay first saw the light of day in 1967, but it was Peter Weir’s 1975 film adaptation – a haunting and subtle work and the ne plus ultra of Australian Gothic – that really struck a chord with audiences. This year marks the film’s 50th anniversary, which seems to be the reason behind this haunting new production for Sydney Theatre Company’s 2025 season, the latest of numerous stage adaptations.  STC Resident Director Ian Michael (Constellations, Stolen) and playwright Tom Wright (whose adaptation was first staged by Malthouse Theatre and Black Swan Theatre in 2016) are certainly betting on Picnic at Hanging Rock’s cultural staying power. This Picnic is in no way naturalistic, but it certainly evokes a sense of the uncanny Both Lindsay’s novel and Weir’s film are elliptical and meditative, posing questions rather than offering answers. This production is perhaps more opaque than either, taking an experimental direction that ramps up the themes of horror and suspense. This works a treat in the early movements of the play, keeping the audience off kilter, forcing us to engage with a conceptual realm where time,...