The best things to do in Sydney this weekend

Sydney Theatre Company’s new production of Amy Herzog’s 4000 Miles marks the second time this comedic-yet-tense finalist for the 2013 Pulitzer Prize for Drama has appeared on the Sydney stage. With a focus on struggle, resilience and change in both the personal and generational senses, the play explores the evolving relationship between 21-year-old Leo (Shiv Palekar, The Tempest) and his 91-year-old grandmother, Vera (Nancye Hayes).  After Leo’s cross-country cycling trip goes terribly wrong, no one is more surprised than Vera when he turns up on the doorstep of her Greenwich Village apartment in the middle of the night. Over the course of this one-act drama, the pair navigates grief, identity, generational differences, and the weight of the past.  Kenneth Moraleda’s direction brings out the play’s delicate balance of humour and emotional depth, ensuring that each moment feels intimate and impactful, and a sense of the love and care between Leo and Vera is quickly established. However, something about this play left this reviewer wanting more. [Nancye] Hayes is a dynamic performer...with fantastic comedic timing Although both Leo and Vera’s motivations remain uncertain, one thing is made clear: both protagonists are staunchly counter-cultural ‘lefties’. But this doesn’t mean they always see eye to eye. Leo is an impassioned young Obama-era ‘woke-ist’ who’s critical of the 'institution' – although his girlfriend Bec (Ariadne Sgouros, Belvoir’s The Curious Incident of the...

In the mood for a street party? We’ve got good news. City of Sydney’s street party series – aptly named Sydney Streets – is back for 2025, with festival-style street parties popping up across the city for six Saturdays this summer and autumn. Designed to celebrate the local community, Sydney Streets is taking over high streets across the city over the next few months, with the first one transforming Potts Point’s Macleay Street on Saturday, February 15. Kicking off at 11am and running into the night, the events will see the host streets closed to traffic – making space for outdoor dining, roving entertainment and live performance. Following a smoking ceremony and Welcome to Country facilitated by traditional custodians of the land, activities at the various events will range from origami workshops to dog agility, with each event specific to its suburb. Local businesses will be hosting pop-up stalls, with the neighbouring restaurants and shops included in the action. Although the specific businesses and events will vary, Sydneysiders can expect family-friendly fun and music into the night across the board. After the Macleay Street event on Saturday, February 15, Sydney Streets will take over Darlinghurst’s bustling Stanley Street on Saturday, February 22, Harris Street in Pyrmont on March 8, Glebe Point Road on Saturday, March 15, Redfern Street on Saturday, March 29 and Crown Street in Surry Hills on Saturday, April 5. Keen? You can learn more over here.  Stay in the loop:...

The 1960s had aviator sunnies, the noughties had chunky belts, and in 2025, we have the Stanley Quencher. This oversized drinking vessel has taken the unofficial title of “accessory of summer” in Sydney, and the people behind the beloved hydration companion are popping up in the city real soon with a limited-time experience.  From Thursday, February 20 until Monday, February 24, Stanley Australia will be taking over the warehouse retail space at 410 Oxford Street with a fun, interactive experience. Guests will get the chance to customise their Stanley Quencher with endless colour combinations, picking and mixing different coloured straws, cups and lids. Buying a new cup on the day will score you two straws and a surprise gift, and you can head to the photo zone to snap some pics with your new creation. A celebration of summer, the Stanley Pick N Mix pop-up will be a vibrant, playful celebration of this season’s hyper-popular accessory. The pop-up will run from 9am until 9pm from February 20 until February 24 at 410 Oxford Street in Paddington, with mix-and-match Stanley Quencher H2.0 40 OZ (each with one lid, two straws and fun stickers) costing $80. Learn more over here.

Golden hour in Sydney is a magical time – when the glare of the day fades and the dropping sun coats the city in a buttery glow. And there’s one particular spot in Sydney that seems to catch the light perfectly – a failsafe sunset spot with views across the Harbour, and one of the best places to stargaze when daylight disappears entirely. We’re talking about Sydney Observatory, and for the next five Fridays, golden hour here is going to the next level – elevated by a series of (free-to-attend) live performances programmed by the creative people behind Powerhouse.Sunset Variations will kick off this evening (Friday, January 31) with a performance by the ridiculously multi-talented artist, composer and producer xmunashe. Tonight only, there will also be 500 scoops of free gelato on offer from the good people at Messina – first in, best dressed, so get there when doors open at 5pm.Next up, on Friday, February 7, ambient instrumental duo Wilson Tanner (Andras and Eleventeen Eston) will soundtrack sunset with a mesmeric three-hour set.  On the day of love (February 14), experimental electronic artist e fishpool will set the tone as the light disappears from the sky above the Harbour City. Friday, February 21 will welcome the spellbinding Maryam Rahmani to the Observatory, and the series will come to a close with a powerful three-hour set from the magnificent force that is RONA. Remarkably, the event series is entirely free – though you’ll need to RSVP to secure your spot....

You can see one of the most impressive gold collections to ever tour the globe right here in Sydney, at the Australian Museum's exclusive blockbuster summer exhibition – which is now sticking around until May 2025. Machu Picchu and the Golden Empires of Peru will take you back in time, showcasing more than 130 artefacts that give us a glimpse into the daily lives, spiritual practices and extraordinary achievements of societies in ancient Peru. In addition to the stunning gold collection, you’ll also find other priceless treasures on display, including exquisite jewellery and funerary objects unearthed in royal tombs. The exhibition dives into the rich histories of the diverse and varied ancient civilisations that originated in this enthralling region, including their fascination with natural life cycles, birth, death and human sacrifice. (Our team took a deeper dive over here, and in the video below.) View this post on Instagram A post shared by Time Out Sydney (@timeoutsydney) Want to get more out of your visit? You can upgrade your visit to Machu Picchu and the Golden Empires of Peru with a thrilling VR experience alongside the exhibition, which takes you on an expedition to the famous "lost city" of Machu Picchu. With cutting-edge technology, you’ll explore this UNESCO World Heritage site from the comfort of 360-degree motion chairs, immersing yourself in the sights, sounds and sensations of this mysterious city in the sky, all without leaving Sydney....

Ah, the Titanic. An unsinkable cultural icon, the “Ship of Dreams” has appeared in almost as many movies and stage productions as the songs of Canada’s queen of the power ballad, Céline Dion. It’s even got a two-and-a-half-hour (surprisingly serious) movie musical adaptation based on Maury Yeston’s Titanic: the Musical. Although, none can hold a candle to the cultural impact of James Cameron’s 1997 blockbuster – you know, the one with Kate Winslet and Leonardo DiCaprio. So, with nostalgia being such hot property right now, it was only a matter of time before we got the camp-as-hell musical fantasia made-for-and-by-the-gays that is Titanique. Created by Marla Mindelle (who originated the role of Céline Dion – well, as imagined in this show), Constantine Rousouli (who originated the role of Jack) and director Tye Blue (whose countless industry credits include working on the casting team of RuPaul’s Drag Race), Titanique is revisionist history at its best. Loaded with Céline Dion’s greatest bangers, it casts Queen Dion herself (played so wonderfully by cabaret legend Marney McQueen here in Aus) as the narrator of the tragic tale, who continuously places herself at the center of the action – quite literally – much to Jack and Rose’s repeated dismay. It brings the campness of the film to the front, with Stephen Anderson (Mary Poppins) playing Rose’s awful mother Ruth (complete with a bird’s nest headpiece), and Abu Kebe (Choirboy) playing a brilliant, tear-jerking drag parody...

Aria is a tasteful black comedy for Kirribilli’s Ensemble Theatre, doing the job its audience wants it to do – it offers plenty of laughs, a few political jabs here and there, but never pushes the envelope too far, with veteran playwright David Williamson playing it safe in this brand new offering. The play has the airs of Don’s Party for the upper echelons of society, but without the depth of Williamson’s more well-known works. This tale of blind prejudice focuses around the matriarchal Monique (Tracy Mann, Belvoir’s The Curious Incident of the Dog in the Nighttime), whose adult sons are the jewel of her eye as she refuses to let go of the past. A true narcissist to her bones, Monique seemingly gave up her career as an opera singer for love and family, despite her incessant insistence that she could have been the next big thing. The need for perfection now overrules everything in the path of Monique’s lifestyle, with her son’s wives needing to be perfect “acquisitions for the family” rather than loving partners for her boys that can do no wrong. But now, the wives have had enough, and Monique is in for a rude awakening. Tracy Mann is the perfect step-monster-in-law; whose vanity blinds her to the broken shards of a family in front of her Australia’s most prolific playwright, Williamson’s earlier works explored the depths of the working classes’ struggles against the classist turmoil of white Australia. Now, we’re on the other side of the class divide, and while the...

Let’s just start by saying I’m not a D&D player. I’ve played a couple of times with my family, led by my teenage son as Dungeon Master, but that was just to show interest in something he loves. So I do understand the basics – that said, you don’t need any prior knowledge of D&D to get swept up in the magic that is Dungeons and Dragons The Twenty-Sided Tavern. If anything, this show is probably the best way I’ve found so far to get a better grasp on the complex game that is D&D. This is an interactive show that began in New York as an Off-Broadway production – the same director, Michael Fell, also rehearsed with the Australian cast. In what ways is it interactive? The story lies in the audience’s hands, as well as with the roll of the 20-sided dice.  As you enter The Studio at the Sydney Opera House, you pick a coloured sticker from a basket. Depending on what colour you choose, you get aligned with one of the three classes: Warrior, Mage (Wizard) or Assassin/Entertainer. Throughout the show, you make decisions for the character in your assigned class, mostly by choosing options via your mobile phone (after scanning a QR code) – and sometimes just by yelling out. (Top tip:Make sure you turn up with a fully-charged phone.) You answer polls and take part in little games to choose what character the actors play, then make decisions or see the outcomes of characters’ actions. Dice rolls are directed by the Dungeon Master, played by the charismatic Cody Simpson-lookalike William...

It’s summertime in the Harbour City, and you know you can't go wrong with some picnic blankets, antipasto snacks, and live music. Bonus points if there's a sunset and a harbour view involved.  Sunset Sessions – Cockatoo Island's family-friendly outdoor gig series – is back and running every Saturday evening from January 11 to April 5 (except February 8, when the island will be taken over by the Nowhere Festival). A carefully curated line-up of local and not-so-local acts (brought together by Sydney tastemakers The Music & Booze Co) will be playing on the lawn of the Biloela House every Saturday evening, where there will be grazing boxes and refreshments aplenty.  There's a broad range of talents to take in, with artists hailing from all over Australia – with a mix acoustic sets, folk, contemporary and feel-good sounds. Highlights from the line-up so far include First Nations traditional language storyteller Maanyung, sibling doo-wop duo Surely Shirley and etherial physch spaceman Misty Lanes, with more acts still to be announced.You can catch Sunset Sessions on Saturdays from 5.30pm, but get there early when the gates open at 5pm to soak in the atmosphere. Tickets are $35, and children under 12 can attend for free. If you find yourself wanting more of Cockatoo Island’s out-of-this-world views, you can turn your Sunset Session into a sunrise by booking a night at the island’s heritage listed lodgings or the waterfront campground. For the first few events (from January 11...

Director Patrick Kennedy (Sophia=(Wisdom) Part 3: The Cliffs) brings his signature surrealist style to this punk retelling of the 1889 Cleveland Street Scandal from British playwright James Fritz at the New Theatre. The play reimagines the scandal – in which a secret gay brothel, frequented by a number of gentlemen and staffed by post boys, was discovered in 19th-century London – as a collage of scenes between aristocrats, arrested post boy Charlie and his mother Emily, and even glimpses into Queen Victoria’s conversations with God.  This production is stuffed with visual delights – a looming, cartoonish figure of Queen Vic keeps a watchful eye over the play’s events as four video screens keep track of place and time, and a warped Union Jack is slung in the back corner of the stage.  The story is fast-paced (for the most part) and engaging, although it can become somewhat repetitive. The combination of such a rich visual language with hefty dialogue is also a lot to take in, with little room for reprieve during the show’s almost three-hour runtime. Still, this is exciting theatremaking for a Sydney stage, and it is well worth a watch, especially for the unfaithful revisionist approach to our gay history. The Flea is a fitting reminder of queer history, and the struggles we still face, as the Sydney Mardi Gras Festival’s series of cultural events starts to rainbow-ify the city. The Flea is playing at New Theatre, Newtown, until March 8. Find tickets & info over here. Stay...