The Australian premiere of 'Hadestown'
Photograph: OA/Lisa Tomasetti | The Australian premiere of 'Hadestown'
Photograph: OA/Lisa Tomasetti | The Australian premiere of 'Hadestown'

The best shows to see in Sydney this month

Australia's Emerald City packs no shortage of big productions, indie gems and camp cabaret extravaganzas

Alannah Le Cross
Advertising

Sydney’s huge year of theatre is showing no signs of slowing down in March. The Down Under debut of Hadestown sprung out of the fiery gates at the Theatre Royal last month, and it is quickly becoming the most re-watched musical of the year, with loads of theatregoers immediately booking tickets for their second and third viewings. 

In more musical madness, the camp shenanigans of Titanique will be cruising Sydney’s waters for a while longer, with the cult-hit parody extending its season (yet again) through to June. Meanwhile over at the Sydney Opera House, the interactive magic of Dungeons & Dragons The Twenty-Sided Tavern is also kicking its boots up for a longer stay, now through ’til April. 

A new season of the spectacular Handa Opera on the Harbour also kicks off this month, and this year OA is kickin’ it classic musical style with Guys & Dolls taking to the outdoor stage starring Cody Simpson alongside a stacked cast (from March 21). Speaking of the classics, an all new Aussie production of Annie is opening at the Capitol Theatre this month.

In the indie theatre realm, you can count on the Old Fitz Theatre for some intriguing offerings, with the return of New Ghosts Theatre Company’s production of Iphigenia in Splott (March 7–22) going back-to-back with Patricia Cornelius’ LOVE in the late night slot (March 11–21). And speaking of underground spaces, Belvoir 25A is hosting the hilariously surreal and tragically true Furious Mattress (March 11-29).

That’s all just for starters! Read on for our critics' reviews and more top theatrical picks.

Musicals

  • Musicals
  • Sydney
  • 5 out of 5 stars
  • Recommended

The genre-defying, multi-award-winning, smash-hit Broadway sensation, Hadestown has finally made its way down to Sydneytown – and it’s unlike any musical you’ve ever seen or heard. With industrial steampunk aesthetics, a soulful jazz-folk fusion, and even a comment on our dying world, this is a brave new world for musical theatre.

  • Musicals
  • Sydney
  • 4 out of 5 stars
  • Recommended

Opera Australia’s fresh production of Guys & Dolls – the latest outdoor spectacle in the Handa Opera on Sydney Harbour series – gives us a proper classic musical theatre spectacle, with the picturesque backdrop of the Sydney skyline to boot. The production’s stars are uniformly excellent in their roles – and making his Australian musical theatre debut as Sky MastersonCody Simpson is able to move between effortlessly suave and sincere, all while showcasing a fabulous tenor voice.

Advertising
  • Musicals
  • Darling Harbour
  • 3 out of 5 stars
  • Recommended

A disarmingly charming work of gig theatre that packs an unexpected emotional punch, No Love Songs, is just the right fit to help break in Sydney’s newest performance space, the Foundry TheatreA sort of stripped-back modern romance story filled with catchy, indie-rock-inflected songs, the premiere Australian tour brings together musical theatre darling Lucy Maunder and Keegan Joyce as Lana and Jessie, a plucky young couple navigating love’s highs and lows. 

Plays

  • Drama
  • Sydney
  • 4 out of 5 stars
  • Recommended

Former Associate Artistic Director Marion Potts returns to Bell Shakespeare after a 15-year absence to direct this riveting, carefully concentrated version of William Shakespeare’s most martial work. It excises many characters and subplots (farewell, Pistol and the lads from the Boar’s Head) and, of course, keeps the sinew-stiffening and blood-summoning speeches, but leans into the cost of war, taking pains to underscore the horrors.

  • Drama
  • Sydney
  • 4 out of 5 stars
  • Recommended

Picnic at Hanging Rock can make a strong claim for being the most important Australian artistic work of the 20th century, and one that still casts a shadow over the 21stThis year marks the film’s 50th anniversary, and this haunting new production for Sydney Theatre Company’s 2025 season is the latest of numerous stage adaptations. This production takes an experimental direction that ramps up the themes of horror and suspense, keeping the audience off kilter, forcing us to engage with a conceptual realm where time, space, and identity are malleable.

Recommended
    You may also like
    You may also like
    Advertising