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Housed in a collection of Eiffel-era wine warehouses is a fantastical collection of 19th- and early 20th-century fairground attractions. The venue is hired out for functions on most evenings, and staff may well be setting the tables when you visit.Of the three halls, the most wonderful is the Salon de la Musique, where a musical sculpture by Jacques Rémus chimes and flashes in time with the 1934 Mortier organ and a modern-day digital grand piano playing Murder on the Orient Express.In the Salon de Venise you are twirled round on a gondola carousel; in the Salon des Arts Forains you can play a ball-throwing game that sets off a race of moustachioed waiters. The venue is open only to groups of 15 or more, but individuals can visit on the occasional guided tours. Call ahead.
Founded by collector Antoine de Galberg, and set in a former printworks, the Red House is an independently run space that alternates monographic shows of contemporary artists' work with pieces from different private art collections.
Set in the stunning, colonial-themed Palais de la Porte Dorée (built in 1931 for the World Colonial Fair), the permanent collections here trace over 200 years of immigration history. There are thought-provoking images (film and photography), everyday objects (suitcases, accordions, sewing machines and so on) and artworks that symbolise the struggles immigrants had to face when integrating into French society.Don't miss the permanent exhibition area, Repères (bearings), that looks at why many immigrants chose France, the problems they faced upon arrival, and the way sport, work, language, religion and culture can ease integration. One of the most moving areas is the Galerie des Dons - a collection of personal memorabilia donated by individuals whose families came from foreign countries.
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Been there, done that? Think again, my friend.
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