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Although Paul Cézanne’s wife was his most frequently painted subject, she’s been given short shrift by art historians, who have tended to focus on the artist’s still lifes, landscapes and figurative studies of bathers. As a remedy, the Met gathers paintings, drawings and watercolors, featuring Hortense Fiquet (the spouse in question), from its collection, as well as from others in Asia, Europe and the United States.
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