The Flea Theater

The Flea Theater

  • Theater | Off-Off Broadway
  • price 1 of 4
  • Tribeca
  • Recommended
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Time Out says

Founded in 1996, this cozy, well-appointed black-box venue has presented avant-garde experimentation and politically provocative satires. After 20 years on White Street, the Flea relocated in 2017 to a new complex a few block south in Tribeca. Artistic director Niegel Smith and producing director Carol Ostrow oversee three new playing spaces: the Sam, mamed for theater agent Sam Cohn, which seats 120; the Peter, named for the late playwright A.R. Gurney, which seats 72; and the Siggy, named for actor and Flea cofounder Sigourney Weaver, which seats 44. The company is also home to the Bats, a youthful training company that performs in many of its productions. 

Details

Address
20 Thomas St
New York
10007
Cross street:
between Church St and Broadway
Transport:
Subway: A, C, E, J, Z, N, Q, R, 6 to Canal St; 1 to Franklin St
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What’s on

Maiden Mother Crone: A Duet of Solo Plays

Two storytellers team up for a diptych of solo shows that touch on themes of modcern womanhood: Jen Ponton's Sugarcoated, a look at what lies beneath the sugar, spice and everything nice of female socialization; and Deborah Unger's The Longer My Mother is Dead, the More I Like Her, an autobiographical reflection on complex filial feelings. Tessa Slovis directs the former, and Dominick LaRuffa Jr. directs the latter. 
  • Drama

Terror Is the Order of the Day

Ben Heineman's long and extraordinary career has found him reporting for the Chicago Sun-Times, earning degrees from Harvard and Oxford and Yale, clerking at the Supreme Court, working in the Carter Administration, serving as general counsel at General Electric, writing four books and now presiding as a senior fellow at Harvard's Law School and Kennedy School of Government. He has also—why not?—written an ensemble tragedy about the French Revolution and the circular guillotine squad that followed. Tea Alagić (The Brothers Size) directs a large cast in a bargain-priced production that is running for just eight performances at the Flea.  
  • Drama

Amm(i)gone

The queer Pakistani-American writer-performer Adil Mansoor recounts his experience collaborating on a translation of Sophocles's political tragedy Antigone with his mother—a hijabi Queranic scholar—in an autobiographical solo show co-directed with Lyam B. Gabel. The show, which premiered at Washington, D.C.'s Woolly Mammoth Theater last year, makes its NYC debut at the Flea, which helpfully allows spectators to purchase tickets at prices ranging from $10 to $100 according to their ability to pay. 
  • Drama
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