New World Stages

Theater review by Melissa Rose Bernardo  [Note: RuPaul's Drag Race All-Stars champion Jimbo steps in for Alaska through February 7, and original Rent boy Adam Pascal now plays the role of Tom.] Your ears are not deceiving you: That is indeed the voice of Liza Minnelli, the patron saint of pizzazz, narrating the pop art–inspired opening of the bubbly, bedazzled Drag: The Musical. After all, the showbiz icon is one of the producers, so what better way to kick off this sequin-studded song-and-dance story? Drag, which arrives at Off Broadway’s New World Stages with a studio album and a Los Angeles run under its garter belt, is exactly what you’d expect: high heels, big hair, sassy one-liners and enough RuPaul’s Drag Race contestants to fill their own season.   The fishnet-thin plot centers on two rival drag clubs, each facing its own set of troubles. At the Cat House—where Savannah St. James (Jan Sport), The Tigress (Jujubee) and Puss Puss DuBois (Nick Laughlin) hold court—girl boss Kitty Galloway (Alaska Thunderf*ck) is dealing with imminent eviction. Across the street at the Fish Tank, house mother Alexis Gillmore (Nick Adams, of Broadway’s Priscilla, Queen of the Desert) is deep in the red with the IRS; fellow queens Tuna Turner (Lagoona Bloo), Popcorn (Luxx Noir London) and Dixie Coxworth (Liisi LaFontaine) strongarm her—no easy feat, considering the size of Adams’s arms—into seeking help from her estranged accountant brother, Tom (played by Joey McIntyre of New Kids on...

Theater review by Adam Feldman [Note: This is a review of the 2017 Broadway production, which moves Off Broadway to New World Stages in 2019 with a new cast.] Ah, the joy of watching theater fail. The looming possibility of malfunction is part of what makes live performance exciting, and disasters remind us of that; the rite requires sacrifice. There is more than schadenfreude involved when we giggle at, say, a YouTube video of a high-school Peter Pan crashing haplessly into the scenery. There is also sympathy—there but for the grace of deus ex machina go we all—and, often, a respect for the efforts of the actors to somehow muddle through. Mischief Theatre’s The Play That Goes Wrong takes this experience to farcical extremes, as six amateur British actors (and two crew members who get pressed into service onstage) try to perform a hackneyed whodunnit amid challenges that escalate from minor mishaps (stuck doors, missed cues) to bona fide medical emergencies and massive structural calamities.  Depending on your tolerance for ceaseless slapstick, The Play That Goes Wrong will either have you rolling in the aisles or rolling your eyes. It is certainly a marvel of coordination: The imported British cast deftly navigates the pitfalls of Nigel Hook’s ingeniously tumbledown set, and overacts with relish. (I especially enjoyed the muggings of Dave Hearn, Charlie Russell and coauthor Henry Lewis.) Directed by Mark Bell, the mayhem goes like cuckoo clockwork.  If you want to have a...

Self-described “bubble scientist” Fan Yang's blissfully disarming act (now performed in New York by his son Deni, daughter Melody and wife Ana) consists mainly of generating a dazzling succession of bubbles in mind-blowing configurations, filling them with smoke or linking them into long chains. Lasers and flashing colored lights add to the trippy visuals.—David Cote   TIME OUT DISCOUNT TICKET OFFER:THE GAZILLION BUBBLE SHOWIt will blow you away!!!Tickets as low as $49 (regular price $79) Promotional description:After twenty years as a Master of Bubbles, Fan Yang brought his unique brand of artistry to the Big Apple in 2007 and has since wowed bubble lovers of all ages. The Gazillion Bubble Show truly is a family affair for Fan: His wife Ana, son Deni, daughter Melody and brother Jano all can be found on stage in New York and around the world performing their bubble magic. Audiences are delighted with an unbubblievable experience and washed with a bubble tide; some even find themselves inside a bubble. Mind-blowing bubble magic, spectacular laser lighting effects and momentary soapy masterpieces will make you smile, laugh and feel like a kid again.THREE WAYS TO BUY TICKETS:1. Online: Click here to buy tickets through Telecharge2. By phone: Call 212-947-8844 and mention code: GBTONYF453. In person: Print this offer and bring it to the New World Stages box officePerformance schedule: Friday at 7pm; Saturday at 11am, 2pm and 4:30pm; Sunday at 12pm and 3pm Running time: 1hr....

The Canadian performer Katsura Sunshine, billed as the only Western master of the traditional and rigorously trained Japanese comic stortellying art of Rakugo, performs a monthly show at New World Stages. In keeping with the genre's minimalist practice, Sunshine performs in a kimono using only a fan and a hand towel for props. 

Peter Danish's drama imagines a conversation between two of the 20th century great classical conductors, the Jewish-American Leonard Bernstein and the German ex-Nazi Herbert von Karajan, over drinks at a hotel in Vienna. This production, directed by the prominent German director Gil Mehmert, avoids the pitfalls of verisimiltude by casting two German actresses as the conductors: Lucca Züchner as Karajan and American-born Helen Schneider—who played Norma in the German premiere of Sunset Boulevard—as Bernstein.