The best immersive theater in New York right now

There lived a certain man, in Russia long ago, who was big and strong (in his eyes, a flaming glow); most people looked at him with terror and with fear, but to Moscow chicks, he was such a lovely dear. We speak, of course, of the libertine faith healer Grigori "Rah Rah" Rasputin, the so-called mad monk who insinuated himself into the Romanov court in the waning years of imperial Russia until a conspiracy of aristocrats finally managed to have him killed. The female-led troupe Artemis Is Burning invites audiences—who are encouraged to wear black—to relive those heady days of decadence and treachery in an immersive performance in the atmospheric environs of Governors Island. Set Ashley Brett Chipman conceived the show and also directs it with former Sleep No More resident director Hope Youngblood, with assistance from Julia Sharpe; those three women also cowrote the script with David Campbell. James Finnemore is the choreographer. (The ticket price includes ferry trips to the island and back.) 

Role-playing games like Dungeons and Dragons are inherently theatrical: The players are all playing roles, after all. But the idea of building an actual stage show around the game—an entirely improvised one, guided by audience suggestions and decisions—seems, well, a little dicey. But an element of the unexpected is one of the things that makes this goofy fantasy show such fun. Whether or not you know much about D&D going in, it’s an adventuring party you won't want to miss.—Shaye Weaver

Company XIV's seductive take on Alice in Wonderland is a singular sexcess: a transporting fusion of haute burlesque, circus, dance and song. Impresario Austin McCormick has assembled an array of alluring and highly skilled artists, who look smashing in Zane Pihlstrom's lace-and-crystal-encrusted costumes. With its soundtrack of pop songs, attractive ensemble cast and immersive aesthetics—plus chocolate and specialty cocktails—Queen of Hearts feels like Moulin Rouge! for actual bohemians. Hell, it even has a cancan.—Raven Snook

The Time Square Edition's Paradise Club gives itself over to lunacy in this immersive neocirque extravaganza. Conceived by Lara Jacobs Rigolo, the show combines dance, acrobatics, aerialism, music and visual spectacle to salute 13 ancient goddesses of the moon. Tickets purchased individually at the Medusa level have a $40 drink minimum; the fancier Salome level, available for parties of five to seven, includes a thematically related multicourse preshow dinner curated by John Fraser, formerly of the Michelin-starred restaurant Dovetail.

Tom and Betsy Salamon’s unique adventure—part interactive theater, part scavenger hunt, part walking tour—draws participants into an amusing web of puzzles and intrigue. The three-hour Village tour travels through quirky Greenwich Village on Saturday afternoon. Groups of as many as 11 are booked every half hour. 

An actor drinks heavily (in the vein of Comedy Central's Drunk History) and then tries to corral others into enacting a story by the Bard. Bibulous excess is encouraged.