The best immersive theater in New York right now

Role-playing games like Dungeons and Dragons are inherently theatrical: The players are all playing roles, after all. But the idea of building an actual stage show around the game—an entirely improvised one, guided by audience suggestions and decisions—seems, well, a little dicey. But an element of the unexpected is one of the things that makes this goofy fantasy show such fun. Whether or not you know much about D&D going in, it’s an adventuring party you won't want to miss.—Shaye Weaver

Audience members choose their own paths through a specially designed multifloor complex in the Financial District in this all-new immersive theatrical experience from Emursive, the producers of Punchdrunk's Sleep No More. Dozens of performers evoke life in the Gilded Age through narratives loosely inspired by real New York City history as well as literary sources like the Faust legend and Oscar Wilde's The Picture of Dorian Gray. Teddy Bergman directs the show, which is written by Jon Ronson and features scenic design Gabriel Hainer Evansohn and costumes by Emilio Sosa.

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Company XIV's seductive take on Alice in Wonderland is a singular sexcess: a transporting fusion of haute burlesque, circus, dance and song. Impresario Austin McCormick has assembled an array of alluring and highly skilled artists, who look smashing in Zane Pihlstrom's lace-and-crystal-encrusted costumes. With its soundtrack of pop songs, attractive ensemble cast and immersive aesthetics—plus chocolate and specialty cocktails—Queen of Hearts feels like Moulin Rouge! for actual bohemians. Hell, it even has a cancan.—Raven Snook

The Time Square Edition's Paradise Club gives itself over to lunacy in this immersive neocirque extravaganza. Conceived by Lara Jacobs Rigolo, the show combines dance, acrobatics, aerialism, music and visual spectacle to salute 13 ancient goddesses of the moon. Tickets purchased individually at the Medusa level have a $40 drink minimum; the fancier Salome level, available for parties of five to seven, includes a thematically related multicourse preshow dinner curated by John Fraser, formerly of the Michelin-starred restaurant Dovetail.

A jittery young man named Milo labors to give a eulogy for his late friend, with help from audience volunteers, in an unusual solo-with-assistance show written by Brendan George and conceived by Peter Charney. After a 2023 debut at 59E59, the piece now returns for a more site-specific rotating run at churches and meeting places: the LGBT Community Center on Thursdays, Park Slope's Old First Reformed Church on Fridays, the Lower East Side's Studio Exhibit on Saturday and the West Village's Westbeth Community Center on Sundays. Downtown theater and nightlife publicist Ron Lasko directs this incarnation of the show; Blaize Adler-Ivanbrook, Ryan Boloix and Richard Diamond alternate as Milo. 

Tom and Betsy Salamon’s unique adventure—part interactive theater, part scavenger hunt, part walking tour—draws participants into an amusing web of puzzles and intrigue. The three-hour Village tour travels through quirky Greenwich Village on Saturday afternoon. Groups of as many as 11 are booked every half hour. 

An actor drinks heavily (in the vein of Comedy Central's Drunk History) and then tries to corral others into enacting a story by the Bard. Bibulous excess is encouraged.