Thanks to the ascent of women such as Ingrid Michaelson, Sara Bareilles and Christina Perri, the female quirk-pop field is a lot more crowded now than it was when Regina Spektor broke through with “Fidelity,” her oft-licensed semihit, in 2006. Yet one needn’t proceed too deeply into Spektor’s latest to remember what an idiosyncratic talent she remains: On Remember Us to Life (released on September 30), the NYC songstress returns to form.
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