Take 1,500 hours of live recordings by punk heroes Fugazi, extract everything but the songs, mash it together into a loud, paranoiac lump and you’ve pretty much got It’s All True, an electrified assault on the senses. Afull-tilt electric-guitar quartet supplies the layered riffing, while the extreme Brooklyn musical-theater troupe Object Collection delivers lines as if they were boxers in training, making a hilarious dystopia out of guitar tuning and stage banter. If the term rock opera hadn’t been co-opted decades ago, it’d be a perfect fit.
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