Allégret’s moody throwback to prewar French cinema involves Gérard Philipe moping around a hotel, a potent sense of hopeless social determinism and a near-biblical amount of rain.
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Allégret’s moody throwback to prewar French cinema involves Gérard Philipe moping around a hotel, a potent sense of hopeless social determinism and a near-biblical amount of rain.
Discover Time Out original video