Like Pablo Picasso, Rauschenberg (1925–2008) was known for his protean output and willingness to experiment outside the box. He was a collagist who used found objects and images in densely packed pictorial compositions and sculptural aggregations that explored the gap between art and life. His work helped to loosen Abstract Expressionism’s aesthetic stranglehold on the New York art scene of the 1950s, and in the bargain, set the stage for Pop Art. His 60-year career is celebrated in this retrospective bringing together some 250 paintings, sculptures, drawings, prints, photographs, sound and video recordings.
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