Resnick (1917-2004) was a key member of the downtown art scene of mid-century New York, a painter whose style evolved from Abstract Expressionism to dense all-over compositions of impastoed colors that appeared to visually resolve into monochromatic fields. This survey of his work represents the inaugural exhibit of the foundation bearing Resnick’s name and that of wife and fellow artist Pat Passlof (1928-2011), which is also located in the former synagogue that served as the couple’s home and studio.
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