“Memory Burn”

Does our ability to endless record our every move and moment offer a gateway to a form of digital immortality? That’s the intriguing question posed by curator Chris Romero in this group show, which include artists such as Daniel Canogar, Sara Ludy and Andrea Wolf. The exhibit itself is inspired by a 1940 dystopian novel by the Argentinian author Adolfo Bioy Casares, whose story is set in a early version of virtual reality: The characters in the book aren’t corporeal but actually projections—recorded images that transcend the finite limits of human existence. The works here pick up, in many cases, where Casares left off.