This show by the noted Parisian artist takes up both of Abreu's locations, and while drawings and photographs are included, the principal focus is on Moulène's sculptures in glass, steel and bronze, which could be described as organic or anatomical forms imbued with an ambiguously creepy vibe. A series of green-patinaed bronzes, for example, features what appear to be casts of pelvic bones, in whole or in part, impaled on tall, polelike stanchions.
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