Blake Rayne, "On Fridays We Have Half Days"

The reasoning behind Rayne's work can seem inscrutable, meta to the point of incoherence, but he's proved himself adept at creating compelling objects, no matter the thinking behind them. This show, for example, includes architectural interventions to Abreu's space (some fussing with a bookshelf in the Orchard Street location; a hole shot through one of the windows in the Eldridge Street gallery); a mobile made from a bicycle frame; iPhone photos of the projection-booth window at a movie theater; and a video projection on a bucket of yogurt. A "consideration of painting as a spatial practice"? So Rayne claims.