Thanks for subscribing! Look out for your first newsletter in your inbox soon!
Get us in your inbox
Sign up to our newsletter for the latest and greatest from your city and beyond
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
The recent revival of Peter Nadin has also prompted interest in the work of his frequent collaborator, Christopher D'Arcangelo, son of Pop painter Allan D'Arcangelo and an artist in his own right. D'Arcangelo's career was necessarily brief, as he committed suicide in 1979 at age 24, but his radically reductive work—among the first forays, arguably, of a subset of Conceptualism that would later branch off as institutional critique—raised questions that are still being asked today about the nature and purpose of art, and the role of the artist. Since D'Arcangelo didn't create much beyond textual statements and flyers, this survey relies mainly on oral-history interviews of people who knew him and includes a tribute to the artist in the form of a piece by Christopher Williams.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!