This show of work by Agnes Pelton could be the biggest revival of a little-known female artist since the Guggenheim brought Hilma af Klint back from obscurity. Much like af Klint, Pelton, who work during the first half of the 20th-century, practiced a spiritualistic brand of modernism that combined abstract and figurative elements into dreamlike scenes that may remind you of Georgia O’Keeffe on LSD.
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