The best things to do in Miami this week

A new storefront in Wynwood looks like a retro convenience store, fully stocked with Cheez-Its, Cheetos, Pringles, Pop-Tarts, and Liquid Death, except every single item on the shelves is actually a sock. ODDMART, created by the licensed accessories brand Odd Sox, turns more than 100 recognizable consumer brands into wearable collectibles housed inside their own authentic packaging. The space goes well beyond shopping with larger-than-life installations, live DJ sets, and rotating surprise activations throughout the run. The exterior carries a custom mural by Miami artist Golden 305, tying the pop-up directly into Wynwood's street art identity. Miami is the second stop after a debut in Tampa, with Las Vegas, New York, and Tokyo still to come.  

Downtown's favorite neighborhood bar is rolling out the turf for the World Cup, turning Flagler Street into a blockwide viewing party with giant LED screens, stadium-quality sound, and a pitch out front for pickup games between matches. Located just blocks away from the FIFA Fan Fest, The Lost Boy Clubhouse opens with Portugal vs. Colombia, which is sure to be one of Miami's rowdiest games, and will showcase every match throughout the duration of the tournament. Seating and tables are first come, first served, and there will be plenty of food and specialty drink offerings available, plus other fun fan surprises.   

Every Wednesday night, Wynwood's PASTA opens its kitchen for a hands-on pasta-making class led by head chef Luis Jose. The restaurant — brought to life by acclaimed Peruvian chefs Juan Manuel Umbert and Janice Buraschi — blends traditional Italian technique with Peruvian influence, and the class reflects exactly that: you'll mix, knead and shape your own pasta before sitting down to eat what you made. A welcome cocktail, appetizer and dessert round out the evening.

The FIFA World Cup is coming to Miami this summer, and Hard Rock Stadium will host seven matches between June 15 and July 18, including four group stage games featuring Brazil, Portugal, Colombia, and Uruguay, a Round of 32, a quarterfinal, and the third-place playoff. It is the biggest sporting event the city has ever hosted, and the energy will extend well beyond the stadium. Matches at Hard Rock Stadium:   June 15: Saudi Arabia vs. Uruguay, 6pm ET June 21: Uruguay vs. Cape Verde, 6pm ET June 24: Brazil vs. Scotland, 6pm ET June 27: Colombia vs. Portugal, 7:30pm ET July 3: Round of 32 July 11: Quarterfinal July 18: Third-place playoff   Fan events: FIFA Fan Festival at Bayfront Park (June 13–July 5, free): The 436,000-square-foot waterfront takeover is the city's main public gathering point for the tournament, with live match screenings on giant LED screens, a 10,000-capacity amphitheater hosting concerts and cultural programming, interactive installations, food and drink activations, and — only in Miami — water-powered jet pack demonstrations over Biscayne Bay. Free community watch parties across Miami-Dade at Little Haiti Park, Amelia Earhart Park, Tropical Park, North Beach Sand Bowl, and Palmetto Golf Course, with specific matches assigned to each location. Branded fan events will be popping up all around the city, which we'll be including in our guide to the best events in Miami, updated weekly.     

Dayglo Presents and GMP Live bring us a World Cup concert and watch party series at Miami Beach Bandshell from June 20 through July 17, timed around match days throughout the tournament. The concert lineup brings Thievery Corporation on June 26, Chromeo on July 17, Poolside on July 10, and Scottish outfit High Fade on June 23 — the night before Scotland faces Brazil. The series opens June 20 with The Rock and Roll Playhouse Presents: The Music of Bad Bunny, a family-friendly show, and also includes four watch parties at the Bandshell, covering both World Cup Semi-Finals. 

The Betsy has hosted live jazz ten times a week on Ocean Drive for years, and this summer's programming leans into Miami's multicultural identity in a real way. The anchor is the Overtown Jazz Legacy Series, which honors Miami's golden-age jazz era. On July 10, resident vocalist and Miami's "first lady of jazz" Carole Ann Taylor performs with the Angel Perez Trio, featuring Juilliard graduates Renée Cruz on bass and Brandon Lee Lewis on drums. The following night, July 11, the Bruno Tzinas Quartet takes over — led by Miami-born Manhattan School of Music trombonist Bruno Tzinas and joined by pianist and Miami Dade College educator Jim Gasior and Juilliard-bound bassist Sofia Longa, in a program curated by Nicole Yarling in partnership with WDNA Radio. Every Tuesday through the summer, Grammy-winning pianist Tal Cohen performs at the Piano Bar as part of the Piano Masters & New Voices mentorship series alongside pianist Martin Bejerano, connecting rising Frost School of Music students with established performers. The free outdoor Promenade Concert Series continues in Lummus Park on August 2 with vocalist Amy Arlo and Jaui Schneider, and August 9 with the Assel Jean-Pierre Trio. All events are free and open to the public. For a full rundown of daily programming, check out The Betsey's cultural calendar. 

The Balloon Museum's globe-trotting "Pop Air" exhibition has landed at Mana Wynwood, turning one of the neighborhood's most cavernous spaces into an entire immersive environment dedicated to inflatable art. The show has already toured Rome, Paris, New York, and LA, and the Wynwood footprint gives these installations more room than they've had anywhere. You're meant to wander, touch, and interact—through a geometric inflatable labyrinth, a suspended sphere installation that responds to movement, a room where balloons swirl in controlled tornadoes, and a massive LED-lit butterfly you can power yourself by pedaling. The standout is Hyperstudio's luminous projection-filled ecosystem of swings and shooting stars. Budget more time than you think you'll need; you'll want to stop and appreciate the scale of everything after filling your camera roll with selfies. 

Gilded and crimson-draped Faena Theater is the ideal venue to experience OBSESSION, a new original production presented by Faena Live in collaboration with the Quixotic performance art collective. Nestled in Mid-Beach, the cabaret-style show blends live vocals, choreography and cinematic storytelling to take guests on a seductive 1.5-hour journey complete with lasers, projected visuals and plenty of theatrical haze. Helmed by emcee Sophia Bollman—whose credits include a stint on NBC's The Voice as part of Team Miley Cyrus and backup singing in Beyoncé's iconic Coachella performances—Faena Theater's 2026 headlining production also features the energetic stylings of Principal Violin and Musical Lead Kostia Lucky. Tickets start at $100 per person and include show admission only (food and beverages sold separately). Guests must be 18 or older, with a valid ID required upon arrival.

The largest presentation of Jean-Michel Basquiat's work ever mounted in Florida opens at PAMM on June 25. Basquiat: Figures, Signs, Symbols brings together ten works from the collection of Kenneth C. Griffin, including Untitled (1982), the painting that sold for $110.5 million at Sotheby's and reportedly changed hands again for $200 million in 2024. But the exhibition is less interested in the market mythology around Basquiat than in the work itself, concentrating on his portraiture, his use of text and coded language, and the layered visual vocabulary he built from world history, Renaissance anatomy, hip-hop, and the street culture of 1980s New York. As the son of a Puerto Rican mother and Haitian father, Basquiat's relationship to migration and cultural hybridity lands with particular resonance in Miami. Curated by PAMM director Franklin Sirmans, who has been central to the posthumous study of Basquiat's work for over two decades. On view through June 2027.

Two of the twentieth century's most important painters, Wifredo Lam and Jean-Michel Basquiat, share a room with a selection of Songye kifwebe masks, nkisi figures and prestige objects from Central Africa at Gary Nader Art Centre in Wynwood. The show makes a pointed argument: that both artists weren't borrowing from African visual traditions so much as thinking from within them, as painters of the African diaspora working at the same intersection of the visible and the invisible that Songye sculpture has long occupied. Expect about 35 paintings and works on paper between the two, alongside objects drawn from a distinguished European collection.