Things to do in Melbourne today

Four hundred tonnes of sand. Fifteen solo sculptures. One colossal 50-tonne hero masterpiece. Get set for the spectacular Australian Sand Sculpting Championships, taking place from March 28 to April 26. It will transform the Frankston Waterfront into a magical open-air gallery of sand and storytelling. This year’s theme ‘The Enchanted Realm’ invites visitors into a world where fairytale castles, dragons and other mythical creatures rise from the sand. The line-up includes ten Aussie and five international artists who will use nothing but sand and water to craft their creations. This puts the spotlight firmly on individual artistry as each competitor battles for the prestigious Aidan J Graham Australian Champion title. Visitors will also marvel at a 50-tonne hero sculpture, a 25-tonne interactive sculpture designed for hands-on family fun, and a 15-tonne entry sculpture welcoming guests to the enchanted exhibition. For the first time ever, all sculptures will be completed before opening day. Beyond the sculptures, expect artist talks offering behind-the-scenes insights, delicious bites from food trucks and a dazzling daily light show that will transform the beach into an illuminated wonderland.  Over Easter, the festival atmosphere ramps up with special family activities, including the much-loved Sandsational Easter Egg Hunt. Visitors can also vote for their favourite sculpture in the popular People’s Choice Awards. We reckon it’s an excellent day out during the April...

Ready to laugh until you cry? The Melbourne International Comedy Festival (MICF) is back from March 25 to April 19, serving up nearly a month of punchlines and pure joy in venues across the city. Since its inception in 1987, the festival has grown to become Australia's largest cultural ticketed event – and the third-largest comedy festival in the world, behind Montreal’s Just for Laughs and the Edinburgh Fringe, luring the funniest peeps from around Australia and across the globe. The 2026 program opens on March 25 with the Comedy Allstars Supershow at the Palais Theatre. Get ready to LOL with homegrown faves like Celia Pacquola, Dilruk Jayasinha, Jenny Tian, Josie Long, Nazeem Hussain as well as international talent like Sam Jay (USA), Phil Wang (UK/Malaysia) and David O’Doherty (Ireland). From stand-up and sketch to improv, musical comedy and even film, this year’s line-up is stacked with hilarious heavyweights – think Josh Thomas, Gillian Cosgriff, Lizzy Hoo, Nat Harris, Wil Anderson, Lano & Woodley, Hannah Gadsby, Denise Scott, Urzila Carlson, Matt Okine and Sammy J, plus plenty more international acts. Championing First Nations storytelling remains front and centre, with a shows featuring Leon Filewood, Elaine Crombie, Steph Tisdell, Dale Woodbridge-Brown, Dane Simpson, Kevin Kropinyeri and Tarsh Jago. Beloved annual events also return like The 36th Annual Great Debate featuring six comedy superstars and one fearless moderator; Upfront featuring a line-up of the...

Want to frolic through a field of flowers? You don't have to wait until spring. Head to Melbourne's Dandenong Ranges to enjoy the Tesselaar KaBloom, Festival of Flowers this autumn. Open daily from Saturday, March 21 to Sunday, April 19, it's a perfect day trip to take during the Easter school holidays.  In case the name sounds familiar, it's because the Tesselaar team are the same peeps who bring us the beloved annual Dutch tulip festival. Wander through fields filled with sunflowers, salvias, marigolds, dahlias and more – just watch out for those snap-happy Instagrammers!   When is the Tesselaar KaBloom Festival on?  The festival runs every day between March 21 to April 19 – yes, even on the Easter weekend public holidays – and it's open from 10am to 5pm.  With more than a million gorgeous blooms across five acres, KaBloom invites visitors to wander through fields of diffferent flowers arranged in stunning designs that blend nature, art and creativity. What else does the Tesselaar KaBloom Festival offer? For something different, take a ride on the ferris wheel to get an aerial view of the floral arrangements. The festival also features a host of kid-friendly events among the flower fields with garden games, obstacle courses and hands-on workshops. Playful characters and storytellers will keep little ones busy and they're sure to love a ride on the tractor train. Add in a vibrant Market Faire that's brimming with handcrafted items, fresh flowers to take home and food...

When we first glimpse bone-wielding apes careening around a towering, dark monolith in the opening moments of Stanley Kubrick’s epic film, 2001: A Space Odyssey, we are awestruck and alarmed by its ominous presence.  So, too, the vast pier of the West Gate Bridge that dominates the Southbank Theatre’s Sumner Stage during labourer-turned-playwright Dennis McIntosh’s new work, West Gate. Simply but astonishingly realised by set and costume designer Christina Smith, the foreboding presence of this towering structure makes Cassandras of us all.  Even as the showering sparks of its creation pierce the dark, with lighting designer Niklas Pajanti working hand in glove with Smith to deploy the lighting rig as construction gantries, we are bitterly aware that it will fall, much like Troy. Is that a spoiler? Only if you’re oblivious to the tragic history of one of Melbourne’s darkest days.  Just before midday on October 15, 1970, a 112-metre, 2,000-tonne span of the under-construction steel box girder bridge twisted and tore free of its fatally flawed moorings. The cataclysmic plunge of steel and stone erupted in a quagmire of mud and flames.  Still Australia’s biggest industrial disaster to this day, the catastrophe claimed 35 lives, injuring 18 more. The subsequent Royal Commission identified the flawed design of Freeman Fox and Partners, the engineers responsible for another fatal collapse in Wales just a few months earlier, and the removed contractor, World Services and...

There’s something special about sitting your kids down to watch the same show that you and and your parents did, decades ago. Believe it or not, Play School has been captivating little eyes since 1966 and ACMI is giving you the chance to come and explore the set brought to life, for free.  You can explore the Play School: Come and Play! exhibition at ACMI in Federation Square now until July 12. The perfect outing for two- to five-year-olds, little ones have the chance to check out the Rocket Clock, meet Big Ted, Jemima and Humpty Dumpty, sing songs and learn.  Kids can play presenter, camera operator or director – whatever tickles their fancy. The exhibition also includes Auslan translations throughout, with sensory-friendly, Auslan and audio-described sessions available. Plus, a chance to see what goes on behind the scenes and even hear from hosts like Leah Vandenberg and childhood experts in the Play School Talks series throughout April, June and September. Ready to come inside? Tickets to Play School: Come and Play! are free but make sure you book your spot here. Catch the exhibition at ACMI from 10am to 5pm until July 12.

From Cleopatra and Mark Antony's empire-toppling romance to Romeo and Juliet's family-defying affair, love has often been an act of rebellion. Rebel Heart: Love Letters and Other Declarations takes matters of the heart seriously in this sweeping, immersive new exhibition at the State Library, drawing on its extraordinary archives to trace how people have dared to love across centuries of Australian history. The exhibition runs for almost a year and brings together handwritten letters, private diaries, rare manuscripts and deeply personal objects to weave a tapestry of passion, heartbreak and devotion. You’ll encounter Victorian-era same-sex couples living together against the odds, a mid-century interracial marriage that challenged the White Australia policy, and the prison romance between bushrangers Captain Moonlight and James Nesbitt. Fragile keepsakes are also featured in the show, including a haunting 1853 mourning brooch woven from lovers’ hair, alongside letters that read like a late-night confessional. What makes Rebel Heart especially distinctive is how it bridges the past with the present. Historical stories are amplified by newly commissioned music from Australian artists Angie McMahon, Mindy Meng Wang, Mo’Ju and Amos Roach, each responding to real love stories held in the library’s collection.  The exhibition also explores how rebellion and romance play out today – from DMs and fandoms to fan fiction and even AI relationships. It’s set to be a smart,...

From Marilyn Monroe’s fringed black dress in Some Like It Hot to Elton John’s Louis XIV–inspired birthday suit (complete with the powdered wig and train), the diva has always known how to turn getting dressed into an art form. Enter Diva, the debut exhibition at the Australian Museum of Performing Arts (AMPA). This is a glittering celebration of the artists who’ve shaped pop culture, music and fashion through imagination, talent – and, of course, by being a total diva. Charting the 19th-century opera goddesses and silent film stars to today’s global megastars, the exhibition will showcase the rise of the diva by going behind the sequins to reveal the cultural power and artistry of some of the world’s most captivating performers.  Presented by Arts Centre Melbourne and London’s Victoria and Albert Museum (V&A), this Australian exclusive brings together more than 250 objects, including 60 spectacular costumes, jewellery, photography and handwritten lyrics spanning opera, pop, punk and Hollywood. Expect a red-carpet roll call of icons: Maria Callas, Grace Jones, Cher, Prince, Madonna, Elton John, Tina Turner, Rihanna, Lady Gaga, Whitney Houston, Billie Eilish and more. Australia’s own legends get their time on the red carpet, too — from Dame Nellie Melba and Peter Allen to Kylie Minogue, Olivia Newton-John, Jessica Mauboy and Amy Taylor of Amyl and the Sniffers. Discover exquisite garments by Bob Mackie, Vivienne Westwood, Maison Margiela, Valentino and Christian Dior,...

As Susan Sontag observed in On Photography, great images can act as memento mori, interrupting the flow of time by freezing moments that are otherwise fleeting. But the power to make – and be remembered for – such images has never been evenly distributed. For much of the twentieth century, women faced formidable barriers to working as photographers, their contributions often sidelined within the male-dominated field. Women Photographers 1900–1975: A Legacy of Light, a major new exhibition at the NGV, sets out to redress that imbalance – putting women back in the frame and revisiting the history of 20th-century photography. Running until May 3, 2026, the exhibit brings together more than 300 photographs, prints, photobooks and magazines by 80-plus artists, spanning portraiture, photojournalism, fashion, documentary and the avant-garde. From the suffrage movement through to the women’s liberation era, this period reveals how women used the camera to record, reflect on and challenge the world around them. Drawn entirely from the NGV Collection, the exhibition features more than 170 recently acquired works, with 130 on public view for the first time. Recognisable images sit alongside lesser-known ones, revealing the dense international networks that connected women photographers from Melbourne to Tokyo and Paris to Buenos Aires. Highlights include Dorothea Lange’s 'Migrant Mother' (1936), one of the defining images of the Great Depression; Lee Miller’s portrait of Man Ray in...

From late-night espressos and crème caramels at Pellegrini’s to Rumi's signature Persian meatballs, Melbourne’s food culture is often celebrated at the table – but the labour behind it stays largely out of sight. Order Up: A City Fed by Many Cultures shifts the focus to the back of house, using the restaurant docket to tell a broader story about Melbourne’s culinary history as a living record of successive waves of migration and cross-cultural exchange. This immersive exhibition at the Immigration Museum centres on thousands of handwritten, food-stained order dockets suspended throughout the gallery, each pulled from the kitchens of 33 landmark Melbourne restaurants spanning cuisines and generations. Small and easily discarded, these scraps of paper have been collected to form a fluttering archive of service – capturing moments of pressure and human connection in a city whose food scene is inseparable from its stories of migration. As you move through Order Up, a layered soundscape and projected film will surround you: orders being called, cutlery clattering, extractor fans humming, languages overlapping. Audio excerpts from chefs, owners and staff reflect on journeys to Melbourne, overnight shifts, family recipes and the strange intimacy of feeding strangers night after night. The restaurants represented range from long-standing institutions to newer cult favourites, including France-Soir, Abla’s, Pellegrini’s Espresso Bar, Supper Inn, The Horn, Rumi and Pastuso. A...

Born just a year apart, Vivienne Westwood and Rei Kawakubo (the visionary behind Comme des Garçons and Dover Street Market) couldn’t have come from more different worlds – but both knew how to tear up the fashion rulebook. Their designs dismantled ideas of beauty, gender and taste, and now Melbourne gets a world-first chance to see their radical vision side by side. Open now at the NGV, Westwood | Kawakubo is a showcase of more than 140 boundary-breaking designs. Many are drawn from the NGV’s own holdings – an extraordinary cache of 300-plus Kawakubo pieces and more than 100 by Westwood – making this one of the most important showcases of their work anywhere in the world.  The exhibition is arranged thematically, moving from punk’s anarchic spirit in the 1970s to the avant-garde silhouettes of today. Expect explorations of their shared obsessions with historical dress, radical cutting techniques and subversions of gender norms, alongside rare runway footage, archival photography and film. There are plenty of highlights: punk ensembles once worn by the Sex Pistols and Siouxsie Sioux; the tartan Anglomania gown famously modelled by Kate Moss; Sarah Jessica Parker’s wedding dress from Sex and the City: The Movie; Rihanna’s sculptural ‘petal dress’ from the Met Gala; and key Comme des Garçons collections like Body Meets Dress – Dress Meets Body (SS97) and Uncertain Future (SS25). A centrepiece gallery pits Westwood’s sweeping 18th-century ballgowns against Kawakubo’s...