Things to do in Melbourne today

It's your last chance to power up, unlock that final level and beat the big boss, because ACMI's Game Worlds is about to be clocked (aka it's finishing up soon). So don't let it be game over before you get a chance to enter this immersive, fully playable exhibition. Perfect for fans of The Sims, Neopets or World of Warcraft, this blockbuster celebration of video games will transport you into the worlds of more than 30 iconic titles, including Final Fantasy XIV Online, Minecraft, Doom and Stardew Valley. Also featured are classics like Maze War and Zork, fan faves with cult followings like The Elder Scrolls Online, and new releases like Guardian Maia. Spanning games from the 1970s right through to this year, you'll be able to check out rare concept art, original design materials, early hands-on protoypes and so much more. There are 44 fully playable experiences (think Celeste speedruns on two huge screens), and four new microgames by emerging and established Aussie game developers have been specially commissioned for the exhibition.   “Our exhibition honours the real-life experiences that are made possible by and through videogames, highlighting the players and developers – and stories that bring videogame worlds to life,” said co-curators Bethan Johnson and Jini Maxwell. Want to take a part of the exhibition home with you? There's limited-edition merch and exclusive books available for purchase at the ACMI shop. Game Worlds is now on at ACMI until March 29. For more...

From Cleopatra and Mark Antony's empire-toppling romance to Romeo and Juliet's family-defying affair, love has often been an act of rebellion. Rebel Heart: Love Letters and Other Declarations takes matters of the heart seriously in this sweeping, immersive new exhibition at the State Library, drawing on its extraordinary archives to trace how people have dared to love across centuries of Australian history. The exhibition runs for almost a year and brings together handwritten letters, private diaries, rare manuscripts and deeply personal objects to weave a tapestry of passion, heartbreak and devotion. You’ll encounter Victorian-era same-sex couples living together against the odds, a mid-century interracial marriage that challenged the White Australia policy, and the prison romance between bushrangers Captain Moonlight and James Nesbitt. Fragile keepsakes are also featured in the show, including a haunting 1853 mourning brooch woven from lovers’ hair, alongside letters that read like a late-night confessional. What makes Rebel Heart especially distinctive is how it bridges the past with the present. Historical stories are amplified by newly commissioned music from Australian artists Angie McMahon, Mindy Meng Wang, Mo’Ju and Amos Roach, each responding to real love stories held in the library’s collection.  The exhibition also explores how rebellion and romance play out today – from DMs and fandoms to fan fiction and even AI relationships. It’s set to be a smart,...

Melbourne, start your engines. F1: The Exhibition has zoomed into town, marking its first-ever appearance in the Asia-Pacific region. After sell-out runs in Madrid, London and Amsterdam, the globally acclaimed show has made a pit stop at the Melbourne Convention and Exhibition Centre, transforming it into an adrenaline-fuelled hub for motorsport fans. Part museum, part immersive experience, the exhibition will trace Formula 1’s past, present and future through six expansive galleries, with a seventh new section devoted to Australia’s own racing legends. Expect everything from championship-winning cars and rare memorabilia to video interviews and archive footage that captures the sport’s greatest rivalries and most spectacular victories. Visitors begin their journey in 'Once Upon a Time in Formula 1', charting seven-plus decades of drama before stepping inside 'Design Lab', a behind-the-scenes look at the factories of Red Bull, Mercedes and McLaren. 'Drivers and Duels' pays tribute to legends like Ayrton Senna, Michael Schumacher and Lewis Hamilton, while 'Revolution by Design' explores how engineering innovation and human daring have continually pushed the limits. The exhibition’s emotional heart, 'Survival', displays the remains of Romain Grosjean’s scorched Haas car from his 2020 Bahrain crash, a stark reminder of the sport's danger. Visitors then arrive at 'The Pit Wall', a cinematic wrap-up that relives Formula 1’s most unforgettable moments. Melbourne’s edition adds...

From Marilyn Monroe’s fringed black dress in Some Like It Hot to Elton John’s Louis XIV–inspired birthday suit (complete with the powdered wig and train), the diva has always known how to turn getting dressed into an art form. Enter Diva, the debut exhibition at the Australian Museum of Performing Arts (AMPA). This is a glittering celebration of the artists who’ve shaped pop culture, music and fashion through imagination, talent – and, of course, by being a total diva. Charting the 19th-century opera goddesses and silent film stars to today’s global megastars, the exhibition will showcase the rise of the diva by going behind the sequins to reveal the cultural power and artistry of some of the world’s most captivating performers.  Presented by Arts Centre Melbourne and London’s Victoria and Albert Museum (V&A), this Australian exclusive brings together more than 250 objects, including 60 spectacular costumes, jewellery, photography and handwritten lyrics spanning opera, pop, punk and Hollywood. Expect a red-carpet roll call of icons: Maria Callas, Grace Jones, Cher, Prince, Madonna, Elton John, Tina Turner, Rihanna, Lady Gaga, Whitney Houston, Billie Eilish and more. Australia’s own legends get their time on the red carpet, too — from Dame Nellie Melba and Peter Allen to Kylie Minogue, Olivia Newton-John, Jessica Mauboy and Amy Taylor of Amyl and the Sniffers. Discover exquisite garments by Bob Mackie, Vivienne Westwood, Maison Margiela, Valentino and Christian Dior,...

Ever wanted to soar above a rainforest canopy or wander beneath the frozen surface of the polar seas? Melbourne Museum invites you to do just that with Our Wondrous Planet, a breathtaking, immersive exhibition celebrating the interconnected magic of life on Earth. Spanning reef, rainforest, ice and soil, this multisensory experience drops visitors into the planet’s most vital ecosystems. Room-sized projections, interactive moments and storytelling bring the natural world to life. More than 800 remarkable animals from across the globe take centre stage, appearing in environments that pulse, swirl and shimmer. Witness the beginnings of a coral reef, come face-to-face with rainforest icons, glide through icy waters and explore hidden root networks and organisms working quietly beneath our feet. The exhibition is anchored by distinct spaces: Our Family, showcasing animals from the much-loved Wild gallery and exploring the human place in the tree of life; Our Roots, a reflective First Peoples-led space centred on care, reciprocity and connection to Country; and Our Moment, an interactive zone encouraging visitors to work together on the planet’s biggest challenges. What sets Our Wondrous Planet apart is its blend of First Peoples and scientific knowledge, showing how everything on Earth is connected and how small human actions can make a difference. Family-friendly, visually spectacular and thought-provoking, this exhibition entertains while leaving plenty to reflect on. Our...

Born just a year apart, Vivienne Westwood and Rei Kawakubo (the visionary behind Comme des Garçons and Dover Street Market) couldn’t have come from more different worlds – but both knew how to tear up the fashion rulebook. Their designs dismantled ideas of beauty, gender and taste, and now Melbourne gets a world-first chance to see their radical vision side by side. Open now at the NGV, Westwood | Kawakubo is a showcase of more than 140 boundary-breaking designs. Many are drawn from the NGV’s own holdings – an extraordinary cache of 300-plus Kawakubo pieces and more than 100 by Westwood – making this one of the most important showcases of their work anywhere in the world.  The exhibition is arranged thematically, moving from punk’s anarchic spirit in the 1970s to the avant-garde silhouettes of today. Expect explorations of their shared obsessions with historical dress, radical cutting techniques and subversions of gender norms, alongside rare runway footage, archival photography and film. There are plenty of highlights: punk ensembles once worn by the Sex Pistols and Siouxsie Sioux; the tartan Anglomania gown famously modelled by Kate Moss; Sarah Jessica Parker’s wedding dress from Sex and the City: The Movie; Rihanna’s sculptural ‘petal dress’ from the Met Gala; and key Comme des Garçons collections like Body Meets Dress – Dress Meets Body (SS97) and Uncertain Future (SS25). A centrepiece gallery pits Westwood’s sweeping 18th-century ballgowns against Kawakubo’s...

From late-night espressos and crème caramels at Pellegrini’s to Rumi's signature Persian meatballs, Melbourne’s food culture is often celebrated at the table – but the labour behind it stays largely out of sight. Order Up: A City Fed by Many Cultures shifts the focus to the back of house, using the restaurant docket to tell a broader story about Melbourne’s culinary history as a living record of successive waves of migration and cross-cultural exchange. This immersive exhibition at the Immigration Museum centres on thousands of handwritten, food-stained order dockets suspended throughout the gallery, each pulled from the kitchens of 33 landmark Melbourne restaurants spanning cuisines and generations. Small and easily discarded, these scraps of paper have been collected to form a fluttering archive of service – capturing moments of pressure and human connection in a city whose food scene is inseparable from its stories of migration. As you move through Order Up, a layered soundscape and projected film will surround you: orders being called, cutlery clattering, extractor fans humming, languages overlapping. Audio excerpts from chefs, owners and staff reflect on journeys to Melbourne, overnight shifts, family recipes and the strange intimacy of feeding strangers night after night. The restaurants represented range from long-standing institutions to newer cult favourites, including France-Soir, Abla’s, Pellegrini’s Espresso Bar, Supper Inn, The Horn, Rumi and Pastuso. A...

Traversing time and space, Wurrdha Marra is an ongoing exhibition celebrating the diversity of First Nations art and design. Since late 2023, the ground floor and foyer of the Ian Potter Centre: NGV Australia has become home to a dynamic and ever-changing exhibition space that displays masterpieces and never-before-shown works from the NGV’s First Nations collection. Translating to ‘many mobs’ in the Wurundjeri Woi Wurrung language, Wurrdha Marra showcases pieces from emerging and established artists from across Australia, including Tony Abert, Treahna Hamn, Kent Morris, Marlene Gilson, Rover Thomas, Christian Thompson, Gary Lee, Nicole Monks, Gali Yalkarriwuy, Dhambit Mungunggurr, Nonggirrnga Marawili and more.  Highlights of the free exhibition include a large-scale installation of fish traps produced by Burrara women from Maningrida – the objects have been crafted over weeks using vines from the bush. Also on display is a new collection of contemporary resin boomerangs by Keemon Williams, a First Nations queer artist hailing from Meanjin/Brisbane. Another unseen work is titled History Repeats by Girramay/Yidinji/Kuku Yalanji contemporary artist Tony Albert, who has used mass-produced objects – from tea towels to ashtrays – to reframe Indigenous histories.  More recently, the exhibition has been updated to include the largest-ever display of the NGV's expansive collection of bark paintings. Bark Salon subverts the traditional European salons of the 18th and 19th...

As Susan Sontag observed in On Photography, great images can act as memento mori, interrupting the flow of time by freezing moments that are otherwise fleeting. But the power to make – and be remembered for – such images has never been evenly distributed. For much of the twentieth century, women faced formidable barriers to working as photographers, their contributions often sidelined within the male-dominated field. Women Photographers 1900–1975: A Legacy of Light, a major new exhibition at the NGV, sets out to redress that imbalance – putting women back in the frame and revisiting the history of 20th-century photography. Running until May 3, 2026, the exhibit brings together more than 300 photographs, prints, photobooks and magazines by 80-plus artists, spanning portraiture, photojournalism, fashion, documentary and the avant-garde. From the suffrage movement through to the women’s liberation era, this period reveals how women used the camera to record, reflect on and challenge the world around them. Drawn entirely from the NGV Collection, the exhibition features more than 170 recently acquired works, with 130 on public view for the first time. Recognisable images sit alongside lesser-known ones, revealing the dense international networks that connected women photographers from Melbourne to Tokyo and Paris to Buenos Aires. Highlights include Dorothea Lange’s 'Migrant Mother' (1936), one of the defining images of the Great Depression; Lee Miller’s portrait of Man Ray in...

For the First Peoples of so-called Australia, the term ‘Country’ describes much more than simply a place or nation. Instead, it describes a deep connection to land, animals and plants, ancestors, language, culture and the wisdom of the land itself. Relationships to Country are individual and dinstinct, but always grounded in mutual respect. A new installation within Melbourne Museum called Biik Milboo Dhumba – Country is Always Talking encourages visitors to consider what it means to listen to Country. As you enter the tranquil space of the museum’s living Forest Gallery, you’ll encounter portraits of Elders and community members of the Eastern Kulin Nations. Use your phone to listen to their stories, detailing their unique and personal relationships to Country. Wander among the tall trees as you learn about cultural practices including scarring trees, seed collecting and cultural burning. A towering new sculpture by artist Robert Young provides the perfect place to stop and reflect on your journey. In the words of senior Elder N’Arweet Dr Carolyn Briggs: “‘We have to sit with Country and understand how it talks to us. The landscape informs us if we learn to see and hear it.” This installation is now open and access is included with museum entry. You can find out more at the Melbourne Museum website. Want more? Check out the best art and exhibitions happening in Melbourne this month.