Things to do in Melbourne today

The curse of the Kennedys hangs heavy over the sorry tale of Grey Gardens, the bittersweet and sour musical with a score by Scott Frankel, lyrics by Michael Korie and a book by Doug Wright.  The resplendent, 28-room mansion was once a jewel in the East Hampton crown, snapped up by Wall Street lawyer Phelan Beale in 1924. It stayed in the family for just over half a century, during which time its lustre would dull disastrously.  Jacqueline Lee Bouvier, the future First Lady herself destined for tragedy, would often stay there as a child with her little sister Caroline ‘Lee’, as guests of their musically inclined socialite aunt, Edith ‘Big Edie’ Ewing Bouvier Beale, Phelan’s wife. The girls were fast friends with Big Edie’s daughter, later dubbed ‘Little Edie’. The oft-absent Phelan sent word to Big Edie of their divorce by telegram shortly after the cessation of WWII, leaving her the house but very little means to maintain it. Little Edie left to pursue a showbusiness career in New York City but soon returned with her tail between her legs, her once-luscious hair lost to alopecia totalis.  Together they huddled, bickering in co-dependent disharmony as Grey Gardens gradually crumbled around them, filling up with festering rubbish as the water and heating failed, with the health department on the warpath alongside a cornucopia of cats, rats, raccoons, lice and fleas who promptly moved in. Yikes, this sounds like it’s too sad to handle?   Look, you will feel the feels...

Even though temperatures are dropping, Melbourne’s culture calendar is just heating up. This winter, two of the city’s biggest cultural institutions, ACMI and Rising, are teaming up for a multi-sensory exhibition, celebrating music’s cultural impact and paying tribute to vinyl. From May 22 to August 31, The Vinyl Factory: Reverb will bring together some of the leading figures working in video and sound to deep dive into different eras of music, through large-scale moving image works, immersive sound installations and interactive vinyl experiences.  Spanning the early days of techno to contemporary digital art, you’ll see work from celebrated artists including Canadian media artist Stan Douglas; British-Nigerian filmmaker and visual artist Jenn Nkiru; American fashion visionary Virgil Abloh; US filmmaker and music video director Kahlil Joseph; London-based photographer and video artist Gabriel Moses; South African artist William Kentridge; Turner Prize-winning British artist Jeremy Deller; British poet and sound artist Julianknxx; Argentinian performance artist Cecilia Bengolea and German electronic music and sound art innovator Carsten Nicolai.  Highlights include hands-on access to Technics turntables with remixable loops; a fantasy rap battle; and access to The Vinyl Factory’s archive, which features 100 vinyl pressings with works by Marina Abramović and Thom York.  There’s also the chance to pick a record and take it into the Listening Room, which by day functions as a...

If you thought history class was boring, Six the Musical is here to change your mind. Created by Toby Marlow and Lucy Moss, this high-energy musical returns to Australia and will be at Melbourne’s Comedy Theatre from July 24. In this foot-tapping show, the six wives of King Henry VIII are reimagined as modern-day pop stars out to reclaim their stories. One by one, Catherine of Aragon (Sarah Murr), Anne Boleyn (Mia Paris Scalise), Jane Seymour (Cara Bessey), Anna of Cleves (Kadesa Honeyhill), Katherine Howard (Angela Brischetto) and Catherine Parr (Lorinda May Merrypor) take the mic, wowing you with their power ballads and rock anthems. Since its breakout debut at the Edinburgh Festival Fringe in 2017, the show has become a global sensation thanks to its infectious songs, sharp wit and empowering message. It’s making a triumphant return to Australia, so get ready to say “Yasss Queen”. For more info and to secure your tickets, head to the website.  Read on for our five-star review of Six the Musical from 2024. *** Divorced, beheaded… live? This unconventional pop rock musical takes a dry historical topic and turns it into a rowdy 80-minute concert to rival the Spice Girls themselves. Everyone knows that King Henry VIII had not four, not five, but six wives – enough to require a mnemonic technique to keep track. History has reduced the legacies of these ladies to little more than singular words in a rhyme detailing their fearsome fates, but what if we carved out space to...

As Jane Austen wrote in Northanger Abbey, “The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.” So bookworms and bibliophiles, this one's for you. World of the Book, Australia’s largest and longest-running rare book exhibition, returns to State Library Victoria with more than 300 extraordinary works spanning from around 2000 BCE to the present day. This year's exhibition shines a spotlight on some of literature's most influential women writers. We're talking rare and remarkable editions by Jane Austen, Agatha Christie, Octavia E. Butler, Virginia Woolf and the Brontë sisters, including a newly acquired first edition of Jane Austen's Emma (1816) in its original Regency-era binding. You'll also be able to admire special versions of Austen's Pride and Prejudice, Sense and Sensibility and Persuasion, alongside rare editions of Agatha Christie's best-loved mysteries featuring her legendary detectives, Miss Marple and Hercule Poirot. Head to the beautiful domed La Trobe Reading Room to check out everything from intricate miniature books to Australian punk music fanzines, early comic books and centuries-old treasures. One must-see is The Mystery of a Hansom Cab (1886) – Melbourne's first publishing blockbuster, which famously outsold Sherlock Holmes. “The Fund’s first ever purchase, A Room of One’s Own by Virginia Woolf, will be displayed in a space intentionally designed to celebrate extraordinary women writers,” said State...

There’s only one reason you’d venture into a water park in winter. Adventure Park Geelong's Winter Glow Festival is back, and taking place from June 20 to August 29 this year. So, are you ready for 300 tonnes of real snow, plus glowing lights, live entertainment and two brand new rides?  Perfect for families looking for a budget-friendly taste of the snow, tickets start from just $42 per person – with little ones under 90cm scoring free entry. At the heart of the festival is Victoria’s largest indoor snow play zone, where you can build a snowman, make snow angels and launch snowballs at the dedicated Snowball Throw Zone. Outside, a dazzling light trail shines bright with more than three million twinkling lights and more than 1,000 installations, creating a glowing winter landscape. New for 2026 are two adrenaline-pumping rides: the Ice Toboggan, a 45-metre frozen slide, and the Drop Zone, a 20-metre tower offering a true alpine-style thrill. These join a full line-up of thrilling rides, including the Wave Swinger, Crazy Coaster and the much-loved Ferris Wheel. Beyond the rides and snow, kids will love watching the ice sculpting performances, meeting the Ice Princess and roasting marshmallows by the fire. You can also upgrade by hiring a VIP Winter Igloo to keep cosy while younger guests can indulge in a makeover at the Enchanted Snow Salon. The Winter Glow Festival runs from 4-9pm, Monday to Thursday and from 3–9pm Friday to Sunday (including daily during the July school...

Do you consider yourself somewhat of a Monet maestro, or even a Degas devotee? You can thank Paul Durand-Ruel, the dealer who backed the Impressionists when no one else would dare. A major new exhibition at Geelong Gallery puts the man who made the movement possible in the spotlight. Discovering the Impressionists: Paul Durand-Ruel brings together more than 70 paintings across five galleries, many from private French collections and never before seen in Australia. Alongside household names like Claude Monet, Pierre-Auguste Renoir, Berthe Morisot and Camille Pissarro, the show celebrates a second generation of artists long overlooked, including Albert André and Gustave Loiseau, whose work expands and reshapes the way Impressionism has been looked at in its later years. At the centre is Paul Durand-Ruel, the visionary dealer who staked everything on a movement once ridiculed by the establishment. Over his lifetime, he bought thousands of works, championed their artists and helped transform public taste across Europe and America. Without him, Impressionism as we know it might not exist. Beyond the works on display, highlights in the exhibition will include rare decorative panels created for Durand-Ruel’s Paris apartment and a partial recreation of the salon where he hosted collectors, offering a glimpse into the world that helped shape modern art.  Marking Geelong Gallery’s 130th year, this is its most ambitious exhibition to date, and the only Australian stop for a show...

What do you get when you cross cheese with high tea? You get High Cheese – an indulgent cheese-centric experience returning to the Westin Melbourne for its third year. Taking over the hotel’s Allegro Restaurant from May 26 to October 17, this ever-popular event sees executive chef Apoorva Kunte joining forces with Richmond specialty cheese shop Supercheese, plus Punt Road Wines for a celebration of cheese and wine. High Cheese gives your traditional high tea a delicious spin with a three-tiered menu that shines the spotlight on cheese. Think sweet and savoury bites with expertly paired wines – all designed to showcase the versatility of great (or should we say, ‘grate’?) fromage. It’s a brie-lliant excuse to spend an afternoon grazing. Supercheese owner Jeremy Spradbery has selected cheeses for their quality, provenance and personality, drawing from niche local and international producers. Guests will move through a  progression of creations by chef Kunte, including a shared centrepiece and a final sweet offering, paired with a glass of Punt Road wine. “Supercheese has an incredible eye for producers with real character,” says Kunte. “For us, it’s about showcasing cheese in a way that feels elevated, unexpected and true to the ingredient.” To keep things fresh, the experience will evolve mid-season with a refreshed menu launching in August – which gives you a gouda reason to return. High Cheese at Allegro Restaurant is available every Tuesday to Saturday from 5pm onwards...

Actress Elizabeth Taylor’s stunning diamond and ruby necklace. Dazzling tiaras worn by singer Rihanna. Princess Margaret’s rose-shaped diamond brooch. Treasured pieces owned by Australia's first international opera singer (and beloved Melburnian) Dame Nellie Melba. Yes, we’re talking obviously Cartier. Founded in Paris in 1847 by Louis-François Cartier, this French brand is synonymous with high-end luxury – and now, you can see it in all its glittering glory up close and personal.  The NGV’s blockbuster Winter Masterpieces exhibition, Cartier, will give you a chance to see some of the world’s most famous jewels on display. Exclusive to Melbourne and running from June 12 to October 4, the exhibition brings together nearly 400 jewels, gemstones, watches and decorative objects, many of which have never travelled to Australia before. Created by London’s Victoria and Albert Museum in partnership with the NGV and Cartier, the exhibition explores the evolution of the legendary French maison. Check out more than 20 spectacular tiaras, the iconic ‘Tutti Frutti’ collection with colourful rubies, emeralds and sapphires, as well as timeless timepieces and contemporary creations featuring Australian opals from Lightning Ridge. It promises to be a glittering journey through nearly two centuries of artistry, innovation and timeless style. Interested? Find out more here. Stay in the loop: sign up for our free Time Out Melbourne newsletter for the best of the city, straight to your...

From the bush to our own backyards, the eucalypt has long shaped the Australian landscape and imagination. A new exhibition at the Potter Museum of Art delves into the significance of this iconic tree with more than 163 works and five significant new artist commissions. Opening on July 10, Ngarn Wa’ngal: Art of the gum tree draws on Australian art history and contemporary works from the University of Melbourne's collection, alongside major loans from across the country to explore the tree as a source of creative inspiration. Colonial paintings by John Glover, Eugene von Guérard and Frederick McCubbin will sit alongside 20th century works by Arthur Boyd, Hans Heysen, Albert Namatjira, Grace Cossington Smith and Jessie Traill, as well as contemporary artists like Nici Cumpston, Vincent Namatjira, Joan Ross and Christian Thompson. Translating to “breathing for us” in the Woi Wurrung language, Ngarn Wa’ngal considers the gum tree as both subject and symbol, prompting conversations around Indigenous sovereignty, Australian identity, ecology, climate and the global legacy of the eucalyptus.  A major feature of the exhibition is five new commissions created specifically for the showcase, including a photographic work by Jane E. Brown using early carbon-printing techniques; an installation of seed-filled papier-mâché forms by artist Dean Cross of Worimi descent; a large-scale piece by interdisciplinary artist Megan Evans featuring eucalyptus leaves collected over decades; a...

Remember when we collectively discovered just how obsessed men were with the Roman Empire? Consider this your warning: a major, Melbourne-exclusive exhibition is officially bringing Ancient Rome to Melbourne Museum in April 2026.  Rome: Empire, Power, People is a large-scale exhibition developed by Museums Victoria in collaboration with Italian partners, drawing on extraordinary loans from the Museo Nazionale Romano and the Museo Archeologico Nazionale di Firenze. More than 150 original objects dating from the 1st to 3rd centuries CE will be on display from April 1 to October 25, 2026 – all shown in Australia for the very first time. You can expect original statues, mosaics, frescoes, jewellery and everyday artefacts that trace Rome’s story from the fallout of Julius Caesar’s assassination through the rise of the Empire and its eventual collapse. The exhibition will foreground the lived experience of being an ancient Roman – think experiencing the theatrics of the gladiator arena, the hustle and bustle of marketplaces, domestic life inside Roman homes, and the luxury and politics that shaped the Eternal City. Immersive scenography and multimedia elements will also be used to transport Melburnians through imperial splendour and ordinary life, revealing how Roman ideas of power, governance and spectacle continue to shape the modern world. Beyond the gallery, the Roman theme is taking over the whole museum. Expect Italian-inspired food and drink offerings, exclusive...