Melbourne theatre, musical and dance reviews

Once upon a December night in Melbourne, the polished production of Anastasia finally made its long-awaited Australian premiere at the Regent Theatre. As a fan of the 20th Century Fox Animation film of the same name, I was excited to see this seminal work from my childhood come to life on the grandest of stages. A sweeping tale of adventure, romance and finding your way back home, Anastasia feels destined to deliver theatrical magic. And in many ways it does – the costuming, particularly the opulent ball gowns and Russian court-style ‘fits, are gorgeous. The songs, catchy in the film, are given real oomph with the backing of a ten-strong orchestra. And the charming cast is undeniably talented. But – spoiler alert! – this is not a wholly faithful adaptation, with the most notable change being the erasure of the deliciously wicked Rasputin (justice for the criminally underrated banger ‘In the Dark of the Night’). Here, he’s been replaced by Gleb (Joshua Robson) a Bolshevik general who develops conflicted feelings for our titular heroine, but doesn’t quite incite the same fear as the original, supernaturally-gifted animated villain. What’s the premise of Anastasia? Offering a romanticised take on Russia’s last imperial dynasty, the Romanovs (heavy on the romanticised part – this is by no means a historically accurate take on the infamously unpopular family), Anastasia follows the story of Anya, a young street sweeper with a convenient case of amnesia. With rumours swirling...

It's been seen by more than a million people on Broadway and many more on the West End, and now the Tony Award-winning MJ the Musical is heading to Her Majesty's Theatre in Melbourne. Centred around the making of his 1992 Dangerous World Tour, MJ the Musical features more than 25 of Michael Jackon’s biggest pop hits set to show-stopping dance numbers, including ‘Beat It’, ‘Smooth Criminal’, ‘Man In The Mirror’ and ‘Thriller’. MJ the Musical is showing at Her Majesty's Theatre until March 1, 2026. For more information and to book tickets, head to the website. *** Time Out Sydney reviewed MJ the Musical when it played at Sydney's Lyric Theatre in March. Read on for that three-star review:   If you’re of a certain age, you have history (HIStory, perhaps?) with Michael Jackson. I remember getting ‘Thriller’ on cassette as a kid. Dangerous was one of the first CDs I ever owned. I remember seeing the extended music video for ‘Thriller’ on VHS, which came packaged with a behind-the-scenes documentary. One woman, cornered for a quick vox pop at one of the filming locations, asserted that she loved Jackson because he was “down to earth”, which is darkly hilarious in hindsight.  Down to earth? The press called him “wacko Jacko” – we all did. He slept in a hyperbaric chamber. He owned the Elephant Man’s skeleton. His skin kept getting paler, his nose thinner. What a weird guy! Was any of it true? Hard to say. Even today, when a careless tweet is like a drop of blood in a shark tank...

Say the words Saturday Night Fever and pretty much everyone conjures up John Travolta sashaying in a blazing white flared suit on a rainbow flashing dancefloor, gesticulating to the Bee Gees’ high-pitched vocals. No wonder. It’s an iconic moment, set to a stellar soundtrack that remains one of the best-selling of all time, bested only by Whitney Houston and co on The Bodyguard.  The Bee Gees deliver the mighty ‘Stayin’ Alive’, ‘How Deep Is Your Love’, ‘More Than a Woman’, ‘You Should Be Dancing’, ‘Jive Talking’ – in a scene cut from the final film, but present on the album – and title track ‘Night Fever’. They’re joined by the likes of Yvonne Elliman’s ‘If I Can’t Have You’, penned by the Bee Gees, and Kool and the Gang’s ‘Open Sesame’ on a smash-hit that’s all thriller, no filler.   Fewer folks will recall, however, the bleaker elements of John Badham’s classic 1977 movie. With a screenplay by Norman Wexler, adapted from a feature by music journalist Nik Cohn, it’s set in a New York City on its knees financially, experiencing a poverty-pinched crime spike. A story of working class unrest, as the have-nots dare to dream, it shares many plot points with West Side Story.  Featuring racially and misogynistically motivated violence, gang fights, suicide, abortion and assault in the original cut, later reissued in a toned-down to parental guidance version, Saturday Night Fever is not all disco spills and chill. So what are you getting yourself into here with Saturday Night...