Southbank Theatre (Melbourne Theatre Company)

When the gauzy wall of Christina Smith’s simple but effective set swooshes up, sweeping us into the first of five apartments we will visit during Mother Play – subtitled A Play in Five Evictions – it is impossible to escape the all-commanding presence of Sigrid Thornton.  Clad in a fur coat and sporting a bouffant wig of Nicole Kidman-level mightiness, even before she is spun around to face us in a classically stylish Eames chair, her imperiously anxious Phyllis exerts the magnetic pull of a black hole. And that’s more or less where we find ourselves in this latest work from Pulitzer Prize-winning playwright Paula Vogel, who borrows her own mother’s name and a little of their personal history. In a dingy basement apartment that Phyllis has negotiated for a steal on the back-breaking deal: her beloved son, Carl (Ash Flanders), will take out the trash.  If you ask his younger sister, Martha (Yael Stone), that could include their mother, whose absence of tenderness consumes all around her, except the scraps claimed by the cockroaches that infest their newfound home, as playfully projected by lighting designer Niklas Pajanti and, in one memorably goofy moment, portrayed by a waving puppet. They find themselves in this perilously impoverished situation because the kids’ father, Phyllis’ philandering ex, has upped and left them. An absence rather than an unseen presence, he’s rarely mentioned. Phyllis is mostly furious that her postal service typing pool gig now must sustain all...