Critics' choice theatre shows in Melbourne

Melbourne’s stages have seen a slew of jukebox musicals tread the boards over the past few years. They’ve ranged from the powerful (Tina – The Tina Turner Musical) to the cheesy-yet-crowd-pleasing (Mamma Mia! The Musical) and the glossed-over tributes (MJ the Musical). Thankfully, at a time when it feels more important than ever to encourage people to get out and support the local arts industry, A Beautiful Noise: The Neil Diamond Musical arrives at the Princess Theatre full of razzle-dazzle, an abundance of infectious energy and a stacked setlist guaranteed to appeal to the masses. What is A Beautiful Noise: The Neil Diamond Musical about?  Written by Anthony McCarten, directed by Michael Mayer and created in collaboration with Neil Diamond himself, A Beautiful Noise opens on a dour therapy session between an older Diamond (played with commanding gravitas by Terence Crawford) and his doctor (Monica Sayers). It’s an unflinchingly sharp first introduction to the musical legend – all the more surprising given the heavy involvement of Diamond and his wife Katie – who is being particularly stubborn about revealing anything about the “clouds” that darken his demeanour. Enter the doc whipping out a book of all his lyrics, and suddenly, in true musical theatre fashion, the songs are quite literally spilling onto the stage in the form of the ensemble singing a teasing medley of hits to come.   From there we’re transported back in time as a young Diamond (Will Swenson) gets his big...

When Michael Douglas’ Wall Street wanker Gordon Gekko said, “Greed… is good,” in filmmaker Oliver Stone’s 1987 triumph, Wall Street, he nail-gunned the decade’s selfish excess to the wall so hard it basically birthed Patrick Bateman.  Set two years later and released in 1991, American author Bret Easton Ellis’ gruesome third novel, American Psycho, is hung on the self-centred Bateman, a 27-year-old preening predator in a pinstripe suit.  An ambitious investment banker obsessed with horror movies, Huey Lewis, his skincare regime, business cards, restaurant reservations and one-upping the competition, Bateman is an empty shell of a man. Lurking in the darkening void where his heart should be is a far more odious truth. Worshipping “The Donald,” he shares the now-President’s malignant narcissism.  That, and he’s also a cold-blooded serial killer. Christian Bale breathed baleful life into this slick-haired monster in Mary Harron’s menacingly marvellous 1998 film. If you pay close attention to See You Sunday’s return season production of the musical – with a book by Roberto Aguirre-Sacasa and music and lyrics by Duncan Sheik – you’ll spot a cameo by Bale.  Wait, what? Is Christian Bale in American Psycho: A Musical Thriller? Sort of. Directed by Mark Taylor in conjunction with musical director Aaron Robuck, See You Sunday’s spectacular production at Chapel Off Chapel stars chillingly precise Heathers bad boy Conor Beaumont as the Valentino tuxedo buttoned-up psychopath. But in...