After cancelled gigs, closed interstate borders, and an industry in crisis, there’s a lot of emotion riding on the DMA’s first national headline tour in three years. An ear-splitting synth breaks the murmurs of the crowd as the DMA’s take the stage at Margaret Court Arena in Melbourne. Intense electronic beats and a techno light show follow, juxtaposed against the sorrowful lyrics and soft tones of lead vocalist Tommy O'Dell.
During the show, the band introduces tracks from their 2020 release the Glow – it’s the first time they’ve been played to a live crowd, after all. Unlike a typical tour where artists debut new music, the crowd is already well acquainted with the album, which combines the sounds of early ‘90s rock music with synthesised elements of dance and electronica.
The melancholy lyrics of songs like 'Silver' and the band’s beloved cover of Cher’s 'Believe' unite the crowd in shared experiences of pain and joy – and in true Aussie fashion, someone does a shoey in the moshpit while unofficial kick-ons anthem (and smash hit) 'Delete' reverberates through the room. O'Dell does well to keep a continuum of high energy throughout the sets, though multiple encores eventually grow tiresome for confused audience members.
Supporting act Hayley Mary must be commended for bringing high energy and a strong performance to a crowd clearly laser-focused on the main act. Mary's '90s alt-rock sound showcases an impressive vocal range and undeniable stage presence. Her anthemic hit 'Like A Woman Should' and cover of Lana Del Rey’s 'Chemtrails over the Country Club' are standouts.
All in all, a full-capacity stadium for the home-grown act results in a poignant, joyful and emotionally charged performance. Local gigs are back and, if this show is anything to go by, music fans are poised and ready to bring the industry back to its former glory.
Looking for more live music? Check out our round-up of the best gigs happening in Melbourne this month.