Immigration Museum

The Immigration Museum on Flinders Street is getting its first major exhibition in several years and it’s all about leaning into what makes us happy. The exhibition, called Joy, will run through until August 29, 2025. Joy features seven brand new commissioned installations from leading Victorian-based creatives, each expressing the artists’ own personal joy. You can expect an emotive adventure where colour and storytelling combine, and big happy moments that sit alongside more reflective ones. Experience the vibrant power of joy as you walk amongst room-sized interactive artworks, or contribute your own joy with the collaborative ‘share your joy’ wall. Venezuelan-born Australian artist Nadia Hernández has filled the Immigration Museum’s hallway with bold collage works, ‘future positive’ fashion designer Nixi Killick has created a ‘joy generator’ and queer artist Spencer Harrison has created a runway where you can strut your stuff. Jazz Money, a Wiradjuri poet and artist, has fused sculpture, audio and mural for a work reflecting the history of the museum site, while local artist Beci Orpin has taken over a room with a giant toy rabbit made to be hugged. Afghanistan-Australian visual artist and poet Elyas Alavi and Sher Ali have also created a large-scale mural illustrating a Persian myth.  Lastly, much-loved pop artist and designer Callum Preston has constructed a full-scale replica of a nineties video store, a joy he never thought he would miss until he realised it was...

Māori storyteller Irihipeti Waretini has created a new exhibition of photography, multimedia art and film centred around the Māori matriarchy. Māreikura - Ka rere te rongoā (the medicine flows) is happening now at the CBD’s Immigration Museum, until late February 2025.  The exhibition, which is Waretini’s first solo showing, features 15 striking photographic portraits of Māori women, all of whom have moko kauae – aka traditional chin tattoos. Also included is an intricately carved pou (pillar).  ‘Māreikura’ is a te reo Māori term meaning matriarch or noble-born woman, such as those seen in the portraits. According to Waretini, “moko kauae has direct systemic healing mechanisms for Māori and anyone who beholds us wearing it.  “So naturally, it would be a key part of my first solo exhibition”, she says. “When the missionaries and early settlers arrived in Aotearoa, they brought with them their culturally specific understandings of the role and status of women, which was and is very demeaning to the importance and status of the Māori Matriarchy within Māori society. “Every opportunity we take to centre our Māreikura, we are returning to the ways in which we acknowledge the natural order of the universe, the interrelationship or whanaungatanga of all living things to one another and to the environment, and the overarching principle of balance, and securing an Indigenous future.” Māreikura is free to attend for members and children. Tickets for adults are $15, or $10 for...